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Full-Text Articles in Art and Design
Performing Que(E)Ries: Nina Arsenault With J. Paul Halferty, Benjamin Gillespie
Performing Que(E)Ries: Nina Arsenault With J. Paul Halferty, Benjamin Gillespie
Center for LGBTQ Studies (CLAGS)
This exciting conversation and performance demo with one of Canada’s leading queer performance artists took place on October 26th, 2012 in the Segal Theatre at the CUNY Graduate Center. The event featured two short films made by Arsenault and filmmaker Jordan Tannehill, Plane of Immanence and Guadalajara, as well as an extended monologue by Arsenault retelling an autobiographical story on her quest for feminine beauty entitled The Ecstasy of Nina Arsenault: a surgical pilgrimage through a waking facelift.
The Robert Giard Foundation Fellows Enlighten Our World, Carl Sylvestre
The Robert Giard Foundation Fellows Enlighten Our World, Carl Sylvestre
Center for LGBTQ Studies (CLAGS)
This spring, the Robert Giard Foundation's partnership with CLAGS completed the first of what is anticipated to be an annual event in both organizations' calendars.
Giard Fellowship Evokes Enthusiastic Response, Shawn(Ta) Smith-Cruz
Giard Fellowship Evokes Enthusiastic Response, Shawn(Ta) Smith-Cruz
Center for LGBTQ Studies (CLAGS)
In his 1997 book, Particular Voices: Portraits of Gay and Lesbian Writers, Robert Giard captures nearly 200 photographs of his contemporaries. Giard's compilation of these portraits of lesbian and gay writers, carefully accompanied with textual excerpts, led this coffee-table monograph to stand as a supreme example of what Giard himself describes as "the autobiography of one gay reader."
"Sodoma, Sodoma, Thus Cried The Boys: A Reappraisal Of Gianantoni Bazzi's Life And Work, James Saslow
"Sodoma, Sodoma, Thus Cried The Boys: A Reappraisal Of Gianantoni Bazzi's Life And Work, James Saslow
Center for LGBTQ Studies (CLAGS)
The farther back we go from modern into early modern history, the harder it gets to document those facets of an artist's personal life that might provide an anchor for claims to discern forms of homosexual authorial intention—without the probability of which, gay/lesbian studies might indeed collapse into the baldest claim of its detractors, that it is naught but meaningless psychospeculation.
Standing Against Censorship—Again, Alisa Solomon
Standing Against Censorship—Again, Alisa Solomon
Center for LGBTQ Studies (CLAGS)
Good afternoon. I'm Alisa Solomon, the executive director of the Center for Lesbian and Cay Studies (CLAGS) at the City University of New York, and I'm glad to be here on behalf of CLAGS to voice our strong objection to Mayor Giuliani's so-called Cultural Affairs Advisory Commission. We at CLAGS are not fooled by the Mayor's disingenuous assertions that this committee is merely a group of concerned citizens exercising their free speech in offering him their advice, for we recognize many of the members as long-time activists in the effort to squelch dissident viewpoints and legislate their own narrow morality. …
Academics, Advocacy, And Activism, Jill Dolan
Academics, Advocacy, And Activism, Jill Dolan
Center for LGBTQ Studies (CLAGS)
One of the ways in which CLAGS distinguishes itself from other academically based research centers is through our firm commitment to bridging the academic and activist spheres within the larger lesbian and gay social and political communities. This Spring, we sponsored a roundtable discussion addressing arts censorship that included twenty-five academics and activists concerned about the ways in which the decrease in public arts funding on national and local levels around the country is meant to further disenfranchise lesbians, gay men, and people of color (whether or not they're lesbian or gay).