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Full-Text Articles in Art and Design
Realm Of Remembrance, Brandon Vanbach
Realm Of Remembrance, Brandon Vanbach
Senior Projects Spring 2023
Senior Project submitted to The Division of Arts of Bard College.
In September of 2021, I turned 21 years old. During that time I also discovered a 8mm video tape in my childhood home. Unbeknownst to me, this tape, which hadn’t seen the light of day since its conception, would end up consuming my life.
The tape was a home movie filmed by my mother and her partner at the time during an outing to Vietnam in 2005. The footage consisted mostly of landscapes and claustrophobic close-ups of distant relatives. Rarely would I enter the frame. But I wasn't interested …
Points Of Attachment, Calvert Truxtun Jacks
Points Of Attachment, Calvert Truxtun Jacks
Senior Projects Fall 2021
Senior Project submitted to The Division of Arts of Bard College.
Thanks To You, I'M Alive, Antonio Scott Nichols
Thanks To You, I'M Alive, Antonio Scott Nichols
Senior Projects Spring 2019
Antonio Nichols
Artist Statement:
In this project I am using figurative painting to explore the meaning of relationships/emotion and my connection to the people I am painting. I question what this means and how each individual’s identity ties to mine and why it may or may not matter. “Thanks to You, I’m Alive,” the title of this project, encompasses the message I am sending not only to the individuals I painted but also to the viewer because there is a certain exclusivity in who I decided to paint.
I want the connection I have with these people to not only …
I Love You Three-Fifths, Brittany B. Tucker
I Love You Three-Fifths, Brittany B. Tucker
Senior Projects Spring 2018
Disparities in representation are gaps that can be filled. They’re also abundances that can be destroyed or dispersed. Misrepresentation is another useful tactic. In “I Love You Three-Fifths” I’m choosing to misrepresent the white body by caricaturing and simplifying it in order to address the relationship between American blackness and whiteness through portraiture. This “dis-representation” allows me to paint intimacy and interaction without committing to the Western ritual of rendering white bodies. Instantly, by rendering myself realistically, I become the primary subject. I am real while the white man is the joke of the painting. It’s a reversal of the …