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Full-Text Articles in Art and Design

A Series Of Original Paintings In Water Soluble Paint Employing Mixed Media And Experimental Techniques, E. Wayne Swanson Aug 1968

A Series Of Original Paintings In Water Soluble Paint Employing Mixed Media And Experimental Techniques, E. Wayne Swanson

All Master's Theses

This thesis was a creative investigation of mixed media using water soluble paints in order to further develop experimental techniques. Painting was limited to watercolor pigments, tempera, polymer tempera, acrylics, Elmer's glue, water, ink stick, or other materials that relate to water soluble media. The development of the problem helped the candidate to draw conclusions about the technique, development, application, and experimentation of this mixed media. This study was written so that one can understand the terminology and investigation procedures and use this as a departure point for further study using water soluble mixed media.


The Investigation Of Figure-Ground Relationships In Painting, Barbara H. Jones Jul 1968

The Investigation Of Figure-Ground Relationships In Painting, Barbara H. Jones

All Master's Theses

The thesis problem involved the investigation of figure-ground relationships in painting. This study dealt with varying experiments in space, color relationships, the juxtaposition of form, and value relationships. The media used were those common to oil, watercolor and drawing. The investigation entailed the development of form and space relationships in a series of paintings. The study included a critical evaluation regarding achievement of the expressive aims, and the conclusions drawn from individual paintings, as well as from the series. The fundamental locus lay within the figure-ground relationship and that has been the emphasis.


A Series Of Original Oil Paintings, Donald John Campbell Jul 1968

A Series Of Original Oil Paintings, Donald John Campbell

All Master's Theses

It was the purpose of this study: (1) to examine, through visual and written form, the process of externalization-- the painting process, and (2) to, as objectively as possible, analyze the paintings, as objects, that are separate from the self of the artist.


Frederick Douglass, Austin Productions, Inc. Jan 1968

Frederick Douglass, Austin Productions, Inc.

Morehead State University Art Collection

A 1968 bust of Frederick Douglass by Austin Productions, Inc.


Native Son, Austin Productions, Inc. Jan 1968

Native Son, Austin Productions, Inc.

Morehead State University Art Collection

A 1968 bust of a boy titled "Nature's Son" by Austin Productions, Inc.


1968 Dogwood Arts Festival Faculty Of The Department Of Art University Of Tennessee (Exhibition Catalogue), C. Kermit Ewing Jan 1968

1968 Dogwood Arts Festival Faculty Of The Department Of Art University Of Tennessee (Exhibition Catalogue), C. Kermit Ewing

Faculty Catalogues

Faculty members: C. Kermit Ewing, Carl C. Sublett, Richard A. Clarke, Byron McKeeby, Richard J. LeFevre, Philip G. Nichols, Walter H. Stevens, William Loy, and F. Clark Stewart.


Walter H. Stevens (Exhibition Catalogue), Department Of Art Jan 1968

Walter H. Stevens (Exhibition Catalogue), Department Of Art

Historical Material

Catalogue documenting exhibition of paintings by Walter H. Stevens, UT associate professor of art and director of the graduate program.


The Art Institute Of Boston Course Catalog (1968-1969), The Art Institute Of Boston Jan 1968

The Art Institute Of Boston Course Catalog (1968-1969), The Art Institute Of Boston

Art Institute of Boston (AIB) Course Catalogs

It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …


China Painting, Julie Ward Jan 1968

China Painting, Julie Ward

Honors Theses

I chose hand painting a complete twelve-place setting of china for my special studies project. I will explain how each step is done and how I chose to paint mine.


The Weird World Of Surrealistic Painting, Barbara Battle Jan 1968

The Weird World Of Surrealistic Painting, Barbara Battle

Honors Theses

When the topic Surrealism is introduced to the average conversation, the general knowledge concerning it is that Dali is supposedly the main Surrealist, and that the Surrealists painted nonsensical make-believe canvases. But the weird world of Surrealistic art goes much deeper than this, and its roots are far more attached to the importance of man's existence. The movement of Surrealism, though somewhat short-lived, was one of tremendous fervor and power. The men who developed it had an entirely new insight toward not just painting pictures, but toward building a new philosophy of life.

Two of the main characteristics of Surrealism …