Art and Design Commons^™

Artistic Representation And Self Esteem, Brianna Davis

Honors College Theses

Dependent upon the constructs of the perception of self and the viewpoint of others, humans base the value of their self esteem on outer perspectives rather than internal ones. For this thesis in particular, the outer perspective to be examined is representation in the field of the arts. This thesis project explores the process of self esteem, artistic representation in the arts, how one affects the other, a history of the correlation between the two, and ways to inform and educate the masses with the tools necessary to advance representation in the arts thus raising the self esteem of its …

Expanses, Austin J. Buchanan

Electronic Theses and Dissertations

This document will explain the nature of Austin Buchanan. This will go over the ideas, process, the executions, and the theories of my artwork. Explaining the ideas of space within, on, and around (outside), the picture plane.

The work included focuses on how a manipulated 2D surface evokes an experiential reaction. This manipulation enhances the actual experiences of real space that happens once someone becomes an observer of a 2D artwork and the conceptual idea of window space. This work challenges the ideas of the traditional picture plane illusion and the Flatbed surface or “Flatness” by expanding the picture plane …

The Metanarratives Of The Fourth Industrial Revolution And The Collective Cognitive Dissonance Of Metamodernist Discursive Formation, John R. Lewis

Electronic Theses and Dissertations

My artworks explore the impacts of the technology of the Fourth Industrial Revolution, which began in the early 21^st Century, upon global society and the human psyche. My works are instantiated by multi-year research in the areas of social psychology, cognitive dissonance, computer evolution and artificial intelligence. My body of work portrays a cautionary sensibility regards new technologies such as robotics, quantum supercomputing, Artificial Intelligence, commercial space travel and nanotechnology. In addition, my artwork attempts to increase awareness of the phenomenon of cognitive dissonance.

The perceptions and cognitions of artistic viewers relate directly to the psychological phenomenon of cognitive …

"‏‏‎ ‎‏‏‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‎", Stephen Harmon

Electronic Theses and Dissertations

My work tries to perplex the viewer to acknowledge themselves in the act of seeing. In order to perplex them, I use ambiguous reference to figure and space using multiple perspectives, vantage points, gaze, marks, mediums, and, more recently, light and site specificity to establish liminal relationships and experiences. Liminality is a kind of in-betweenness, being on the threshold of places or states of being. My experiences in and studies of the Jewish Diaspora have been my path towards understanding liminality, but liminality is not unique to diaspora or to the Jewish experience and my work does not attempt to …

Neosublime, Reframing The Philosophical, Kathy Varadi

Electronic Theses and Dissertations

Why have the sunsets and sunrises become so amazingly colorful and awe inspiring recently? Eighteenth century philosophers said such events were examples of the sublime. They defined the sublime as that which is the most absolutely great combined with an underlying element of fear usually caused by the actions of God. This infers that the sublime is something that you can’t fully understand or wrap your head around and leaves you speechless and spell bound. Contemporary art critics say that the sublime is no longer applicable to art because it has been overused. I disagree, and in my art, I …

Plot, Meredith F. Conger

Electronic Theses and Dissertations

This body of work, Plot, examines the perceptual relationship of the viewer to the landscape that surrounds them through the use of informational paintings that reference, aerial perspective, mark-making and texture. The primary objective of these works is to explore an alternative form of creating contemporary landscape paintings in response to a familiarity with his/her surrounding landscape. As an artist living in middle Georgia, I have always wanted to integrate the subject of landscape into my studio practice.

The Impact Of Patronage On Contemporary Visual Arts, Emily Coats

Honors College Theses

Patronage is vital to the art world and the success and notoriety of its artists. From straightforward patronage during the Renaissance of the Medici Family, the independent artists of modernism, to contemporary crowdfunding, it is important to note the changes in the art world throughout history to truly understand how artists and patrons have grown and continue to evolve in our contemporary society. Considering how patronage has changed and adapted throughout history and understanding the influence it has, not only allows a deeper understanding of the art world but also the world’s culture.

Neo_Fluxus & Dragons, Zachary A. Kelley

Electronic Theses and Dissertations

What is a viewer? Who can be a viewer? What is the purpose of a viewer? Is viewing an artwork a process? How does a viewer interact with an artwork? What is an artist? Are the formal elements or conceptual natures more important in art making? Why is that art? These questions and more direct me in how and why I make my art.

I will be discussing the relationship between the viewer and the artwork in an artwork experience. I will define an artwork experience using an analysis of Michael Fried’s notion of theatricality, relating the viewer to the …

The Classical Versus The Grotesque Body In Edith Wharton's Fiction, Joshua T. Temples

Electronic Theses and Dissertations

In her landmark works The House of Mirth (1905), The Custom of the Country (1913), and The Age of Innocence (1920), Edith Wharton responds to earlier depictions of the classical, pure Victorian and Edwardian woman. Wharton's "inconvenient" women overturn popular stereotypes. Subsequently, they are barred from their social groups, but they are independent, unlike the complicit and obedient women of the classical body, most of whom ascribe to the trope of the "Angel in the House." The grotesque seeks to undercut the unrealistic expectations enforced by the classical through its embodiment of progression and humanity, and Wharton is drawn to …

Considering Perspectives, Cynthia Epps

Electronic Theses and Dissertations

This body of work, Considering Perspectives, explores the ideas of perspective, not only in terms of spatial perspective in art, but also regarding how our vantage point and presumptions affect how we feel about certain subjects. The subjects of my work are spaces or objects often overlooked or considered mundane. When we approach a work of art, we typically do so with a multitude of presuppositions that influence our response. Often, we are not even aware of this. By splicing together multiple perspectives I use my work to create awareness that there may be more than one way not …

In Search Of Communication, Usman O. Oladeinde

Electronic Theses and Dissertations

This thesis examines the work included in Usman Oladeinde’s MFA thesis exhibition. The goal of this thesis paper is to explore major themes such as communication, identity, change, centeredness, landscapes, and language. These paintings present Arabic letter forms transformed into illegible shapes which are painted on landscape backgrounds, often depicting an aesthetic of textual elements receding into space. All these works are inspired by the Qibla, which is represented in the abstract and painted using acrylic media. Occasionally image transfers are mounted on the painted surface.

Visual representations like mine are communicative without forcing the viewer to one specific idea. …

Lamar Dodd Papers, Zach S. Henderson Library Special Collections

Finding Aids

This collection contains biographical information on artist Lamar Dodd spanning 1965-1990. Materials include correspondence between Dodd and John Powell and others, exhibition programs, newspaper clippings, and color photographs of artistic works. Materials were originally collected by the late John Wesley Powell, close friend of Lamar Dodd.

Find this collection in the University Libraries' catalog.