Open Access. Powered by Scholars. Published by Universities.®

Art and Design Commons

Open Access. Powered by Scholars. Published by Universities.®

Social and Behavioral Sciences

2019

Social Space

Articles 1 - 6 of 6

Full-Text Articles in Art and Design

Arts For Community Development In Singapore, Kar Yee Lim Jul 2019

Arts For Community Development In Singapore, Kar Yee Lim

Social Space

In the National Arts Council’s Report on the Arts and Culture Strategic Review,4 it emphasised the importance of promoting social cohesion across population segments via arts and cultural initiatives. It further stated its objective to bring the arts to everyone, everywhere and every day; and to build capabilities to achieve excellence.


The Role Of The Arts In Placemaking Singapore, Su Fern Hoe Jul 2019

The Role Of The Arts In Placemaking Singapore, Su Fern Hoe

Social Space

Singapore is no exception. This is palpably evident in the recent disappearance of cherished spaces such as Rochor Centre, Sungei Road Flea Market and Pearl Bank Apartments. As Janadas Devan once aptly stated, “forgetting is the condition of Singapore.”

This leads one to wonder: in a cityscape where the only constant is change, how can we foster a sense of place and belonging? How and where do we develop social relations beyond our own homes? Are we still able to form meaningful experiences with others as well as our surroundings?


Heart Faculty: Jacelyn Lim, Ishan Singh Jan 2019

Heart Faculty: Jacelyn Lim, Ishan Singh

Social Space

Meet Jacelyn Lim, 46, Deputy Executive Director of the Autism Resource Centre,1 a Singapore-based NPO that serves children and adults with autism spectrum disorder. Through advocacy and provision of services spanning education, employment and training, it hopes to empower individuals with ASD to lead meaningful and independent lives. ARC also manages The Art Faculty,2 whosemerchandise features the works of artists with special needs. For every product you purchase at TAF, differently-abled artists receive royalties and learn the value of work and financial independence. ISHAN SINGH catches up with Jacelyn to find out more about what she does and how art …


Cooking Up The Kampung Spirit: Ngiam Su-Lin, Ishan Singh Jan 2019

Cooking Up The Kampung Spirit: Ngiam Su-Lin, Ishan Singh

Social Space

Meet Ngiam Su-Lin, 44, Co-founder and Executive Director of ArtsWok Collaborative, an arts- based NPO that engages the general public via community-based arts projects, research and advocacy. The ArtsWok team partners with organisations and groups to put up participatory performances and public art installations examining various social issues, presents plays by young people on social issues in an annual theatre festival, and trains and mentors practitioners in arts and community work. Su-Lin herself is no stranger to the local arts scene—she’s worked in this space for almost two decades, producing community theatre and festivals—but she’s also a trained counsellor and …


Plan D: Design And Social Responsibility, Harah Chon Jan 2019

Plan D: Design And Social Responsibility, Harah Chon

Social Space

Most are familiar withthe use of this term as a noun, in which design refers to finished objects, forms, services and solutions. Design is often used as an adjective to describeaesthetic qualities or the utility and function of things. As a pronoun, however, design emphasises the networks or systems involved in the industry as a whole. But what sets design apart from all other human activities is in its useas a verb, denoting its many approaches, perspectives, actions, processes, ideations, interpretations and implementations.


Now You Seaweed, Now You Don't: Photographing Rongcheng's Disappearing Seaweed Houses, Yanjing Liu Jan 2019

Now You Seaweed, Now You Don't: Photographing Rongcheng's Disappearing Seaweed Houses, Yanjing Liu

Social Space

This county-level city is known not only for its picturesque beauty, but also for being the site of seaweed houses— traditional homes built from natural seaweed and stones. Inhabited mainly by local fishermen, these structures are a reflection of northern Chinese marine culture and fishery customs.