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Embodiment Of Creative Thought And Visual Logic In Bookmaking: An Example Of Intermediality In Word-Picture Adaptation, Diana Bychkova

Electronic Thesis and Dissertation Repository

This interdisciplinary study discusses word-picture translation for book illustrations and brings together visual art, book/illustration history, the materiality of the book, literature, and library science. The focus is on communication between the creator, the work of literary and visual art, and the receiver. Theories that observe verbal-visual relations appear typically disconnected from the practical aspects of bookmaking and publishing. In bridging practice and theory, I have developed my own method of word-picture interpretation that can be applied to any adult fiction text.

The thesis discusses the outside and the inside of illustration-making, presents the methodology and theoretical framework, explores such …

La Vida Y Andanzas De Un Libro Antiguo En Nueva España Y La Península Ibérica. Cultura Escrita En La Obra Hierofánica Del Doctor Don Alonso Alberto De Velasco, Raul Manuel Lopez Bajonero

Electronic Thesis and Dissertation Repository

In 1688 a legal text, Renovación, was printed in Mexico City, the capital of the Viceroyalty of New Spain, that explains a twelve year trial that focuses on determining if a 16^th century sculpture miraculously renewed itself. The final decision came from the Archbishop of Mexico City. A year after the book’s publication, the sculpture was recognized as miraculous. In 1699, ten years after this event, the author of Renovación wrote another book that narrates the same sculpture's history, Exaltación, but addressed a wider audience, and from a religious and pious perspective. The Exaltación was republished a …

Relational Viewing: Affect, Trauma And The Viewer In Contemporary Autobiographical Art, Matthew Ryan Smith

Electronic Thesis and Dissertation Repository

This dissertation examines the communicative relationship between contemporary autobiographical art and the viewer. By analyzing the work of six artists, Richard Billingham, Jaret Belliveau, Larry Clark, Nan Goldin, Lisa Steele and Bas Jan Ader, I maintain that lived experience and personal history condition the way viewers respond to autobiographical art. I turn to literary theory as a critical methodology to argue that autobiographical art operates as a catalyst for identification, memory and self-discovery. I use affect and trauma theory to demonstrate how artwork produces meaning and discourse through the viewer’s feelings, emotions and bodily sensations. Consequently, I survey the importance …