Art and Design Commons^™

Paul L. Dunbar: A Tale Of Two Worlds, Brayden Vaughan

Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar

Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides

Artist's narrative: Letter 3 is a poem full of despair and sadness. While Paul Laurence Dunbar does have limited moments of happiness, he is mostly addressing his sorrow and negativity to his friend J.N. Matthews regarding the publication of his work. Dunbar lists his discouragement and blames himself several times throughout his writing. He is very annoyed at himself for his disappointments because he has only been able to sell two of his hymns. He even addresses a statement saying: “But enough of myself and …

Don't Be Startled, My Dear Mother, Jon Quiroz

Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar

Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides

Artist's statement:

In Letter 66, Paul Laurence Dunbar aims to reassure his mother, Matilda Dunbar, not to be so concerned about his whereabouts. He emphasizes that he will return home as soon as he can. Within the letter, he sends a $2 bill to give financial support during his busy schedule of recitals, particularly in the South—a gesture that underscores his devotion to his family’s well-being even in his absence. Dunbar reassures his mother that after gaining great success from his writing, all the financial …

A Story Of Synesthetic Discovery, Madeline Spicer

Faculty-Selected Student Works

The photography, design, and content of this book was done by Madeline Spicer under the tutelage of Professor Misty Thomas-Trout at the University of Dayton Department of Art & Design as a part of the Berry Summer Thesis Institute of the University Honors Department.

Typeset in Goudy Oldstyle and MetaPlus families. Goudy Oldstyle was designed by Frederic Goudy in 1915 and is classified as an Oldface. MetaPlus was designed by Erik Spiekermann in 1991 and is classified as a Humanistic Lineal.

This book was printed on Neenah Environment® Papers, PC 100 White, and Apollo Laser OHP Transparency Film.

They Named Me, They Know Me, Shannon Stanforth

Faculty-Selected Student Works

This book was printed on Neenah Environment ® PC 100 White in the Department of Art and Design at the University of Dayton in 2019 as part of the Berry Summer Thesis Institute under the mentorship of Professor Misty Thomas-Trout.

Typeset in the Ryman Eco and Shannon families. Ryman Eco was designed by Dan Rhatigan with Grey London in 2014 and is considered a sustainable typeface, using 33% less ink in print production. Shannon was designed by Janice Prescott Fishman and Kris Holmes for Compugraphic in 1982.

Review Of Early Bindings In Paper, By Michèle Valerie Cloonan, Fred W. Jenkins

Roesch Library Faculty Publications

No abstract provided.

Review Of Scribes, Script, And Books: The Book Arts From Antiquity To The Renaissance, By Leila Avrin, Fred W. Jenkins

Roesch Library Faculty Publications

No abstract provided.