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Articles 1 - 12 of 12
Full-Text Articles in Art and Design
One. Two. Three. Four. Five. Six. Seven. Eight. Nine. Ten. Eleven. Twelve. Thirteen. Fourteen. Fifteen. Sixteen. Seventeen. Eighteen. Twenty. Twenty-One. Twenty-One. Twenty-Three. Twenty-Four. Twenty-Five. Twenty-Six., Liza Lacroix
Theses and Dissertations
"One. Two. Three. Four. Five. Six. Seven. Eight. Nine. Ten. Eleven. Twelve. Thirteen. Fourteen. Fifteen. Sixteen. Seventeen. Eighteen. Twenty. Twenty-one. Twenty-one. Twenty-three.Twenty-four. Twenty-five. Twenty-six." is a biographical fiction of violence toward the protagonist. Comprised of writing, audio, documentation and intervention. This text is the first iteration, and the thesis work is the second iteration of the same.
Dulce Sueños De Tierra, Sweet Dreams Of Earth, Jordany Genao
Dulce Sueños De Tierra, Sweet Dreams Of Earth, Jordany Genao
Theses and Dissertations
Jordany's paper congregates their archival research into an art practice that examines the decolonial impulse to excavate the self and produce autonomy. Using ceramics to reference and re-animate Taino ritual objects found in museums, resulting in alternative museology, their work seeks to honor Caribbean ancestors by subverting colonial history.
Or Read The Wikipedia Entry For The Parable Of The Tower Of Babel But Imagine It’S 2023 This Time And We’Re Getting So Close Just Give The Artist A Little More Of Your Money, David Thonis
Theses and Dissertations
Systems and their inherent design underlie everything in contemporary life. Design exists to facilitate interaction, to ease workflow, to keep us producing. As such, it exerts its own control.
Through disassembling recurring conventions in design, I look to break with preconceptions of logic. To deny functionality. In doing so, my intention is to dislocate the user from the usual patterns of applicable systems.
The resulting discomfort may feel strange, disembodied, but it should be embraced. Long have capitalism’s solutions created more problems. In the face of this complexity, and beyond it, there can be freedom.
Contact Sheet, Jiwoong Jang
Contact Sheet, Jiwoong Jang
Theses and Dissertations
Jiwoong’s thesis paper is a field guide to how he navigates his curiosity with photography, sound, sculpture, ceramic, and installation. Connecting fragments through narrative vignettes, he underscores how chance, walking, light, time, and uncertainty inform his art.
Skin Echoes, Andreia Santana
Skin Echoes, Andreia Santana
Theses and Dissertations
Santana’s explores the intersection of biology and identity, incorporating living matter and performative gestures into installations to reflect on social constructs of history and gender. By observing water and its qualities of defying Western dichotomies, Skin Echoes focuses on the material interchanges across bodies and the wider material world.
Future Trash, Xinan Ran
Future Trash, Xinan Ran
Theses and Dissertations
Xinan Ran explores the politically different, yet similar cultural habits that China and the US share under the influence of late-stage capitalism. Through her handmade, speculative products inspired by novelty gadgets, or “Unitaskers,” she examines the heightened prevalence of the contemporary wellness market. The project “Future Trash” encompasses soft sculptures, printed materials, performance, and installation.
Bloody Show, Leonie Weber
Bloody Show, Leonie Weber
Theses and Dissertations
Leonie Weber reflects on how reproductive, domestic, and emotional labor is addressed in her artwork, and her experience as an artist-parent in the art world. Moreover, she specifically discusses mothers who are navigating their own artistic paths. Her practice encompasses sculpture, printmaking, performance, and installation.
Subject To Change, Shauna Steinbach
Subject To Change, Shauna Steinbach
Theses and Dissertations
Making visible what is often unseen, muted, or ignored, Shauna Steinbach discusses the unscientific models that make up their sculpture and installation practice. Steinbach’s work explores philosophical thoughts and inquiries surrounding imprints, impermanence, and interdependence. The deaths are small until they are big.
Half Of Two Hungers, Aida A. Lizalde Rios
Half Of Two Hungers, Aida A. Lizalde Rios
Theses and Dissertations
Abstract
half of two hungers is an extension of my sculptural practice; a weaving of the ambiguous borders of memory, trauma, disease, identity, assimilation, survival, spirituality, love, erotics, and desire. It is a psychological and sensorial landscape, where I travel consciously and subconsciously to pull shapes and material experiences out into the world of bodies and objects.
Welcome To The Sitting Garden At The Busy Hands Museum, Stacie Sabady
Welcome To The Sitting Garden At The Busy Hands Museum, Stacie Sabady
Theses and Dissertations
I wanted to attend VCU to learn how to unravel my mind and find the words to describe it. While I did make progress in that area, my surprise discovery is that I need to unravel my body too. It has become unbalanced from years of neglect. When working, I find solace through escape. I find a positive outlet for my perfectionist tendencies. I find a way to visually illustrate my obsessive qualities. Throughout the years of these findings, I have ignored my body pleading with me to take it easy. I have always honored the materials and the tools, …
Waiting To Exhale, Abigail H. Ogle
Waiting To Exhale, Abigail H. Ogle
Theses and Dissertations
We breathe as a measure of time, it keeps us alive, and fabricates the pattern of our lives. We are punctuated by “snarls,” “glitches,” or moments of irregularity – of trying to catch one's breath, having it taken away, or gasping for it. It is the punctuation of sighs, huffs, sniffs, scoffs, screams, and deep intakes that appear as glitches in the breathing system.
In our daily rhythm of breathing, the presence of the glitch, defined as potentiality, can create space for something unexpected or new to arise. Using the wind from fans and approximately 1,260 square feet of silk, …
The Game Of Absolute, Rupeng Zhao
The Game Of Absolute, Rupeng Zhao
Theses and Dissertations
My thesis paper writing is a collection of short stories. Or it could be thought of as a small magazine or even an instruction manual for my work. There is a loose correspondence between its content and the symbols used in my installations. It is also realistically and physically presented in my exhibition as part of a "game box". The chaotic and contradictory narrative of this collection of short stories stems from my exhaustive pursuit of the elements that I try to approach in each story. This insatiable pattern of compulsive organization is also evident in the content of my …