Art and Design Commons^™

Texas Gothic, Taryn Uribe Turner

Art Theses and Dissertations

The emotional and the ecological combine to create my body of work titled, “Texas Gothic.” My thesis tells the stories of my oil paintings created through personal connections to a variety of landscapes, animals and experiences that share the setting of Texas.

Desire and regret take shape as animals and figures not fully formed or real. Unreliable narratives of the past are entangled with present tensions to create a painting that haunts and stalks.

And yet, there is hope!

Through nostalgia and sweetness and burdens, my paintings confront a shrouded future. The contradictions of time passing are explored in my …

Queerform/Ing, Matthew Solon-Lee Weimer

Art Theses and Dissertations

My artwork is situated within and around vessels and the Queer Homoerotic World and explores sexuality as a Demisexual within them. This is accomplished through the two processes of my creation, Minivague and Queerform/ing: balancing sexual tension and explicit expression, while subverting traditional norms and stereotypes with queerness to distance oneself from stereotypical Gay Art. Altering/emphasizing makes the artwork more romantic, lighter, whimsical, softer, and tender than the figure/s and the situations actually are. The process is also emphasizing what one sees or wants to be seen. The Pink Boy becomes a celebration of intimacy of any form. I discuss …

Fragmented Bodies, Lauren Careese Alexander

Art Theses and Dissertations

Through Memory Webs and fragmented ceramic vessels, I express what it feels like to grow up living in a biracial body. I utilize mixed media to emulate a mixed-race experience. My Memory Webs are fashioned by painting on scraps of canvas and attaching them with crocheted wire and ribbon to speak to how my memory has impacted my identity. My fragmented ceramic vessels are cut up and stitched back together to represent disjointedness and un-belonging. All of my work is contextualized through the novel Frankenstein by Mary Shelley and what the Monster may represent for people of color. I also …

With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner

Whittier Scholars Program

My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …

In A State Of Becoming, Benjamin Conley

Electronic Theses and Dissertations

The artist discusses his Master of Fine Arts exhibition titled, In a State of Becoming. The exhibition was on view at the Tipton Gallery in downtown Johnson City, TN from February 26 March 8, 2024. In a State of Becoming showcased three large scale paintings, five multimedia prints, two sculptural installations, and a video projection installation. Conley's thesis research and current artistic practice revolve around the interfaces, connections, and relationships of humans and animals. Conley explicitly uses language like "animal" to describe "non-human animals" in his work's context. The exhibited works focused primarily on how the artist and/or the viewer …

Ripe Spoils, Yan Cynthia Chen

Theses and Dissertations

Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.

Chinese-English Dictionary Enable Select Search …

The Birth Of "A Painting": You Yong Solo Exhibition, Dongpeng Wang

MA Projects

Curator Wang Dongpeng takes great pride in unveiling "The Birth of 'A Painting'," an exclusive solo exhibition by the renowned painter You Yong. In this thoughtprovoking display, You Yong harnesses the simplicity of the iPad to craft vivid artworks that capture the essence of individual lives amidst the pandemic. His pieces offer a window into the lived realities within mainland China during these challenging times. This exhibition is an invitation to an extraordinary art experience that breaks free from the confines of traditional art space, promising to leave viewers with lasting impressions. The Birth of "A Painting" stands as a …

Deep Roots, New Shoots: Modern And Contemporary African Art From The Kam Collection, Charles Mason, Andie Near

Kruizenga Art Museum Exhibition Catalogs

Kruizenga Art Museum, Hope College Catalog for the exhibition: Deep Roots New Shoots: Modern and Contemporary African Art from the KAM Collection. Exhibition dates: January 12 – May 18, 2024. Charles Mason, author. Andie Near, photographer, designer.

Living In Untranslatability--Performance Art In China And Usa, Ziyun Ma

Masters Theses

This thesis embodies discontinuities in performance art and its non-equivalent Chinese term “行 为艺术” between language and cultural context into a migrating journey. A comparative analysis on the disciplinary history of performance art studies in the US and China laid a foundation in exploring the dynamics of marginality in two contexts. Extracting from the narrative mechanism and body view of Chinese performance art, I demonstrate how the philosophy of living (生) inspired many artistic creation, which also echoes my research journey. And from our mutual living experience, I pose the concept of constructive untranslatability that applies positionality and situated knowledge …

Standing On The Edge Of A Dream, Parto Ahmadpour Mobarake

Graduate Theses and Dissertations

Standing On the Edge of a Dream delves into the intricate tapestry of lived experiences shaped by relocation, emphasizing the nuanced space that exists between reality and imagination. As an individual who has undergone the transformative journey of immigration, I recognize that the concept of relocation is like standing on the edge of a dream. This notion becomes a living structure, intricately woven with threads from our past, present, and future. My artistic exploration extends beyond my artworks, yet it remains deeply rooted in my personal narratives. The artworks in the exhibition continue to draw inspiration from personal memories and …

Where Will I Be From, Melissa Loney

Graduate Theses and Dissertations

Where Will I Be From is an exhibition and film centered around the intersections of generational grief and technology. I documented domestic locations connected to my family across the Great Plains. This on-site photo documentation was then used to create photogrammetric renderings of these locations and their structures, recorded in the open-source CAD software Blender. Together, these familial places, separated by hundreds of miles, were digitally compiled to make one collective world. The aesthetic of this project connects the visual languages of Southern Gothic and Low-Poly Video games. The Gothic nature exposes an isolated decaying presence within a rural landscape. …

The Role Of Moroccan Street Art In Decolonial Discourse And Binary Deconstruction, Taylor Rokala

Independent Study Project (ISP) Collection

As a country historically subjected to French colonialism and currently the site of a burgeoning street art scene, Morocco is a locus for street art that contributes to the decolonial project and deconstruction of remaining colonial structures left by the French. Drawing from Edward Said’s concept of orientalism, the idea of gaze, and bell hooks’s counter concept of oppositional gaze, this paper seeks to understand how Moroccan street artists use their art to challenge the binary opposition between tradition and modernity constructed during the French Protectorate. I will discuss the theme of temporality, because of street art’s ephemeral nature and …

On The Black Book As Durational: Noah Purifoy’S Desert Library, Paul Benzon

Criticism

What happens to a library in the desert? How does it transform as a material object under these pressures, and what might these transformations tell us about its capacity for bearing and registering history? This article considers these questions in relation to the artist Noah Purifoy’s found-object installation Library of Congress, one of approximately thirty works that make up the ten-acre space of the Noah Purifoy Desert Art Museum of Assemblage Art in Joshua Tree, California. The museum consists of a wide range of found-object sculptures, all deeply enmeshed within the space of the desert. The museum, and indeed Purifoy’s …

Out In Thin Air, Daiqing Zhang

Masters Theses

My work often takes form in experience-charged installations underscored by phenomenology. The whys and hows behind the work mostly remain unspoken, since I would rather my work speak for itself. This writing project offered me the opportunity to comb through and tell the stories and thoughts that informed the work.

I have built a collection of documentation about the experience of having a sensitivity to moments of wonder in everyday life. These archives recorded sensuous imprints in life composed of mundane phenomena. In the collection there are images/footage of a glimpse of light leaking through cloud crevices; a brush of …

Curiosity Beyond The Hidden, Yi Young Kim

Masters Theses

What lies beneath the surface of vessels? This captivating thesis explores the hidden world within, drawing inspiration from traditional Korean ceramics and employing coil-built sculptures. By focusing on the hollowness of vessels, this study unveils their profound interconnectedness and inherent uniqueness.

Through spontaneous stacking of claylike glazes and textured elements, the artwork reveals mysterious processes and transformations within these vessels. Exposing the intricacies of hollow spaces, viewers are invited to contemplate the mesmerizing realms concealed within.

Intertwining elements of Korean heritagewith intricate structures, this artistic endeavor

sheds light on the hidden and challenges preconceived notions of everyday existence. The work …

Margins (I Nvr Needed Acceptance From All U Outsiders), Jahi Lendor

Masters Theses

A comedian said, “American pie isn’t made out of apples, it’s made out of whatever you can get your fucking hands on.”1 With that, my work seeks to provide an honest representation of the infinite value of the everydayness and behavior of blackness ranging from trauma to beauty. Various mediums explore culture, class, collective memory, identity, and erasure. While resisting institutional and systemic boundaries between disciplines my practice actively seeks fluidity between media. The work often translates to (social) poetic-bricolage visualizations that combine gestures of assemblage, sculpture, installation, and painting. The work focuses on reflecting on how I see life …

Postindustrial Playbook++, Maxwell Fertik

Masters Theses

There is no such thing as an undisrupted ecosystem. Every inch of the planet is impacted by industrial development and its chemical legacy has mutated the soil and water. As a response, this thesis is designed to promote abundant over extractive resources and visualize a post-industrial reality. It consists of a series of objects, writing and design research on the relationship of industry and ecosystem.

In many ways it is a playbook++, laying out possible strategies or “plays’’ for making do with what exists around us amid collapse.

Japanese knotweed (Reynoutria japonica)(ي'ڑ*), a plant that grows in the most degraded …

Making Then Meaning, Ben Denzer

Masters Theses

This is an artist talk contained within a book. It is 816 pages and 49 minutes long. Closed captions run across the spreads. A video of this talk can be watched on bendenzer.com/making-then-meaning

At RISD, I’ve been prompted to expand the scope and tools of my practice and to reflect on questions of meaning in my work.

I spend my days making things, but I’ve never really had good answers to questions of why I make the things I make, or what their meaning is. I don’t think there are simple answers to these questions.

I think meaning comes from …

Soul Furnace / فرن الأرواح, Isa Ghanayem

Masters Theses

“This is the good washing, this is (the washing) which separates the dirty body from the pure body. This is like silver mixed with lead, it is separated from it by this (process): one makes for it a cupel of bones, which is what is called the “head of the dog” and of which the common name is kūja-which is the crucible—and this must be made of burnt bones. One melts the silver in it, one gives it a strong fire: the cupel will absorb and receive the lead, the fire will make its subtle (part) fly away and extirpate …

Rooted In Topsoil, Jiaying Wang

Masters Theses

Disillusioned by my transnational identity, I have come to realize that my sense of belonging is no longer attached to any physical location, but instead to a state of mind, to an intimacy with the world. My notion of home is an obscure and unsettled—at times utopian—idea, which can be infinitely decoded, re-positioned and re-established psychologically. This thesis is an investigation of that liminal state, questioning the paradoxical place at the intersection of longing and belonging, interior and exterior, rootedness and uprootedness. Through a collection of short essays that accompany projects, I seek to unpack the precarious emotional complexities that …

The Hospitality Of Doubt, Ian Grieve

Art Theses and Dissertations

This paper discusses the last two years of research toward a Master of Fine Art in Studio Art. I mainly address my painting practice, but while in the program, I have worked in collage, ceramics, intaglio printmaking, and sculpture. My paintings are thick, multilayered, and often contain ambiguous narratives. The pictures develop through engagement, openness, and response within the work. I seek and embrace connection with viewers of the work. The spectator ‘completes’ the art and enhances or alters the artworks meaning by observing it and applying their individual perspectives. I seek to incorporate a sense of nostalgia and familiarity. …

Other Oceans, Other Skies, Sharlene Lee

MFA in Visual Art

I create immersive installations, performances, and time-based media artworks that delve into stories of belonging, feminism, and language as power. These stories offer a potential for transformation from viewer to participant and a shift in how our world is seen and experienced. Through an exploration of perception and affect, I challenge dominant narratives, prompting a contemplation of contemporary power struggles for control.

In this text, I examine the impact of historical borders and migration on my life while also investigating questions of home, shared values, and rituals that contribute to one’s sense of belonging. I also highlight my commitment to …

Presenting And Curating Contemporary Installation Art; The Work Of Cornelia Parker And Céline Condorelli, Bridget Curtis

Bachelor of Fine Arts Theses

The popular sentiment in curation among contemporary British art institutions has emphasized the attempt to reconcile with the divide between public art and art presented in institutions. The globalization of Britain in contemporary times has led to the wide dissemination of shows curated by British institutions. The location artwork is exhibited can change the reception and interaction with the work. Artists who use their work as a means of activism can benefit from the perception of a global audience. The question arises as to how impactful activism art can be when exhibited within the contemporary institution versus when it is …

Dulce Sueños De Tierra, Sweet Dreams Of Earth, Jordany Genao

Theses and Dissertations

Jordany's paper congregates their archival research into an art practice that examines the decolonial impulse to excavate the self and produce autonomy. Using ceramics to reference and re-animate Taino ritual objects found in museums, resulting in alternative museology, their work seeks to honor Caribbean ancestors by subverting colonial history.

Skin Echoes, Andreia Santana

Theses and Dissertations

Santana’s explores the intersection of biology and identity, incorporating living matter and performative gestures into installations to reflect on social constructs of history and gender. By observing water and its qualities of defying Western dichotomies, Skin Echoes focuses on the material interchanges across bodies and the wider material world.

(Not) Knowing, Jared Friedman

Theses and Dissertations

Jared Friedman’s work creates monuments out of banal common objects. Through acrylic paintings on- Astroturf, burlap, canvas, and upholstery fabric- he explores the ambiguity of the unremarkable, such as the condenser coils on the back of a refrigerator. In, (Not) Knowing, he parses the difference between knowing and understanding.

Stop Kiss: A Scenic Design, Taylor Walters-Riggsbee

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

The purpose of this thesis is to document the design processes of the University of Nebraska Lincoln’s production of Stop Kiss by Diana Son, produced March 1-9, 2023, in partnership with the Nebraska Repertory Theatre. Documented is a complete representation of a scenic design process including discussion of practices and design methodologies, research plates, supporting analytical paperwork, preliminary sketches, digital renderings, and 1/4” scale model photos, a full set of drafting, painter’s elevations and a corresponding props and dressing list. Performance photos follow as an archive of the production process and performance photos.

Advisor: Joshua David Madsen

Reading The Room: Memory, Dwelling, And The Everyday, Sara R. Hardin

University of New Orleans Theses and Dissertations

In any space, there is a residue that coats the present with a patina of memory. Creating layered imagery in dream-like paintings and prints, I use the domestic realm as a metaphor for the internal world of the mind, memories, and private thoughts, including them in compositions with symbols like the boundaries of windows, doors, and gates. These metaphorical structures also portray outward identities, which guard inner emotions. The conceptual aspects of these compositional elements weave together memories of the past and places of the present into a unified whole.

I began graduate school at the beginning of the COVID-19 …

Refigured: Separations In Portraiture, Caroline Myers

All Theses

Utilizing traditional painting techniques embedded with digital syntaxes, Refigured: Separations in Portraiture, serves as a catalog of my experiences with communication in a hyperconnected world. Processing illegible information caused by my hearing loss informs the process of imposing similar boundaries within my paintings. Like a technical glitch, these obstructions create an illegible visual experience, with evidence of my process remaining as a clue for the viewer’s understanding of the image.

Though personal in nature, I expand from my experience with auditory communication to employ pertinent explorations into the sustained unpredictability of today’s ever-expanding medium that is technology. My paintings …

The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow

Electronic Theses and Dissertations

These thesis and exhibition, invite the viewers to travel through different places in Central and Eastern Kentucky. The region’s landscape, like many other American landscapes, is often known to the public through the settler colonial lens—a lens that ignores Indigenous peoples’ history in the region. The work in the exhibition is a response to landscape art's history and its complicity with American settler colonialism- art that was recruited to create a new identity for the settlers and for the country from the beginning of the American Colonial Project. Landscape art was a crucial part of this effort, presenting the land …