Art and Design Commons^™

Baccalaureate And Associate Degree Relationships Panel, Stephen Black, Charles Grieb, Sally A. Struthers, Sally Paronson

Art and Art History Faculty Publications

A significant number of reasoned and documented projections indicate that two-year associate degree-granting institutions will play an increasing role in the preparation of students who continue and obtain baccalaureate degrees. The U.S. population is growing, but few new institutions are being built. Many individuals must obtain their collegiate education close to home. Economic pressures and credit-hour caps are focusing states and localities on articulation agreements and curricular continuity. This session will explore these issues as a basis for presenting and considering what administrators should know and think about as local decision-making occurs.

A Venus Of Wild Nights: The Female Nude In Paintings By Judith Linhares, Shannon Egan

Art and Art History Faculty Publications

A nude woman sits on a pyramidal assemblage of logs in a pose reminiscent of Auguste Rodin’s The Thinker (1902) in Judith Linhares’s painting Up There (2003). With a delineated but transparent form, an absurdly large bumblebee feeds on enormous flowers at the base of the structure. The female figure oversees the fantastical scene like a queen bee atop a beehive. Linhares revisits the subject of a monumental female nude in her paintings (a traditional subject in the history of painting), and as such, these ‘‘queen bees’’ populate a whimsical but historical world. Her paintings are large, and even in …

Jienan Yuan (Chien Yuan) Interview, Lauren Smith

Asian American Art Oral History Project

2009 interview with record producer and composer Chien Yuan by Lauren Smith

Anita Chang Interview, Lauren Smith

Asian American Art Oral History Project

2009 interview with filmmaker Anita Chang by Lauren Smith. For more information on the artist visit: http://anitachangworks.com/

Flo Oy Wong Interview, Angelika Piwowarczyk

Asian American Art Oral History Project

2009 interview with Chinese American multimedia artist Flo Oy Wong by Angelika Piwowarczyk

http://www.flo-oy-wongartist.com/

Danny Pudi Interview, Shariq Jefferi

Asian American Art Oral History Project

2009 interview with comedian Danny Pudi by Shariq Jefferi

Cynthia Tom Interview, Lauren Swift

Asian American Art Oral History Project

2009 interview with painter and president of the Asian American Women Artists Association Cynthia Tom by Lauren Swift

Chris Naka Interview, Cheryl Franzen

Asian American Art Oral History Project

2009 interview with new media and video artist Chris Naka by Cheryl Franzen

Vincent Chung Interview, Pete Koszulinski

Asian American Art Oral History Project

2009 interview with the Foundation for Asian American Independent Media's graphic designer Vincent Chung by Pete Koszulinski

Anida Yoeu Ali Interview, Tymothy Levine

Asian American Art Oral History Project

2009 interview with performance artist Anida Yoeu Ali by Tymothy Levine. For more information on the artist visit: http://atomicshogun.com/

Larry Lee Interview, Ami Shah

Asian American Art Oral History Project

2009 interview with installation artist and curator Larry Lee by Ami Shah

Larry Lee website

View Larry's work in the AAOH project gallery

Vincent Pham Interview, Devin Meyer

Asian American Art Oral History Project

2009 interview with Vincent Pham a Doctoral Student at the University of Illinois, Urbana-Champaign and co-author of Asian Americans and the Media (Polity, 2008).

Gordon Cc Liao Interview, Elise Osenbaugh

Asian American Art Oral History Project

2009 interview with poet Gordon CC Liao

Yasufumi Nakamori Interview About Ysuhiro Ishimoto, Katherine Cloutier

Asian American Art Oral History Project

2009 interview with Yasufumi Nakamori, friend of photographer Yasuhiro Ishimoto

Much Ado About "Nothings" : Ray Johnson And Fluxus, Tracy Ditolla

Theses, Dissertations and Culminating Projects

Ray Johnson was a performance and collage artist who had a career that spanned six decades, yet there is relatively little known or written about him. After interviewing his friends and acquaintances I will bring to light new information and insights on Johnson’s work. In this thesis I discuss the performance art of Johnson and compare it to pieces by Fluxus and Happenings artists. I also address the influences that Zen Buddhism had on his life and work as well as his rejection of the established art world. I argue that Johnson was possibly the only artist to date who …

Japan's Haunting War Art: Contested War Memories And Art Museums, Asato Ikeda

disClosure: A Journal of Social Theory

No abstract provided.

Artistic Expression And Free Speech, Will South, Sally A. Struthers Ph.D.

Art and Art History Faculty Publications

Presented at the 2009 Wright State Honors Institute on Free Speech in a Global Society.

Third-Party Politics: Britain, France, And America In An Age Of Revolution, Bowdoin College. Museum Of Art, Katherine Finnegan

Museum of Art Exhibition Catalogues

"... accompanies an exhibition ... on view at the Bowdoin College Museum of Art from April 9 through July 12, 2009"--P. [4] of cover

"This exhibition originated as a research project for an independent study in history on "British society and culture in the long eighteenth century." Katherine Finnegan, Bowdoin College Class of 2009, and Visiting Instructor in History Aaron Windel worked closely with Diana Tuite, Andrew W. Mellon Curatorial Fellow at the Museum"--P. [4] of cover

Ink Tales: Family Guide, Bowdoin College. Museum Of Art

Museum of Art Exhibition Catalogues

A family guide and activity book to accompany the joint exhibition of the same title held at the Bowdoin College Museum of Art, Feb. 3-May 10, 2009 and the Colby College Museum of Art, Jan.22-Mar. 8, 2009.

Concept and initial design by Bowdoin College students Gea Ermotti, Anna Kosovsky, Erica McLeod, and Eleanor Meyer. Production and final design by Colby College student Alyssa Lee.

Rhythm In Relief, Lavon Williams, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2009 Kentucky Folk Art Center exhibition catalog of artist Lavon Williams.

Diabolical Frivolity Of Neoliberal Fundamentalism, Sefik Tatlic

Sefik Tatlic

Today, we cannot talk just about plain control, but we must talk about the nature of the interaction of the one who is being controlled and the one who controls, an interaction where the one that is “controlled” is asking for more control over himself/herself while expecting to be compensated by a surplus of freedom to satisfy trivial needs and wishes. Such a liberty for the fulfillment of trivial needs is being declared as freedom. But this implies as well the freedom to choose not to be engaged in any kind of socially sensible or politically articulated struggle.

The Bone Folder By Ernst Collin, Peter D. Verheyen

Peter D Verheyen

DER PRESSBENGEL/THE BONE FOLDER: A DIALOGUE BETWEEN AN AESTHETICALLY- INCLINED BIBLIOPHILE AND A WELL-VERSED-IN-ALL-ASPECTS-OF-THE- CRAFT BOOKBINDER

By Ernst Collin, translated and introduced by Peter D. Verheyen

Der Pressbengel, by Ernst Collin, was originally published in German in 1922. This is its first translation into English. Conceived as a dialogue between a bibliophile and a master bookbinder on all aspects of the bookbinding craft as well as specific techniques, the text also addresses the conflicts between quality and cost and matters of good taste. An introduction by the translator discusses the historical context of the decline of formal training, a trend …

The Brilliant Line, Emily Peters, Evelyn Lincoln, Andrew S. Raftery

Books

Renaissance engravings are objects of exquisite beauty and incomparable intricacy that are composed entirely of lines. Artists began using this intaglio process in Europe as early as 1430. This captivating catalogue focuses on the height of the medium, from 1480 to 1650, when engravers made dramatic and rapid visual changes to engraving technique as they responded to the demands of reproducing artworks in other media. The Brilliant Line follows these visual transformations and offers new insight into the special inventiveness and technical virtuosity of Renaissance and Baroque (Early Modern) engravers. The three essays discuss how engraving’s restrictive materials and the …

Russian Icons And American Money, 1928-1938, Wendy Salmond

Art Faculty Articles and Research

The article explores the marketing tactics and consumer expectations with regards to icons released in the street markets and provincial cities of Soviet Russia and acquired by American collectors from 1928-1938. These icons, including those from Byzantium in the tenth century, were seen as cultural commodities during the Russian revolution and the subsequent socialist construction. The Soviet apparatus Antikvariat was tasked with appraising the icon collections held by the Gosmuzeifond or the State Museum Reserve for exports.

Assur Is King Of Persia: Illustrations Of The Book Of Esther In Some Nineteenth-Century Sources, Steven W. Holloway

Libraries

The marriage of archaeological referencing and picture Bibles in the nineteenth century resulted in an astonishing variety of guises worn by the court of Ahasuerus in Esther. Following the exhibition of Neo-Assyrian sculpture in the British Museum and the wide circulation of such images in various John Murray publications, British illustrators like Henry Anelay defaulted to Assyrian models for kings and rulers in the Old Testament, including the principal actors in Esther, even though authentic Achaemenid Persian art had been available for illustrative pastiche for decades. This curious adoptive choice echoed British national pride in its splendid British Museum collection …

Mark Greenwold’S Excited Self, Shannon Egan

Art and Art History Faculty Publications

In a recent exhibition catalog of painter Mark Greenwold at New York’s DC Moore Gallery, the artist, in lieu of a conventional statement about his work, conducted a self-interview. To his question, ‘‘Why?’’ Greenwold responded:

"I thought that I could possibly get at things that another person might find too daunting or too polite to ask—very obvious questions by the way, that I’d probably be too thin-skinned or reactive to give an honest response to if another person asked the question." [excerpt]

Παρθενοι To Watch Out For? Looking At Female Couples In Vase-Painting And Lyric, Meryl Altman

English Faculty publications

No abstract provided.