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Full-Text Articles in Art and Design

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat Dec 2016

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …


Wearing Memories: Clothing And The Global Lives Of Mourning In Swaziland, Casey Golomski Sep 2015

Wearing Memories: Clothing And The Global Lives Of Mourning In Swaziland, Casey Golomski

Anthropology

This article situates a cultural phenomenon of women’s memory work through clothing in Swaziland. It explores clothing as both action and object of everyday, personalized practice that constitutes psychosocial well-being and material proximities between the living and the dead, namely, in how clothing of the deceased is privately possessed and ritually manipulated by the bereaved. While human and spiritual self-other relations are produced through clothing and its material efficacy, current global ideologies of immaterial mortuary ritual associated with Pentecostalism have emerged as contraries to this local, intersubjective grief work. This article describes how such contrarian ideologies paper over existing global …


When There Will Be Great Women Artists, Anne M. Stanton Jun 1999

When There Will Be Great Women Artists, Anne M. Stanton

Critical and Creative Thinking Capstones Collection

Linda Nochim has posed the question why there are no great women artists? (Nochim 1988) While this question can be challenged as a issue of perspective, I attempt to address it as an actual phenomenon. What is it that limits the productivity of women in art? Historically, women in the modem industrialized world have been objectified and stereotyped, and I will present a brief overview that discusses the definition of woman in this context (Bohan 1993, West and Zimmerman 1987, Hare-Mustin and Marecek 1990), and also demonstrate this view has saturated society. As a first step to change, women must …