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Full-Text Articles in Art and Design

Wish You Were Here, Janie Stamm, Janie I. Stamm May 2019

Wish You Were Here, Janie Stamm, Janie I. Stamm

Graduate School of Art Theses

The State of Florida is under threat from the effects of climate change. Rising sea levels are creeping up on to Florida’s coast, eroding the beaches and encroaching on heavily populated cities. Over my lifetime I will watch the water spill over the streets of my home town. I will watch the water flood the Everglades, pushing saltwater into freshwater habitats. I will watch the water begin to drown the state, taking Florida’s many little known histories along with it. This thesis serves as a document of Floridian life during the Anthropocene.

Within this thesis, I tell the ...


Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg May 2019

Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg

School of Arts & Sciences Theses

Noa Ginzburg is weaving cast-off and hand-made objects, lights, reflections, spells, drawings, and an abundance of knots into site-responsive installations. In her thesis, Ginzburg addresses Hieronymus Bosch’s paintings, the synergy of assemblages, repurposing of materials in the era of Anthropocene, and how notions of solidarity and indeterminacy influence her work.


Seeing Through Feeling, Christopher Mitchell Rodgers May 2019

Seeing Through Feeling, Christopher Mitchell Rodgers

Theses and Dissertations

The purpose of this paper is to describe both the inherent formal qualities and conceptual framework that are addressed within the exhibition, Seeing Through Feeling. The exhibition is centered around the methodology of making, collection, and display all through the one singular positioning, the object. The objects within the exhibition are either handmade or collected fragments that weave together around the singular position of craft and history under the pretense of how our understanding of time may not always be true. The thesis breaks down key components through specific themes into the categories of the hand, eye, symbol, object, value ...


Soheila Azadi Interview, Jillian Bridgeman Jun 2018

Soheila Azadi Interview, Jillian Bridgeman

Asian American Art Oral History Project

Artist Bio: Soheila Azadi is an interdisciplinary visual artist and lecturer based in Chicago and Iran. Born in the capital of Islamic cities, Esfahan, Azadi absorbed story-telling skills through Persian miniature drawings since she was nine. Azadi’s inspirations come from her experiences of being a woman while living under Theocracy. Now residing in the U.S. Azadi is dedicated to transnational feminism with a passionate devotion to the ways in which race, religion, gender, sexuality, and ethnicity intersect. Azadi uses performance art and performative installations as methods to both materialize and narrate stories about women’s everyday struggle in ...


A Synthesis Of Structures, Patrick Kingshill Apr 2018

A Synthesis Of Structures, Patrick Kingshill

Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design

I create compositional structures based on a curated catalog of physical and visual relationships that I have cultivated from my daily life. These compositions are intuitive expressions related to my fascination with the many facets of the built and designed world. My arrangements are curious and intriguing and they unify the expansive diversity of my formal inquiries into a cohesive visual and contemplative experience.

Ceramic and wood are my primary mediums. My interest in woodworking is both aesthetically motivated and nostalgic. I was born in a region of northern California that is historically known for its native giant sequoia and ...


After The Big Wind Stops I See Gentle Waves, Eunji (Jubee) Lee Jan 2018

After The Big Wind Stops I See Gentle Waves, Eunji (Jubee) Lee

Theses and Dissertations

This thesis covers my reflections on the inspirations and the motivations behind selected works including my candidacy exhibition; Resonance and my thesis exhibition; after the big wind stops I see gentle waves. It contains my life throughout my MFA studies and the development of my art practice. Through its story-within-a-story method of narration and my describing streams of my thoughts, I am attempting to explain the processes of my development and the discoveries I have made, the little things in my daily life, and the big turning points that inspired me. My work and this document have been strongly determined ...


Michio Iwao Interview, Grace Johnson Mar 2017

Michio Iwao Interview, Grace Johnson

Asian American Art Oral History Project

Bio: Michio Iwao is one of four sons of the parents Kotama and Tomonosuke Iwao. He is known as an Asian American craftsperson that was born on July 12, 1922 in Suisun City, California. During World War II Michio and his family were relocated and held at the Gila River Internment Camp also known as Trulock. This stay lasted from 1942 to 1945 under the War Relocation Authority. This Japanese Internment camp inspired Iwao to spend his idle time learning how to make bird pins. This was the start of Iwao becoming a craftsperson.


Dana Weiser Interview, Julia Boucher Mar 2017

Dana Weiser Interview, Julia Boucher

Asian American Art Oral History Project

Bio: Education: University of Colorado at Boulder, B.A in Fine Arts, May 2001. Penland School of Crafts, Attended August2001-May 2001, woodworking and blacksmithing. School of the Art Institute of Chicago, B.F.A, Ceramics, May 2003 & Post-Baccalaureate Certificate, Ceramics May 2004 University of California at Los Angeles, M.F.A in Ceramics, June 2007 & M.A in Asian American Studies, December 2016.

Awards: National Scholastic Art Award in Ceramics, 1997. D’Arcy Hayman Award, 2005. Laura Andreson Scholarship, 2006. Elizabeth Heller Mandell Memorial Scholarship, 2006. Laura Andreson Scholarship, 2007. Finalist in Artist Runway.com, 2008.

Exhibitions: National Scholastic Art ...


Pebbles Is A Girl That Doesn't Know Anything, Grace A. Kubilius Jan 2017

Pebbles Is A Girl That Doesn't Know Anything, Grace A. Kubilius

Theses and Dissertations

I am not quite sure how to be a woman. It’s complicated, contradictory and highly surveilled. I make videos, sculptures and wearable objects that attempt to rationalize my female identity. The body is a sustained fixture in my work: as an armature, as an absent actor for constructed environments, as fragment and as the literal inclusion of my image. It is through these various modes of dis/embodiment that I negotiate the complexities of gendered existence. Crumbling ceramic and paper objects, pieced fabric forms, videos, beauty products, and delicate flowers reference splintered narratives and unwieldy terrains. I consider the ...


With Every Fiber, Catherine Megan Calloway Jan 2016

With Every Fiber, Catherine Megan Calloway

Senior Projects Spring 2016

Displaying and covering the human form, fiber inherently refers to the body. It wraps, protects, and conveys stories about us. This accumulation of work uses strands of fiber to define space, create structures, and manipulate the human form. Considering the process of craft in which bodies manipulate fiber, this work explores the way in which fiber manipulates bodies. As sculptures that envelope a human form, each garment mandates how a body may move both within and outside of it, engendering a performance in which both entities assert limits and capabilities. Each knot, stitch, and weave, is an expression of time ...


Sensible Nonsense, Timothy J. Woodbrey Jan 2016

Sensible Nonsense, Timothy J. Woodbrey

Theses and Dissertations

“Truth happens only by establishing itself in the strife and the free space opened up by truth itself. Because truth is the opposition of clearing and concealing, there belongs to it what is here called establishing.[i]—Martin Heidegger

All things contain their own individual existence. When I look at objects I notice material, tradition, individual history. These are starting points for my imagination to seed and germinate. My ideas are fragmented, nonlinear and nonsensical to others but they hold honesty to me. Honesty is powerful and is worth sharing.

This document is an examination of my work during my ...


So Much Apparent Nothing, Emily Mcbride Jan 2016

So Much Apparent Nothing, Emily Mcbride

Theses and Dissertations

This document contains reflections on motivations behind selected works leading up to and including my thesis exhibition so much apparent nothing. Through journal excerpts and analysis of my own psychology, I attempt to put into words my thoughts concurrent to my making, indirect as they may be. The following text shares my personal conflicts and ideologies surrounding art-making, the permanence of objects, and the acceptance of an identity in flux.