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Articles 1 - 4 of 4
Full-Text Articles in Art and Design
Why Munch?, Robert Jensen
Why Munch?, Robert Jensen
Art and Visual Studies Presentations
Why Munch? was a keynote lecture for the conference "Marketing the North," sponsored by the society Munch, Markets and Modernism, in November 2017. In asking the question, the paper explores Munch's canonical status, especially vis-a-vis other Scandinavian artists of his time. In particular, the essay addresses the evolving nature of artistic professionalism at the end of the 19th century, and how Munch's personal and artistic behavior evoked a new definition of bohemianism that resonated deeply with the rise of European modernism and the post-1900 avant-gardes.
Review Of Peruvian Featherworks: Art Of The Precolumbian Era, Amy Buono
Review Of Peruvian Featherworks: Art Of The Precolumbian Era, Amy Buono
Art Faculty Articles and Research
A review of Peruvian Featherworks: Art of the Precolumbian Era, edited by Heidi King.
Hebrew Typography: A Modern Progression Of Language Forms, Shayna Tova Blum
Hebrew Typography: A Modern Progression Of Language Forms, Shayna Tova Blum
Faculty and Staff Publications
Influenced by studies in traditional Ashkenazi and Sephardi scripts. The typeface had been designed for the printing of the Koren Tanakh, a first edition printed Jewish Bible processed through an all-Jewish collaboration for the first time in centuries. Koren’s project was inspired by the revival of Hebrew initiated by Haskalah writers in the 18th century. Haskalah writers utilized the language and scripts of written and printed literary texts. Influenced by philosophical and political ideologies of the European Enlightenment, the Haskalah explored Jewish identity through language by defining the secular context through traditional Jewish symbolism and narratives. The Zionist movement of …
A Single Particle Among Billions: Yayoi Kusama And The Power Of The Minute, Isabelle Martin
A Single Particle Among Billions: Yayoi Kusama And The Power Of The Minute, Isabelle Martin
Oswald Research and Creativity Competition
Japanese contemporary artist Yayoi Kusama has developed her career through the continued use of the infinitely repeated polka-dot motif, an element that has not only persisted throughout the entirety of her work, but has also become a fundamental aspect of her self-presentation. Kusama has long suffered from a mental affliction called cenesthopathy, which results in intense hallucinations and anxiety attacks. Her use of the polka dot is not only a way for her to visualize her hallucinations, but also an example of the physical commitment (identified by Kusama as self-obliteration) she has to her work—her repeated application of small motifs …