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Inscape Fall 1991, Morehead State University

Inscape: Art & Literary Magazine Archive

The Fall 1991 edition of the Inscape: Literary and Art Magazine.

Words & #S, Museum Of Contemporary Art At Wright State University

Exhibition and Program Catalogs

The gallery guide discusses the exhibition Words and Numbers shown at Wright State University from April 7 through May 10, 1991. The exhibition focused on the combination of art and text.

Inscape Spring 1991, Morehead State University

Inscape: Art & Literary Magazine Archive

The Spring 1991 edition of the Inscape: Literary and Art Magazine.

The Unknown And Awakening Europe, Agnieszka Taborska, Borys Pugacz-Muraszkiewicz, Daniel Kraft, James O. Barnhill, Paul Andrejco, Bo Joseph, Christopher Kazlauskas, Ralph Kelliher, Timothy Mcelreath, Sol Armada, Carrie Bloomston, Alice Gould, Courtney Herman-Taylor, Renée Venditti, Treva Offutt, Mylene Santos, Dawn Caulfield, Joshua Wood, Carrie Caldfield, Gabriella Norton, Adriana Spurr, Hunter Marshall

Programs

Program for the fourth annual RISD Cabaret held in the Cellar at the top of the Waterman Building. Design by Daniel Kraft.

Perry Hoberman: Faraday's Garden, Museum Of Contemporary Art At Wright State University

Exhibition and Program Catalogs

In Perry Hoberman's electronic garden, evocative of happier and simpler times when the American Dream was the "General Electric Home," the concept of sculpture is being redefined and stretched to its limits. Hoberman, in a sort of tribute to Michael Faraday's electronic genius, recycles outdated and, at times, archaic-looking household appliances and tools in our room-sized installation. In this expanded version of the original Faraday's Garden, which was exhibited in 1990 at Postmasters Gallery in New York City, each of the appliances is activated by walking on electronic footpads on the floor, resulting in a sculpture that seems to have …

Todt: Womb Wars, The Museum Of Contemporary Art, Wright State University

Exhibition and Program Catalogs

This catalog features work from the exhibition by artist collective TODT. The TODT: Womb Wars exhibition was held at Wright State University Art Galleries February 3 through March 8, 1991.

Sky Full, Patrick Hughes

Morehead State University Art Collection

A 1991 color print titled "Sky Full" by Patrick Hughes.

Ray Ciarrochi: Landscapes 1978-91, University Of Richmond Museums

Exhibition Brochures

Ray Ciarrochi: Landscapes 1978-91

November 15 to December 15, 1991

Marsh Art Gallery, University of Richmond Museums

Introduction

While apparently showing us a particular place, Ray Ciarrochi's landscapes are more about the exquisite moment of being in that place. His landscapes are at once aesthetic and metaphysical, achieving a unity of viewing nature with the transcendent power of that experience. His light, color, and paint carry us into a reflective mood where nature is calm and triumphant and we stand in harmony with our environment.

This exhibition covers the artist's involvement with the landscape over a span of thirteen years, …

Voyaging: William Bennett And Elizabeth Schoyer, University Of Richmond Museums

Exhibition Brochures

Voyaging: William Bennett and Elizabeth Schoyer

February 14 to March 07, 1991

Marsh Art Gallery

Introduction

For both William Bennett, sculptor, and Elizabeth Schoyer, painter, art is a voyaging: invoking, acknowledging, celebrating the forces and mysteries of life's passages.

Bennett builds up, with stone, glass, copper, lights, and wood, exquisitely crafted monumental forms: The Voyage, The Boat over Ocean over Ocean, Stigmata, Bed of Dreams, Belly Scepter among them. The titles signal the theme of quest, while axial forms draw the viewing into ritual alignment. One come to Bed of Dreams as an altar; Stigmata, part anchor and part …

Laura Shechter: Recent Oils, Watercolors, And Drawings, University Of Richmond Museums

Exhibition Brochures

Laura Shechter: Recent Oils, Watercolors, and Drawings

September 6 to October 6, 1991

Marsh Art Gallery

Introduction

For painter Laura Shechter the subject of still life is one that is charged with deep significance. Since the 1970s she has explored the manifold complexities of form and idea it necessarily involves for her with considerable success. As one of this country's leading interpreters of still life's revelatory aspects, Shechter has specialized in bringing out the subject's rich potentials for meditative and symbolic statement with a refreshing directness that is distinctively American in the emphasis on the special illuminating role played by …