Art and Design Commons^™

Pineapple, 022, Conversation – Behind The Cover Art, Jesse W. Standlea

The STEAM Journal

Many sources date the pit-firing process as a 30,000 plus years-old ceramic firing technique. Every year I take my AP 3D Design class to the beach to fire ceramic pieces using this method. Being a contemporary sculptor who shows in Los Angeles I have always appreciated pit-fired pieces but never used one in my own art practice until now. A connection between the first method of firing ceramics and my art practice seemed unrelated. The title for my piece might add to the disconnect; and yet these seemingly unrelated elements force the work into a place where the artistic process …

The Emergence Of The Bird In Andean Paracas Art. C. 900 Bce - 200 Ce, Mary B. Brown

Dissertations, Theses, and Capstone Projects

In the first millennium BCE, an enigmatic cultural group now known as Paracas inhabited the remote desert coast of southern Peru. Following its disappearance, Paracas culture did not emerge in the historical record until 1927, when three burial centers were scientifically excavated on the arid Paracas peninsula that gave the culture its name. The burials contained over 400 mummy bundles that preserved the only physical remnants of this culture and its unique art forms. When unwrapped, mummy bundles of elite males revealed multiple layers of finely woven and elaborately embroidered textiles and painted ceramics, along with gold objects, feathers, and …

Exterior Of Dinand Gets A New Look, Evangelia Stefanakos

Civitas Branching Documentation

This article describes new art installations and landscaping which enhance the exterior spaces of Dinand Library at the College of the Holy Cross in Worcester, Massachusetts.

The murals, "Civitas Branching" and "Lungs of the Planet," are collaborative art projects created by students of the College and members of the Worcester community. They were installed in April 2016. A dedication ceremony was held April 20, 2016.

The Past Is Open To The Future: Lithuanian Folk Pottery 1861 - Present, Anthony E. Stellaccio

Masters Theses & Specialist Projects

In 2011, following several years of in-country research, I published a book on Lithuanian folk pottery. I enrolled in the Folk Studies master’s program at Western Kentucky University (WKU) in 2014, well after my research and book had been completed. In the present study, I use my newly acquired knowledge of folklore In my previous work to revisit Lithuanian folk pottery.

In my previous work, I had sought to create a picture of “authentic” Lithuanian folk pottery that was confined to the narrow temporal borders of 1861-1918. Here I deconstruct conventional ideas about authenticity, as well as culture and heritage, …

Crystal Jars 2, Kathryn Mcguire

The Anthology

Artwork

Dentata, Erica Hoelper

The Anthology

Artwork

Full Issue, The Anthology

The Anthology

This is the entirety of the 2013 Winthrop Anthology issue.

Small Pitcher And Tea Bowl, Samantha Oliver

The Anthology

Artwork

Medal To Art Nouveau, Nathan Dodds

The Anthology

Artwork

Full Issue, The Anthology

The Anthology

This is the entirety of the 2014 Winthrop Anthology issue.

Modern Interpretations Of Ancient Roman Mosaics, Emily Pastore

Honors Theses

Ancient Roman mosaics have much to offer the modern viewer. This thesis takes into account modern archaeology and conservation techniques in studying and classifying these works of art. Since the thesis is focused on comparing the histories of and the mosaics found in the Ancient Roman port cities of Populonia and Ostia, it begins with the historical background of both cities. With close ties to the sea and to various religious cults, both cities held much in common, which can be seen in the mosaics they designed. I then discuss mosaic conservation and classification techniques in chapters two and three. …

Between Material And Landscape, Martin Mcdermott

Masters Theses

Clay is a binary material. It is soft and malleable and yet becomes as hard as rock when subjected to immense heat. Its responsiveness to manipulation makes it well suited to recording touch in landscapes of surface. Its versatility makes it the ideal material for expressing other types of antipodal concepts: dark and light, banal and profound, temporary and durable. The sculptural objects in this body of work represent many of these contrasts through an investigation of various historical concepts within a broad definition of landscape art. The hollow clay “rocks” reference caves and grottos through apertures in the surface …

Empathic Exchange, Yu-Jung Kim

Masters Theses

My work explores the empathy existing between humans and animals. It is possible for humans and animals commune empathically by staring at one another. With empathy, human and animal connection can be built; comfort and healing can be found through this form of exchange. Non-verbal communication with animals may not often be thought about seriously. I aim to share the experience of empathy, comfort and power of healing through communication with animals I have felt, and to awake people with similar experiences in their memory through my works.

As a child, I thought I could not be truly understood by …

Memory: Tangible Decay & Growth, Rebecca J. Buglio

Masters Theses

What if the objects we had as children grew up with us and showed the decay, alterations, and new growth that occurred to us?

Natural sciences focus, in part, on the endless cycle of growth and decay. Through researching this topic, the question of current versus past arose to question how the mind evolves with age. As a ceramic artist, clay offers a memory through touch by taking the shape and form the creator wills it to have while still able to have movement and force of its own through the molecular makeup and processes it goes through in firings. …

Dragon Bottle, Sarah Stokes

The Anthology

Artwork

Sentiment For Evanescence, Ashley Felder

The Anthology

Artwork

Robust Bottle, Sarah Stokes

The Anthology

Artwork

Full Issue, The Anthology

The Anthology

This is the entirety of the 2015 Winthrop Anthology issue.

Tableau Vivant [Living Picture], G J Christopher Drobnock

Graduate Theses and Dissertations

With an overwhelming concern for functionality, the design world and industrial production have moved far beyond the pure necessity of the handmade object. With the paper coffee cup, disposable utility is the primary goal; afterwards the service is performed and the thing is discarded. On the other hand, the clay object can be used and reused allowing a personal relationship to form between the user and the object, the maker and the user. My work is meant to reconnect us with the haptic; the tacit knowledge of the physical. I want the user to think of a place beyond the …

Pyrosynthesis, Matthew Allen Fiske

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Daily life plays an important role in what I make and why. The needs of the kitchen and home are for me, like many potters, a useful starting point for conceiving specific utilitarian forms. I make a lot of cups, bottles, and drinking vessels. Lately I’ve been interested in the idea of designing and making these vessels in sets. For me, there’s nothing better than gathering with a group of friends, eating, drinking, and using handmade ceramics. I’m motivated to make objects that enhance these experiences and enliven domestic spaces.

Snowy Sunrise, Gilbert K.D. Hu

Forces

No abstract provided.

Loving Couple, Gilbert K.D. Hu

Forces

No abstract provided.

2016 Forces, Scott Yarbrough

Forces

No abstract provided.

Carved Vase, Sierra Hyer

The Anthology

Artwork

Full Issue, The Anthology

The Anthology

This is the entirety of the 2016 Winthrop Anthology issue.

Dedication Ceremony For Two Murals Outside Dinand, Jack Godar

Civitas Branching Documentation

Article reporting the rededication of Civitas Branching, a 5-panel mosaic depicting scenes from the College Hill neighborhood, originally installed on the College Hill Civic Association building located at 79 Kendig Street in Worcester, Massachusetts and Lungs of the Planet, a tile mural installed on the west patio Rooftop Garden of Dinand Library.

When The Wind Stops, Qwist Joseph

School of Art, Art History, and Design: Theses and Student Creative Work

The sculpture I make exemplifies my interest in objects, their creation and our tendency to covet them. Humans have developed elaborate and diverse systems to categorize and dictate the value of things. As a culture we elevate and protect Art and its display is a platform in which this object obsession is exaggerated. Through the podium of art exhibition, I explore the idea of object-ness. I question the parameters around what defines something as an object, and more specifically what’s necessary to transform that thing into Art. Further, I wonder where the line is drawn between Art and the ordinary; …

Civitas Branching: Rededication Program Introductory Remarks, Jacqueline Peterson

Civitas Branching Documentation

Remarks given by Dean Jacqueline Peterson at the rededication of Civitas Branching, a 5-panel mosaic depicting scenes from the College Hill neighborhood. The mosaic was created as a collaborative art project by students of the College of the Holy Cross and residents of the College Hill neighborhood in Worcester, Massachusetts. It was originally installed on the College Hill Civic Association building located at 79 Kendig Street in Worcester. In 2016, the mosaic was relocated to the east patio of Dinand Library on the campus of the College of the Holy Cross in Worcester, Massachusetts. A rededication ceremony was held …

Ravenswood Wine Set, Andy Glen

Georgia State Undergraduate Research Conference

No abstract provided.

Still 04, Saba Stovall

Georgia State Undergraduate Research Conference

No abstract provided.