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Articles 1 - 10 of 10
Full-Text Articles in Art and Design
Metaphorical Cities - Behind The Cover Art, Elana Melissa Hill
Metaphorical Cities - Behind The Cover Art, Elana Melissa Hill
The STEAM Journal
This is a reflection on how cities function like organisms. An artist's interpretation of the spaces surrounding them.
Metaphorical Cities, Elana Melissa Hill
Metaphorical Cities, Elana Melissa Hill
The STEAM Journal
This is a reflection on how cities function like organisms. An artist's interpretation of the spaces surrounding them.
Stories Untold: Art From Syria, Manas Ghanem
Stories Untold: Art From Syria, Manas Ghanem
New England Journal of Public Policy
In Damascus, a group of artists created paintings of startling intensity, rich in texture and bold to the eye, suffused with light and reflecting alternate realities: the resilience of a highly cultured people with a civilization of seven thousand years and a history of survival and reinvention. While the machines of war produced death, amid the blood and terror, the devastation and savagery, these artists produced images of hope and beauty that were brought together in an exhibition held in Athens and other parts of Greece. The paintings that accompany Ghanem’s article, “Stories Untold: Art from Syria,” also the name …
Constraint And Control, Patricia Ayres
Constraint And Control, Patricia Ayres
Theses and Dissertations
I have long considered themes of the body. Drawing on my knowledge as a fashion designer, I bring materials and hardware from the fashion industry into my artwork transforming and rendering them non-functional. My sculptures relate to stories of isolation, separation, and confinement. The following pages will analyze how the United States penal system controls, constrains and restricts the body through physical and psychological wounds. Furthermore, they will examine how the Catholic Church controls people’s minds and behavior through a ritualistic belief system.
The Alchemical Vessel, River Soma
The Alchemical Vessel, River Soma
MFA Statements
My work comes from a place of deep feeling on a bodily level. Amidst the decorative play, there is a sense of the primitive and primordial, and also a certain humanity and clumsiness through struggle. Through the hermetic tradition I relate the alchemical vessel and its symbolic process of interior development to my artistic practice. Focusing in mixed media sculpture, I discovered a concentrated accumulation of symbolism specific to my practice, but also the full recognition of my practice as a ritualized psychological undertaking.
Aesthetics And Imagining The Octopus’S Mind, André Krebber, Maike Riedinger, Yvette Watt
Aesthetics And Imagining The Octopus’S Mind, André Krebber, Maike Riedinger, Yvette Watt
Animal Sentience
Several commentators on Mather’s target article discuss the challenges of finding adequate cognitive methods and concepts for accessing the mind and experience of octopuses. Building on Godfrey-Smith’s commentary, we propose aesthetics as a way. The arts provide means to perform what Godfrey-Smith calls an “imaginative leap” to access the experience of octopuses, especially mimesis. We are trying to do this in our current project Okto-Lab. Laboratory for Octopus Aesthetics.
Future Of Appalachian Culture, Emily Hilliard, Travis Stimeling, Michael Kline, Carrie Kline, Trevor Mckenzie, Nancy Abrams, Torey Siebart, Chris Haddox, Mehmet Oztan, West Virginia University Press
Future Of Appalachian Culture, Emily Hilliard, Travis Stimeling, Michael Kline, Carrie Kline, Trevor Mckenzie, Nancy Abrams, Torey Siebart, Chris Haddox, Mehmet Oztan, West Virginia University Press
Exhibit Panels
Appalachia is often associated with its traditional arts and culture, but that does not mean that we are stuck in the past. Local traditions often play a crucial role in galvanizing forward-thinking cultural institutions, involving artists and workers alike in making new futures that are still distinctively Appalachian. This section of the exhibit highlights this kind of work from the West Virginia Humanities Council, Arthurdale Heritage, and more, connecting to a traditional past to new traditions yet to be forged.
Remembering The Huia: Extinction And Nostalgia In A Bird World, Cameron Boyle
Remembering The Huia: Extinction And Nostalgia In A Bird World, Cameron Boyle
Animal Studies Journal
This paper examines the role of nostalgia in practices of remembering the Huia, an extinct bird endemic to Aotearoa New Zealand. It suggests that nostalgia for the Huia specifically, and New Zealand's indigenous birds more generally, has occurred as both restorative nostalgia and reflective nostalgia. It argues that the former problematically looks to recreate a past world in which birds flourished. In contrast, the paintings of Bill Hammond and the sound art of Sally Ann McIntyre are drawn on to explore the potential of reflective nostalgia for remembering the Huia, and New Zealand's extinct indigenous birds more generally, in a …
Fragile Oceans, Synthetic Flotsam And Microbial Collaboration – Explorations In The Visual Communication Of The Plastic Crisis, Ivan Langesfeld
Fragile Oceans, Synthetic Flotsam And Microbial Collaboration – Explorations In The Visual Communication Of The Plastic Crisis, Ivan Langesfeld
Pomona Senior Theses
Scientific evidence that the ocean plastic crisis is larger in scale and more sinister than previously thought continues to mount, but the rate of plastic production is only rising. What will it take to decisively turn the tide against plastic? We need scientists, politicians, and industry changemakers to continue producing knowledge and positive change in the industry, but we need to go further still. This thesis explores art as an alternative visual communication strategy with the capacity to encourage curiosity, empathy, and positive engagement with the issue of ocean plastics. The series of work explores bacterial bioluminescence as an artistic …
Thanks To You, I'M Alive, Antonio Scott Nichols
Thanks To You, I'M Alive, Antonio Scott Nichols
Senior Projects Spring 2019
Antonio Nichols
Artist Statement:
In this project I am using figurative painting to explore the meaning of relationships/emotion and my connection to the people I am painting. I question what this means and how each individual’s identity ties to mine and why it may or may not matter. “Thanks to You, I’m Alive,” the title of this project, encompasses the message I am sending not only to the individuals I painted but also to the viewer because there is a certain exclusivity in who I decided to paint.
I want the connection I have with these people to not only …