Art and Design Commons^™

Interspace Encounters: Parkview Gardens, Madeline Marak

Graduate School of Art Theses

The undertaking to render an experience tangible reveals the inadequacy of the techniques and technologies of representation to transcribe the perception of ubiquitous, yet unnoticed, spaces in the urban environment. The work of Madeline Marak contemplates overlooked and forgotten spaces that are unnoticed by busy, preoccupied minds. The work advocates for slowing down… considering… and being present. This thesis refers to writer Rebecca Solnit and her anthologies on the subjects of walking, wandering, and getting lost to advocate for activities that preoccupy the mind and facilitate freethinking. The humanist geographer Yi-Fu Tuan is quoted in argument for a direct engagement …

The Untitled Mapping Project: Case Study Trauma, Wyndi A. Desouza

Graduate School of Art Theses

This thesis is my personal exploration of what trauma is and how, if possible, it can be visually represented. The use of data collection, data visualization, and archive methodology is utilized in my project and this document examines how these components come together to understand trauma. This thesis also works through the ideology that everyone has the ability to experience trauma, of some form, in his or her life. Yet, there are different social perceptions for defining and labeling trauma. It is this social fallacy of trauma that I investigate and then seek to eliminate through the visual representation of …

A Borrowed Language, Yvonne Osei

Graduate School of Art Theses

Art has the potency of mediation: bridging human differences, questioning voids in historical trajectories, negotiating spaces of relevance, and most importantly, being signifiers that embody the absent. I speak in a borrowed language, a multilingual visual tongue, inspired by a culmination of Western and African Art modes of practices to create charged platforms for multicultural communication.

My art presents visual portals that allow for intercultural and interracial mingling as issues of colorism, present-day colonialism, gender inequality and the politics of dress are foregrounded for collective deliberation. The essence of the work is often activated and brought to its full potential …