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Full-Text Articles in Art and Design
Zoë Charlton: The Domestic, Shannon Egan
Zoë Charlton: The Domestic, Shannon Egan
Schmucker Art Catalogs
Zoë Charlton’s grandmother, Everlena Bates, was a domestic worker in Northern Florida. Charlton pays homage not only to her grandmother in her recent body of work, but also to the long history of African-American women’s labor in white families’ homes throughout the South. Although her grandmother did not speak often or directly about the conditions of her employment, Charlton nonetheless is keenly aware of the injustices, possible abuses, and intimate labor endured by black maids, housekeepers, and nannies who worked endlessly long hours and with little pay through the twentieth century. The collages and large-scale installation in Charlton’s exhibition The …
Drawing Survivance, Embodying Survivance: The Work Of Contemporary Ledger Artists Dwayne Wilcox And Monte Yellow Bird Sr., Keira B. Koch
Drawing Survivance, Embodying Survivance: The Work Of Contemporary Ledger Artists Dwayne Wilcox And Monte Yellow Bird Sr., Keira B. Koch
Student Publications
This paper examines the work of two contemporary Indigenous Artists, Dwayne Wilcox and Monte Yellow Bird Sr. using Gerald Vizenor's theory of suriviance. I first discuss survivance, drawing on the ways both Vizenor and other scholars have used survivance in their academic works. I then move on to situating ledger art in its historical context, analyzing the ways ledger art has been historically examined and written about. The last two sections of this paper are dedicated to highlighting the ways in which two contemporary Indigenous artists, Dwayne Wilcox and Monte Yellow Bird Sr., have embodied Vizenor’s theory of survivance in …