Art and Design Commons^™

Artemis: Depictions Of Form And Femininity In Sculpture, Laura G. Waters

Student Publications

Grecian sculpture has been the subject of investigation for centuries. More recently, however, emphasis in the field of Art History on the politics of gender and sexuality portrayal have opened new avenues for investigation of those old statues. In depicting gender, Ancient Greek statuary can veer towards the non-binary, with the most striking examples being works depicting Hermaphroditos and ‘his’ bodily form. Yet even within the binary, there are complications. Depictions of the goddess Artemis are chief among these complications of the binary, with even more contradiction, subtext, and varied interpretation than representations of Amazons. The numerous ways Artemis has …

Murphy, Ruby Bradford, 1909-1995 (Sc 3142), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Small Collection 3142. Short article about Nellie Verne Walker, a sculptor from Iowa, titled “Little Lady With a Big Idea,” accompanied by 11 photographs.

Freed From Fascism: Berlin's Gallery Culture In The Aftermath Of World War Ii, Brooke Fessler

Student Scholar Symposium Abstracts and Posters

In post-World War II Germany, the city of Berlin was left in ruin after six years of war. A nation ripped apart both physically and at its governmental core was finally freed from Nazi fascism in 1945, and the German people were finally able to reconstruct their culture. Born out of years of strict regulation of the German art world, a new type of art was put on display. Focusing specifically on gallery culture in Berlin in the post-war years, one can see how twelve years of classically influenced Nazi art gave way to a push towards the avant-garde. The …

Cycles Of Growth And Decay, And Changing The Beautiful To The Grotesque: Installation Through The Lens Of Printmaking, Madeline R. Cochran

All College Thesis Program, 2016-2019

The intention of this project is to create an installation informed by printmaking processes and to explore the tension between what is fragile and delicate and what is decaying and visceral. Specifically, I am working with materials I find delicate and beautiful including: fine Japanese paper, lace, yarn and embroidery floss. I am coating and manipulating these materials with wax, epoxy-resin and baby oil to give the work a fleshy and unsettling feel. Through the process of working with these materials, I have created paper sculptures made from a mold cast from my own torso, miniature books made from monoprints …

Sublime Memories: Bones As A Medium For Cyanotype Printing And Indigo Dying; The Strength Derived From Connection To The Environment; And The Power Of The Color Blue, Alexis R. Bernstein

All College Thesis Program, 2016-2019

This project attempts to portray how connections to the environment provide strength and opportunities for growth. By printing cyanotype images of landscapes and plant life on bones, my work links the ecological world with a representation of mortality. The symbolism of bones provide concepts of strength and life, while the symbolism of blue evokes emotions of distance and longing that create a dreamy memory-inspired image quality throughout the series. The historic processes of cyanotype printing and indigo dying were successfully modified for the medium of bones, allowing both artistic techniques to work together in harmony.

Pause, Bryon Hartley

School of Art, Art History, and Design: Theses and Student Creative Work

Creating art honors the traditions of making by hand and presents an arena where I am the designer and the maker. When I make, I hunt myself down; I pursue that moment when a piece is finished and I can pause.

The making process totally consumes me, hours are spent planning, sketching, fabricating, jig building and mold making. I reach the point of exhaustion trying to figure out positive and negative space, a faultless line, curve, or form. Sleep is longed for, but I drive on. I am chasing perfection and once it is reached, I am at peace. It …

Michio Iwao Interview, Grace Johnson

Asian American Art Oral History Project

Bio: Michio Iwao is one of four sons of the parents Kotama and Tomonosuke Iwao. He is known as an Asian American craftsperson that was born on July 12, 1922 in Suisun City, California. During World War II Michio and his family were relocated and held at the Gila River Internment Camp also known as Trulock. This stay lasted from 1942 to 1945 under the War Relocation Authority. This Japanese Internment camp inspired Iwao to spend his idle time learning how to make bird pins. This was the start of Iwao becoming a craftsperson.

Dana Weiser Interview, Julia Boucher

Asian American Art Oral History Project

Bio: Education: University of Colorado at Boulder, B.A in Fine Arts, May 2001. Penland School of Crafts, Attended August2001-May 2001, woodworking and blacksmithing. School of the Art Institute of Chicago, B.F.A, Ceramics, May 2003 & Post-Baccalaureate Certificate, Ceramics May 2004 University of California at Los Angeles, M.F.A in Ceramics, June 2007 & M.A in Asian American Studies, December 2016.

Awards: National Scholastic Art Award in Ceramics, 1997. D’Arcy Hayman Award, 2005. Laura Andreson Scholarship, 2006. Elizabeth Heller Mandell Memorial Scholarship, 2006. Laura Andreson Scholarship, 2007. Finalist in Artist Runway.com, 2008.

Exhibitions: National Scholastic Art Exhibition, Corcoran Museum, Washington DC, …

Jun-Jun Sta.Ana Interview, Jackson Hughlett

Asian American Art Oral History Project

Bio: Jun-Jun Sta.Ana is a self-taught multi-disciplinary artist born on September 19, 1963 to Remigio Benavidez Sta.Ana and Emma Cecilio Catral in Manila, Philippines. He moved to the United States at the age of 24, shortly after finishing a degree in Dentistry. He started his art career late just before he was turning 40- having a solo show of digital works using appropriated images from free porn sites which he deconstructed and embellished with images and symbols culled from Filipino talismans. His practice has become multi-disciplinary, and while still utilizing found images and materials, he also employs the technique of …

Kristine Aono Interview, Maureen Vela

Asian American Art Oral History Project

Bio: Kristine Aono is a sculptor and installation artist. She has a BFA from Washington University in St. Louis and attended the Skowhegan School of Painting and Sculpture in Maine. In addition, she has done residencies at the MacDowell Colony and the Virginia Center for the Arts.

She has received numerous grants from organizations such as the National Endowment for the Arts (Visual Artist/Public Project Grant), the Maryland State Arts Council, the Painted Bride, the Civil Liberties Public Education Fund, and the Prince George’s Arts Council. Kristine Aono has served on the Board of the Washington Project for the Arts, …

Mie Kongo Interview, Mimonna Aljaber

Asian American Art Oral History Project

Bio: Mie Kongo grew up in the outskirts of Tokyo, Japan and now lives and works in Evanston IL, where she makes multidisciplinary work: ceramic sculptures & installations, 2D work and porcelain designed objects. Her work has been exhibited nationally and internationally, including recent exhibitions, “Unknown game series” at Dan Devening Projects + editions, Chicago, IL "Beyond Function" Arts and Literature Laboratory, Madison, WI, "Reformat: Digital Fabrication in Clay" Lillstreet Art Gallery, Chicago, IL, “Circle in a Square” Hyde Park Art Center, Chicago, IL. She has been showing her porcelain products at Paul Kotula Projects, Ferndale MI and Room 406, …

2017 Mfa Thesis Exhibitions, The University Of Tennessee, Knoxville, School Of Art

Ewing Gallery of Art & Architecture

MFA class of 2017: Jessica Gatlin, Abigail Lucien, Anna Wehrwein, Geoff Silvis, Corinna Ray, Meg Erlewine, Jing Qin, Joshua Shorey, Elysia Mann, and Christopher Spurgin.

Dual Current: Inseparable Elements In Painting And Architecture (Exhibition Catalogue), Sam Yates, Gabriele Evertz

Ewing Gallery of Art & Architecture

Dual Current: Inseparable Elements in Painting and Architecture, curated by Gabriele Evertz, examines the relationship between painting and architecture in a contemporary context through color, shape, and theory.

The artists whose works are featured in this exhibition are: Josef Albers, Matthew Deleget , Peter Dudek, Cris Gianakos, Michelle Grabner, Lynne Harlow, Changha Hwang, Russell Maltz, Rossana Martinez, Kristine Marx, and Manfred Mohr. Their works link three-dimensional space and the picture plane to create radical new forms. Dual Current explores the relationship between painting and architecture, closely intertwined since the Renaissance.