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Full-Text Articles in Art and Design
Children Shouldn't Play With Dead Things, Sarah Adcock
Children Shouldn't Play With Dead Things, Sarah Adcock
Graduate School of Art Theses
I view my creative process as alchemy, the transformation of materials through experimentation. I use wax as a material that transcends its historical use as a sculptural process for casting and instead, use it for its transmutable qualities to inform content. Because of its plasticity and duality as fragile and resilient, wax is symbolically submissive and assertive. By applying heat, wax can be molded and formed into new shapes. Once it cools, wax reverts back to its natural state; solid and impermeable. I use objects to explore desires of origin and life. Transitional objects, the first “me not me” possession …
Cat Metamorfosis: Becoming Animal And The Freedom Of Non-Identity, Hannah Becker
Cat Metamorfosis: Becoming Animal And The Freedom Of Non-Identity, Hannah Becker
Bachelor of Fine Arts Senior Papers
A large number of modern and contemporary female artists have employed the state of becoming to either free themselves of or challenge the social norms that come with being a woman. Kara Walker frees the Mammy of her expectation by combining her with a sphinx in her monumental sugar sculpture, A Subtlety. The Guerilla Girls have an impenetrable and unidentifiable voice when they speak from behind gorilla masks. Lucy Gunning’s The Horse Impressionists depicts women mimicking the behavior of horses to lose their human consciousness, and more specifically, female identity. Looking beyond the art world and into recent consumerist …
Pressing: Where The Objective Meets The Subjective, Mariana Parisca
Pressing: Where The Objective Meets The Subjective, Mariana Parisca
Undergraduate Theses—Unrestricted
Through this essay I describe the theoretical and anthropological ideas that led to the creation of the Cushing Series. An interest in the obsession with photography in popular culture leads to an understanding of the permeation of structured reasoning beyond scientific research and into everyday life. Taking evidence from photography, and philosophy of science I establish the limitations of structured reasoning, both as a way of perceiving the world and as an understanding of identity, and define surface and frame as its physical representation. Using Sartre’s existential theory and phenomenological anthropology I then describe the infinite subjective existence of …