Art and Design Commons^™

Objects And Apparitions: A Portable Museum, Yesuk Seo

Masters Theses

My work transcends the boundaries between painterly printmaking and sculpture. Through hand-pulled silkscreen prints, I create abstract pixelated images depicting our constantly changing relationship with meaning and reality. Memories are often glamorized and distorted whether it is our childhood home, our neighborhood, or the city. My practice archives my family history and traces patterns in memory and space by using invisibility as a phenomena to render newer explorations of abstraction, in time and in urban landscapes. Objects & Apparitions: A Portable Museum, pairs moiré patterns of ghostly printmaking with wooden objects in specific arrangements. It captures my nomadic journey between …

Making Then Meaning, Ben Denzer

Masters Theses

This is an artist talk contained within a book. It is 816 pages and 49 minutes long. Closed captions run across the spreads. A video of this talk can be watched on bendenzer.com/making-then-meaning

At RISD, I’ve been prompted to expand the scope and tools of my practice and to reflect on questions of meaning in my work.

I spend my days making things, but I’ve never really had good answers to questions of why I make the things I make, or what their meaning is. I don’t think there are simple answers to these questions.

I think meaning comes from …

Moving At The Speed Of Trust, Sun Ho Lee

Masters Theses

Moving at the Speed of Trust is a workbook of strategies — practices, definitions, and techniques — to nurture community-building in support of inbetweeners who live between power structures and cultures and are often left out. Inbetweeners are those individuals whose lives are in transition through recent immigration or forced translocation from Asia to America.

These strategies revolve around threads of trust: kin, giggles, vulnerability, and shared experience. With these threads, we can question power. We can preserve stories, expand the ways we connect, shift perspectives on what is “standard,” and cultivate a community rooted in understanding. To understand each …

Metaphors In Materials And Imagery For Self Reclamation And Empowerment, Janice Lardey

Masters Theses

As an experimental multidisciplinary artist, my creative process draws inspiration from daily experiences and encounters with the mundane. I am particularly interested in West African textile cultural practices, specifically the use of symbols and basic geometric forms to communicate through materials (specifically fabrics) and the role these images and forms play in African culture. In my work, I am developing my own distinct vocabulary of symbols and patterns, inspired by these practices.

My artistic practice explores a wide range of themes related to women, sustainability, loss, everydayness, wear and tear, degeneration, the transitory nature of life, and material effects, often …

I Buried The Fireworks Under The Tree, Sihan Zhu

Masters Theses

Unreachable memories always surround me. I've been trying to extract logical parts from my chaotic memories, hoping to find a connection with the world within the soundless, intangible black fireworks stored in my retina under the grand fireworks display. When I first encountered intaglio printmaking, I impulsively drew subconscious memories on the plate, arranging them along some chaotic storylines. Gradually, I realized that I needed to create my own logical structure. So I started using specific visual symbols and repeating them, using the repetition of the printmaking process to search for logical clues. Printmaking with its special rhythm allowed me …

Unearthing Complexity: Tangible Histories Of Water And Earth, Alexis Violet

Masters Theses

Unearthing Complexity investigates conceptions of time and surface through geological stories of the water and earth. Building on theories of deep time, hydrofeminism, critical zones, and grounding, I hope to foster a deeper awareness of time scales other than our own and a more tangible understanding of the embodied experience of matter in the universe. Working toward a new literacy of the water and earth in which they are recognized as living, changing bodies to which we are inherently tied at a molecular level, the site of this multiscalar inquiry occurs in the coastal zones of the Narragansett Bay where …

A Presence Of P____ And W__Th, Riley Wilson

Masters Theses

This body of work examines the involvement of association as it relates to our cultural interpretations of natural phenomena. Flowers and animals, both real and imagined, have been used as symbols for human morality since the beginning of human history. Two sources with which I drew inspiration from are medieval bestiaries and the Victorian practice of flower language. By combining elements from these references, I aim to pair this idea about the human need for classification with my own considerations about my identity. In combination, I also aim to highlight the responsibility that is intrinsic to curiosity. When faced with …

Soul Furnace / فرن الأرواح, Isa Ghanayem

Masters Theses

“This is the good washing, this is (the washing) which separates the dirty body from the pure body. This is like silver mixed with lead, it is separated from it by this (process): one makes for it a cupel of bones, which is what is called the “head of the dog” and of which the common name is kūja-which is the crucible—and this must be made of burnt bones. One melts the silver in it, one gives it a strong fire: the cupel will absorb and receive the lead, the fire will make its subtle (part) fly away and extirpate …

A Part Apart, Spenser Atlas

Masters Theses

I am fascinated by connections. Things that click, snap, slide, and hold. I care about the ways in which objects meet, looking for answers in the space between. What binds one thing to another?

I believe the world is presented to us in pieces. It’s hard to say how it all comes together. It's easy to believe things are shapeless and detached from each other. Connection is a bridge, a way of linking one thing to another that reveals interdependence, and eventually moves outwards to express a correlation between pieces, once assumed to be discrete and isolated.

This work is …

One More Time, I Love You —— 我有所念人，隔在远远乡, Jingjing Yang

Masters Theses

"One More Time, I Love You ——我有所念人，隔在远远乡" is a thesis project that delves into the profound nature of "obsession," which surpasses the boundaries of life and death, as well as the mortal world and the underworld. The interpretation of this type of obsession varies among individuals, and my understanding of it originates from the traditional Chinese myth concerning the afterlife journey. According to this myth, upon departing from the mortal realm, the deceased traverse the Bridge of Helplessness, cross the Forgotten River, peruse their past, present, and future lives on a Three Lives Stone, and then partake in the Soup …

Infinitely Incredible Configurations, Jenni Oughton

Masters Theses

As a designer, I am intent on charting out a radically different perspective on the future. To instigate movement beyond current design thinking centered on problem solving, I propose a shift toward design fiction—a deliberate and direct inquiry into the realm where design meets science fiction, and how that merges with reality. My practice uses science, speculative fiction, and technology as positive models to both generate prompts and spur design outcomes. I borrow from the author Isaac Asimov's three categories of science fiction narratives to instigate a way of structuring this design endeavor: What if ..., If only ..., If …

Material Encounters: Making Memory Beyond The Mind, Ariel Wills

Masters Theses

Can acts of making carry the memories of our embeddedness within the world? This thesis explores how making things can nurture a sense of kinship that cuts across the organic and inorganic, erasing the distinction between living and dead, material and spiritual. Through handwork such as art-making, sewing, knitting, cooking, woodworking, and beyond, the burden of remembering and of archiving is shared across human and non-human bodies, cultivated through practices of making, and through the materials themselves. By recounting the stories of my family’s experience as Jewish immigrants in the United States, I aim to reveal how their domestic practices …