Art and Design Commons^™

Specimen X1-2020, Clayton Ehman

The STEAM Journal

This is the artwork that is featured in the cover.

Stretch, Weight, Relaxed, Proud, Twisted, Jesse W. Standlea

The STEAM Journal

I created “Stretch, Weight, Relaxed, Proud, Twisted for the show “Perceive Me”. For this show, 48 artists collaborated to create representations with and of the artist Kristine Schomaker. In her artwork, Kristine confronts and deals with body image as related to her struggles with an eating disorder she suffers from.

Evolution Of Island, Dominique Kongsli

The STEAM Journal

Evolution of Island emerged from the depths of an ocean of blue paint. My process involves observation of nature: I remember scuba diving in Thailand in the Andaman Sea and having a spiritual experience underwater while observing Christmas-tree worms pop in and out of the coral.

Rhythms Of Light, Jessica R. Csanky

CGU MFA Theses

My works are visual expressions of a true love for movement, rhythm, and saturated color. In making art, I present lived experiences that are rendered abstract. These formal representations originate from an energetic space or sensory association and express a connection to places I have been, whether physically or emotionally.

Integral to my practice is the uninhibited exploration of materials and tools. I am committed to deepening my understanding of what paint can do when combined with drawing and installation techniques.

My compositions address architecture, landscape, memory, as well as psychological and physical spaces that we move through during our …

Forest For The Trees, Anthony Prud'homme

CGU MFA Theses

These paintings show life’s swarming energy coalescing into form. They are propositions to make space for connection.

Capacity, Rachel Baydian

CGU MFA Theses

This Master of Fine Arts Thesis Exhibition by Rachel Baydian is an installation of ceramic sculptures that function as a stand-in for the human body, touching on relationship, interconnectivity, and imperfection. Using abstracted forms that derive from the earth, these art objects are sculpted to mimic nature and its processes. The work highlights our human connection to nature as integrative and vital. Through experience and tactility, there is more of an awareness of space and heightened senses. The work taps into the awe and seduction of the mystery of nature through seemingly ordinary elements of the physical world.

Passe Pas: Rethinking The Passport, Miriam E. Bankier

Scripps Senior Theses

Filled with national symbols, stamps and basic identifying information, a passport can obscure the humanity behind the individual passport holder, inverting it from a symbol of citizenship and belonging to one of marginalization and xenophobia. In today’s political climate, the meaning of art has become intersected with politics and the law. Using the very tools and some processes of passport production, i.e. mixed media and printmaking techniques, my work responds to and disrupts the bureaucracy and impersonal settings involving passports and identification documents. I draw from my own experiences and privilege as having Austrian, Italian, and American citizenship, as well …