Art and Design Commons^™

Standing Under A Sign To Which One Does Not Belong: Desire And (Dis)Identification In Catherine Opie’S Self-Portrait Series, Jenna June

sprinkle: an undergraduate journal of feminist and queer studies

This paper will take a closer look at Catherine Opie’s Self-Portrait series. Spanning a decade, from 1993 to 2004, each self-portrait is both reflective of an important time in Opie’s life, and are emblematic of a particular period in the LGBTQ movement. Traditional interpretations of these images have read them as independent of one another. When read together however, they present a subtle yet powerful statement on identity and desire. Using José Muñoz’ disidentification theory as a critical lens, I plan to unpack these images and offer new insights that will bring them in line with contemporary queer theory. While …

Between The Bars, Unique Shaw-Smith Dr, Eliese Maxwell, Victoria Otero, Catherine Trujillo, Habib Placencia Adissi

Creative Works

“Between the Bars” is a senior project exhibition, in collaboration with Cal Poly Sociology Professor Dr. Unique Shaw-Smith. Featuring artwork produced by incarcerated artists, the goal is to undo negative stereotypes and to empower the rehabilitation of incarcerated artists individually and collectively through art.The exhibit demonstrates that rehabilitation does occur in prison and emphasizes that art has the power to transcend all social differences and divisions. The exhibit features more than 60 works in diverse mediums including sculpture, painting, and poetry by 34 incarcerated artists from California Men’s Colony.

This catalog represents the onsite exhibit of the same name, which …