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Full-Text Articles in Art and Design
Shared Provenance: Investigating Safavid-Mughal Cultural Exchange Through Luxury Silks In The Sixteenth And Seventeenth Centuries, Nazanin Hedayat Munroe
Shared Provenance: Investigating Safavid-Mughal Cultural Exchange Through Luxury Silks In The Sixteenth And Seventeenth Centuries, Nazanin Hedayat Munroe
Publications and Research
When examining silk textiles attributed to the early modern Persianate world, there is always some uncertainty as to whether they were produced in Safavid Iran or Mughal India. The confusion is warranted: the two courts share many of the same ideas, images, and even family connections, creating a broad cultural overlap. This becomes apparent in the arts from the mid-sixteenth century onwards, as politics and patronage prompted the migration of key Safavid artists, including weavers, from Iran to Mughal India. As Persian painting was developed in the royal atelier, luxury silks were also produced with Safavid techniques.
Examining these imported …
Learning Styles Of Students Enrolled In Fashion Classes: Academic Level, Geographic Region, And Major, Harrison Qiu, Diana Saiki, Alyssa Dana Adomaitis
Learning Styles Of Students Enrolled In Fashion Classes: Academic Level, Geographic Region, And Major, Harrison Qiu, Diana Saiki, Alyssa Dana Adomaitis
Publications and Research
No abstract provided.
An Examination Of "Lookism" In Scholarly Literature, Diana Saiki, Alyssa Dana Adomaitis, Gundlach Jessica
An Examination Of "Lookism" In Scholarly Literature, Diana Saiki, Alyssa Dana Adomaitis, Gundlach Jessica
Publications and Research
No abstract provided.
Apparel And Textiles Education: A Case For Rural- Urban Interface, Alyssa Dana Adomaitis, Diana Saiki
Apparel And Textiles Education: A Case For Rural- Urban Interface, Alyssa Dana Adomaitis, Diana Saiki
Publications and Research
No abstract provided.
Donning The Cloak: Safavid Figural Silks And The Display Of Identity, Nazanin Hedayat Munroe
Donning The Cloak: Safavid Figural Silks And The Display Of Identity, Nazanin Hedayat Munroe
Publications and Research
Introduction
In a red world bathed in shimmering gold light, a man sits with his head in his hand as wild beasts encircle him. He is emaciated, has unkempt hair, and wears only a waistcloth—but he has a dreamy smile on his face. Nearby, a camel bears a palanquin carrying a stately woman, her head tipped to one side, arm outstretched from the window of her traveling abode toward her lover. Beneath her, the signature “Work of Ghiyath” is woven in Kufic script inside an eightpointed star on the palanquin (Fig. 1).
This depiction of the literary characters Layla and …