Art and Design Commons^™

Postorbital Discard And Chain Of Custody: The Processing Of Artifacts Returning To Earth From The International Space Station, Justin St. P. Walsh, Alice C. Gorman, Paola Castaño

Art Faculty Articles and Research

Few items that comprise the material culture of the International Space Station ever return to Earth. Most are left on the station or placed on cargo resupply ships that burn up on atmospheric re-entry. This fact presents a challenge for archaeologists who use material culture as their primary evidence. Together with a sociologist, we observed the processes that have been developed by NASA contractors to handle and return items that come back to Earth on the Cargo Dragon vehicle. We observed two missions, CRS-13 and CRS-14, in January and May 2018, respectively, traveling to the locations of work and interviewing …

Visual Displays In Space Station Culture: An Archaeological Analysis, Justin St. P. Walsh, Alice C. Gorman, Wendy Salmond

Art Faculty Articles and Research

We offer an archaeological analysis of the visual display of “space heroes” and Orthodox icons in the Russian Zvezda module of the International Space Station (ISS). This study is the first systematic investigation of material culture at a site in space. The ISS has now been continuously inhabited for 20 years. Here, focusing on the period 2000–2014, we use historic imagery from NASA archives to track the changing presence of 78 different items in a single zone. We also explore how ideas about which items are appropriate for display and where to display them originated in earlier Soviet and Russian …

Let’S Talk About Animals, Saskia Van Manen, Claudine Jaenichen, Klaus Kremer, Tingyi Lin, Rodrigo Ramírez

Art Faculty Articles and Research

"Pets and other animals can act as a protective factor in an emergency if we leverage design to communicate more effectively. A new prototype website does just that."

Visual Infrastructures Of Covid-19 Messaging, Julia Ross, Claudine Jaenichen

Art Faculty Articles and Research

Infecting more than two hundred and nineteen million people internationally as of September 2021, SARS-Cov2 (COVID-19) remains a major health crisis despite the availability of vaccines in many countries and publicized guidance on effective preventative measures (WHO, 2021). To combat the spread of the virus, governments worldwide have found themselves relying on their ability to exert control over health behaviors in public and private spaces. Visual communication, which includes both graphics and text, is an integral component of how these behavioral advisories are communicated to the public. Authorities translate scientific information into digestible designs for the public to achieve effective …

Eternity In Low Earth Orbit: Icons On The International Space Station, Wendy Salmond, Justin Walsh, Alice Gorman

Art Faculty Articles and Research

This paper investigates the material culture of icons on the International Space Station as part of a complex web of interactions between cosmonauts and the Russian Orthodox Church, reflecting contemporary terrestrial political and social aairs. An analysis of photographs from the International Space Station (ISS) demonstrated that a particular area of the Zvezda module is used for the display of icons, both Orthodox and secular, including the Mother of God of Kazan and Yuri Gagarin. The Orthodox icons are frequently sent to space and returned to Earth at the request of church clerics. In this process, the icons become part …

Viktor Vasnetsov’S New Icons: From Abramtsevo To The Paris “Exposition Universelle” Of 1900, Wendy Salmond

Art Faculty Articles and Research

This essay examines Russian artist Viktor Vasnetsov’s search for a new kind of prayer icon in the closing decades of the nineteenth century: a hybrid of icon and painting that would reconcile Russia’s historic contradictions and launch a renaissance of national culture and faith. Beginning with his icons for the Church of the “Savior Not Made by Hands” at Abramtsevo in 1880–81, for two decades Vasnetsov was hailed as an innovator, the four icons he sent to the Paris “Exposition Universelle” of 1900 marking the culmination of his vision. After 1900, his religious painting polarized elite Russian society and was …

Review Of Visual Voyages: Images Of Latin American Nature From Columbus To Darwin, Amy Buono

Art Faculty Articles and Research

A review of Daniela Bleichmar's Visual Voyages: Images of Latin American Nature from Columbus to Darwin.

Track 1.B Introduction: Re-Designing Health: Transforming Systems, Practices And Care, Aidan Rowe, Claudine Jaenichen, Gillian Harvey, Kate Sellen, Stephanie Vandenberg

Art Faculty Articles and Research

The Re-Designing Health: Transforming Systems, Practices and Care track explores the increasing role and possibility for a wide range of design practices and methods to contribute to health care products, provision, and systems.

There is growing recognition of the increasing complexity faced by healthcare systems; critical issues and challenges include ageing populations, chronic diseases, growing drug ineffectiveness, and lack of access to comprehensive services (to name only a few examples). Concurrently design thinking, methods and practices are increasingly recognized as means of addressing complex, multi-levelled and systemic problems.

The track session brought together design academics, researchers and practitioners that are …

Exhibition Review: “Valeska Soares: Any Moment Now”, Amy Buono

Art Faculty Articles and Research

A review of Valeska Soares' exhibition titled "Any Moment Now" at the Santa Barbara Museum of Art and later the Phoenix Art Museum in 2017 and 2018.

"Seu Tesouro São Penas De Pássaro": Arte Plumária Tupinambá E A Imagem Da América, Amy Buono

Art Faculty Articles and Research

"Os povos tupinambá do Brasil dos séculos XVI e XVII foram a primeira grande cultura de arte plumária das Américas encontrada pelos europeus. Os tupi eram uma sociedade agrícola seminômade, que habitava as florestas ao longo de quatro mil quilômetros da costa brasileira3. Como a cultura tupi foi majoritariamente efêmera, centrada em tradições cerimoniais que envolviam dança, som, movimento e adornos, eles permanecem uma das grandes sociedades do Novo Mundo menos conhecidas. A maior parte dos traços da cultura material tupi se perdeu, com exceção de algumas cerâmicas, armas e, mais importante, muitas peças deslumbrantes de arte plumária."

Review Of Peruvian Featherworks: Art Of The Precolumbian Era, Amy Buono

Art Faculty Articles and Research

A review of Peruvian Featherworks: Art of the Precolumbian Era, edited by Heidi King.

Embroidery In The Circle Of The Last Romanovs, Wendy Salmond

Art Faculty Articles and Research

This article essay examines the liturgical embroideries associated with the Empress Alexandra Fedorovna and her sister Grand Duchess Elizaveta Fedorovna. It suggests that the sisters’ needlework for sacred purposes was invested with a significance not seen in elite Russian society since the late seventeenth century. At a time when the arts of Orthodoxy were undergoing a state-sponsored renaissance, who was better suited to lead the resurgence of liturgical embroidery than the wife and sister-in-law of the Emperor, the last in a long line of royal women seeking to assert their piety and their power through traditional women’s work? In the …

Historicity, Achronicity, And The Materiality Of Cultures In Colonial Brazil, Amy J. Buono

Art Faculty Articles and Research

"In this essay, I use three nontraditional forms from the visual culture of colonial Brazil—Tupinambá featherwork, Portuguese Atlantic mandinga pouches, and azulejos (tilework)— in order to meditate upon materiality and temporality as methodological problems with which our discipline should engage. Each of these art forms has historical trajectories that span cultures, continents, and centuries, a circumstance that raises questions as to how such diverse and stubbornly nonhistoricizable genres can be melded into a coherent historical narrative of the visual and material cultures specific to 'Brazil,' especially when two of them — the mandinga bags and azulejos — are not intrinsically …

Interpretative Ingredients: Formulating Art And Natural History In Early Modern Brazil, Amy Buono

Art Faculty Articles and Research

"In this article I look at two early modern texts that pertain to the natural history of Brazil and its usage for medicinal purposes. These texts present an informative contrast in terms of information density and organization, raising important methodological considerations about the ways that inventories and catalogues become sources for colonial scholarship in general and art history in particular."

Review Of Isaak Levitan: Lyrical Landscape By Avril King, Wendy Salmond

Art Faculty Articles and Research

Wendy Salmond reviews Isaak Levitan: Lyrical Landscape by Avril King.

Review Of Collecting Across Cultures: Material Exchanges In The Early Modern Atlantic World, Amy Buono

Art Faculty Articles and Research

A review of Collecting Across Cultures: Material Exchanges in the Early Modern Atlantic World, edited by Daniela Bleichmar and Peter C. Mancall.

Baciccio's Beata Ludovica Albertoni Distributing Alms, Karen J. Lloyd

Art Faculty Articles and Research

This article focuses on the artistic relationship between Baciccio and Gian Lorenzo Bernini.

Russian Icons And American Money, 1928-1938, Wendy Salmond

Art Faculty Articles and Research

The article explores the marketing tactics and consumer expectations with regards to icons released in the street markets and provincial cities of Soviet Russia and acquired by American collectors from 1928-1938. These icons, including those from Byzantium in the tenth century, were seen as cultural commodities during the Russian revolution and the subsequent socialist construction. The Soviet apparatus Antikvariat was tasked with appraising the icon collections held by the Gosmuzeifond or the State Museum Reserve for exports.

Review Of The Iconostasis Of Peter The Great In The Peter And Paul Cathedral In St. Petersburg (1722-1729), Wendy Salmond

Art Faculty Articles and Research

Wendy Salmond reviews The Iconostasis of Peter the Great in the Peter and Paul Cathedral in St. Petersburg (1722-1729) by Julia Gerasimova.

Women In The City, Micol Hebron

Art Faculty Articles and Research

This article focuses on the billboards throughout the city of Los Angeles which feature images of women in an attempt to show an exploration of gender roles.

Elizabeth Tremante At Central Utah Art Center, Micol Hebron

Art Faculty Articles and Research

This article focuses on painter Elizabeth Tremante and her exhibit that showcases art of the discord between urban and rural viewpoints.

William Pope L. At Santa Monica Museum Of Art, Micol Hebron

Art Faculty Articles and Research

This article focuses on William Pope's three part installation Art After White People: Trees, Time & Celluloid.

Japanese Video Art, Micol Hebron

Art Faculty Articles and Research

A review of the "Radical Communication, Japanese Video Art, 1968-1988" exhibition, curated by Glenn Phillips, at the Getty Museum.

Vija Celmins At The Hammer Museum, Micol Hebron

Art Faculty Articles and Research

This article focuses on Vija Celmins drawings and photography that deals with the theme of finding one's place in the universe.

Wack! Art And The Feminist Revolution At Moca, Micol Hebron

Art Faculty Articles and Research

This article focuses on an art exhibit featuring works of feminist art throughout the 1960s and 1970s.

Review Of Paul Pfeiffer At Mc Kunst, Micol Hebron

Art Faculty Articles and Research

This article focuses on Pfeiffer's "Four Horsemen of the Apocalypse" series as they explore notions of spectacle and spectatorship.

Incendiary Postcard Art, Micol Hebron

Art Faculty Articles and Research

This article explores Susan Stilton's art project of mailing postcards with messages from the American military in Iraq and colors coordinated to terror alert levels.

William Morris At The Huntington. Exhibition Review, Wendy Salmond

Art Faculty Articles and Research

Wendy Salmond reviews an exhibition at the Huntington to honor the life and design career of William Morris.

A Matter Of Give And Take: Peasant Crafts And Their Revival In Late Imperial Russia, Wendy Salmond

Art Faculty Articles and Research

Discusses the movement to revive peasant crafts in late imperial Russia. Resurrection of the handicrafts by the local peasant women in the 1870's, Russian artist Elena Penelova and her designs such as the bedside table with rosette motif and the interior of a peasant hut, Abramtsevo experiment, School of Folk Arts's teachings on drawing and traditional women's handwork to peasant girls.

Review Of Russian Housing In The Modern Age: Design And Social History, Wendy Salmond

Art Faculty Articles and Research

Wendy Salmond reviews Russian Housing in the Modern Age: Design and Social History, edited by William Craft Brumfield and Blair Ruble.