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Articles 1 - 30 of 119
Full-Text Articles in Art and Design
Sandy Winters: Creation And Destruction, Shannon Egan
Sandy Winters: Creation And Destruction, Shannon Egan
Schmucker Art Catalogs
The title of Sandy Winters’s exhibition is a bit of a misnomer, as the process that perhaps best describes the artist’s practice is creation and re-creation. The evolution of her long and active career reveals a sensitive awareness of connectivity and progeny. In other words, she allows for her paintings, prints, drawings, and sculpture to give birth in a way to subsequent works. She continually recognizes the pregnant possibilities in a singular form and the opportunities for each to exist in new, unique environments. Aspects of Winters’s oeuvre seem to have a generative function, and these repetitive motifs exist as …
Bodies In Conflict: From Gettysburg To Iraq, Laura E. Bergin
Bodies In Conflict: From Gettysburg To Iraq, Laura E. Bergin
Schmucker Art Catalogs
The exhibition Bodies in Conflict: From Gettysburg to Iraq not only conveys an ambitious geographic and historical range, but also reflects the sensitivity, ambition, and thoughtfulness of its curator, Laura Bergin ’17. In examining how the human figure is represented in prints and photographs of modern war and political conflict, Laura considers how journalistic photographs, artistic interpretations, and other visual documentation of conflict and its aftermath compare between wars and across historical periods. Specific objects include a print and photographs from the Civil War, propaganda posters from World Wars I and II, photographs and a protest poster from the Vietnam …
William Clutz: Crossings, Shannon Egan
William Clutz: Crossings, Shannon Egan
Schmucker Art Catalogs
This exhibition by renowned American artist William Clutz celebrates his recent gift of artworks to Gettysburg College and is organized in partnership with the Washington County Museum of Fine Arts (WCMFA) in Hagerstown, Maryland.
The exhibition features twenty-four pastels, drawings and large-scale paintings from the collections at the WCMFA, Mercersburg Academy, and Gettysburg College. Clutz arrived in New York in the 1950s as a peripatetic flâneur, walking through the streets of his Lower East Side neighborhood, astutely observing his fellow passers-by, and depicting them with a concerted awareness of the concentrated colors and painterly directness of the contemporary Abstract Expressionists.
Friends Of Musselman Library Newsletter Fall 2015, Musselman Library
Friends Of Musselman Library Newsletter Fall 2015, Musselman Library
Friends of Musselman Library Newsletter
From the Dean (Robin Wagner)
Avian Flew! (Peter Morgan)
First-Year Book Group
Library News
Students Help Make History Public (Steven Semmel '16, Andrew Dalton '19)
Student Exhibit Exemplifies Liberal Arts (Rebecca Duffy '16)
Report Cards Reveal More Than Grades
Interview with Lawrence Taylor: Case Map Collection
Research Reflections: Eisenhower's Correspondence (Michael J. Birkner '72)
Musselman Likes Ike
Eisenhower in Focus
Hammann Honored (Louis Hammann '51)
Rare Document on Holocaust
GettDigital: The Beauty of a Book (Rachel Hammer '15)
Focus on Philanthropy: Kimberly Rae Connor '79
Gifts to Musselman Library
Research Help Desk: Different Name, Same Great Service!
The Figure In Art: Selections From The Gettysburg College Collection, Yan Sun, Diane Brennan, Rebecca S. Duffy, Kristy L. Garcia, Megan R. Haugh, Dakota D. Homsey, Molly R. Lindberg, Kathya M. Lopez, Kelly A. Maguire, Carolyn E. Mcbrady, Kylie C. Mcbride, Erica M. Schaumberg
The Figure In Art: Selections From The Gettysburg College Collection, Yan Sun, Diane Brennan, Rebecca S. Duffy, Kristy L. Garcia, Megan R. Haugh, Dakota D. Homsey, Molly R. Lindberg, Kathya M. Lopez, Kelly A. Maguire, Carolyn E. Mcbrady, Kylie C. Mcbride, Erica M. Schaumberg
Schmucker Art Catalogs
The Figure in Art: Selections from the Gettysburg College Collection is the second annual exhibition curated by students enrolled in the Art History Methods class. This exhibition is an exciting academic endeavor and provides an incredible opportunity for engaged learning, research, and curatorial experience. The eleven student curators are Diane Brennan, Rebecca Duffy, Kristy Garcia, Megan Haugh, Dakota Homsey, Molly Lindberg, Kathya Lopez, Kelly Maguire, Kylie McBride, Carolyn McBrady and Erica Schaumberg. Their research presents a multifaceted view of the representation of figures in various art forms from different periods and cultures.
Placid, Erica M. Schaumberg
Dawn, Erica M. Schaumberg
Portrait Of A Mop, Taylor L. Andrews
Parisian Perspective, Colleen M. Kolb
Spring In Ring Of Kerry, Ireland, Zoe C. Yeoh
Downtown Detroit, Kelsey P. Cochran
Everlasting Wilderness, Erica M. Schaumberg
The Duomo, Taylor L. Andrews
Bartering In Lake Titicaca, Megan E. Zagorski
Misty Morning In The Amazon, Megan E. Zagorski
Passion Flower, Colleen M. Kolb
Ireland, Taylor L. Andrews
Donkey Of Santorini, Colleen M. Kolb
An Evening In Greece, Colleen M. Kolb
Magnolia Bridge, Zoe C. Yeoh
Morning Commute, Megan E. Zagorski
Friends Of Musselman Library Newsletter Spring 2015, Musselman Library
Friends Of Musselman Library Newsletter Spring 2015, Musselman Library
Friends of Musselman Library Newsletter
From the Director: Open Access (Robin Wagner)
Global Perspective: Library Participation in College’s Internationalization Efforts (Lucy Marinova ’12, Munya Choga ’12)
Remembering Gale Baker
Library wins 2014 Best in Show
Summer Reads 2015 Launches
Eisenhower Exhibit
Birds of a Feather: Photography Exhibit (Sandra Blair)
Heads Will Turn: Student Exhibit (Mark Warwick)
Edible Books
Audubon Print - Carolina Parrot (Geoffrey Jackson ’91)
Life in Photos: William H. Tipton exhibit
50th reunion Gift of First Editions (John E. Rogers, Jr. ’65)
Sharing the Past: Alumni Memorabilia (Jessica Casale ’18, Julia Hendon, Clara A. Baker ’30, Gary T. Hawbaker ’66)
19th …
Techno File: Glaze Unity Formula, Tina M. Gebhart
Techno File: Glaze Unity Formula, Tina M. Gebhart
Art and Art History Faculty Publications
There are many approaches to modifying a glaze recipe, and different approaches can meet different needs. Some modifications change the colorant level while others change the colorant type altogether. Some may directly replace one material with another add a few weight unit more (or less) of one of the base ingredients in the recipe, or add an amount of an entirely new ingredient. These strategies we use to alter glazes tent to parallel how we cook and modify recipes in the kitchen, but adjustments to the base glaze using the kitchen method do not always give us the results we …
Different Spokes, Meredith Maclauchlan
Sunlight, Gabriella M. Schiro
Luray Cave, Ashleigh K. Zicker
Walls, Preston G. Hartwick
Copy Of A Sculpture, Dinesh Manandhar
Nepali Girls, Dinesh Manandhar