Art and Design Commons^™

The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow

Electronic Theses and Dissertations

These thesis and exhibition, invite the viewers to travel through different places in Central and Eastern Kentucky. The region’s landscape, like many other American landscapes, is often known to the public through the settler colonial lens—a lens that ignores Indigenous peoples’ history in the region. The work in the exhibition is a response to landscape art's history and its complicity with American settler colonialism- art that was recruited to create a new identity for the settlers and for the country from the beginning of the American Colonial Project. Landscape art was a crucial part of this effort, presenting the land …

Where Do I Belong In The United States Public School System?, Christiana R. Becker

Electronic Theses and Dissertations

I seek to inquire about the world as it relates to my identity as a first generation descent of the Penobscot tribe living in the United States by utilizing four methodologies in my research: life histories/autobiographies, narrative inquiry, a/r/tography and practice-based and practice-led. Through coupling my artistic practice with those four methodologies I am able to creatively show the information I have unearthed in hopes that others will benefit from a fresh and augmented understanding of what it historically and culturally means to be a part of a community that makes up a very small percentage of the United States …

Beyond Interventions: A Case Study Of The Denver Art Museum’S Native Arts Artist-In-Residency Program, Madison Sussmann

Electronic Theses and Dissertations

The Denver Art Museum’s Native Arts Artist-in-Residency Program is an inter-departmental project dedicated to the collaboration between the museum, artists, and visitors. The residency and the physical studio were established to formalize artist involvement in the museum. There is no written mission statement for the program, but visitor engagement is central to the organization of the program and experience of the artist. This thesis explores the question: What can the experiences of the artists and museum professionals involved in the Native Arts Artist-in-Residency program tell about the residency’s contribution to critical museology and decolonization? Through exploring the definitions of critical …

North American Indigenous Collection And Curation And Its Impact On Market Arts., Adelaide Mccomb

Electronic Theses and Dissertations

This thesis examines the history of two North American Indigenous groups, those belonging to the Great Plains and the Arctic, and observes how settler-colonial influence determined the collection and curation of arts and artifacts in these areas. This art includes a mention of pre-Colombian works, but focuses predominantly on works being made after “first-contact” through the contemporary ear. The paper addresses the effect imperialist history has had on the development of Indigenous art markets, and how institutions such as museums may address them through ethical practices, and efforts to decolonize museum spaces.

Strange Fruit: Black Female Body Politics In Contemporary American Culture, Eleanor Kipping

Electronic Theses and Dissertations

The African American Civil Rights movement of the 1950s and 60s was an organized effort by and for Black American populations to receive equal treatment by law. Its legacy has much reason to be celebrated: not only for its accomplishments and successes in unifying the Black community but also in bringing issues of segregation, violence, and racial discrimination to the forefront of the public’s attention. The decade was a pivotal point in contemporary race relations, and served as an apex in attempts to bridge America’s past and what America is striving to become. Today however, the social and political climate …

Narrowing The Margin: The Role Of The Black Superhero, Julian S. Strayhorn Ii

Electronic Theses and Dissertations

Comic books can be understood as a visualization of popular culture in the U.S. For a long time these tales were formed by a white power fantasy, circulating in mainstream culture as over-exaggerated narrations. To give an example of white power fantasy, Dwayne McDuffie, a prolific writer in popular entertainment states:

“…if I write, as I have many times, a story where Daredevil, who doesn’t have powers, gets the drop on Thor, who has unbelievable powers, people go Oh, that was so cool! Daredevil was so clever! If I have Black Panther do the same thing that’s impossible! It’s like, …

Virgil Ortiz: American Indian Artist, Representational Trickster, And Identity Shapeshifter, Noell Ross Jackson

Electronic Theses and Dissertations

This study opens the door for a re-thinking of how discourse shapes American Indian representation and identity. As such, contemporary American Indian artist, Virgil Ortiz, his art, and the discourse surrounding both art and artist are examined to reveal the strategies and tactics employed in his constitution of a politics of representation that broaden the spectrum of considerations of American Indian identity. Critical invention is the orientation through which two methodological approaches are intertextually applied. A critical rhetorical approach is employed to analyze both the vernacular discourse produced by Ortiz and the dominant discourse constructed by the dominant culture. Sorrells …