Open Access. Powered by Scholars. Published by Universities.®
- Publication
- Publication Type
Articles 1 - 2 of 2
Full-Text Articles in Art and Design
Strange Bodies: Hybrid, Text, And The Human Form. Prints From The Sheldon Museum Of Art, Alison G. Stewart , Editor
Strange Bodies: Hybrid, Text, And The Human Form. Prints From The Sheldon Museum Of Art, Alison G. Stewart , Editor
Zea E-Books Collection
Catalogue for the Sheldon Museum of Art’s exhibition “Strange Bodies: Hybrid, Text, and the Human Form," selected and curated by Professor Alison Stewart’s “History of Prints: New Media of the Renaissance” class during the fall semester of 2016 in the School of Art, Art History, & Design at the University of Nebraska–Lincoln. Each of the eleven prints offers a different understanding or take on the body. Some are grounded in the physical and social aspects of humanity, while others present the body as a site for fantastic imagination and performance. Still others reference the printed page as a “body.” Whether …
Casting The Bigger Shadow: The Methods And Business Of Petrucci Vs. Attaingnant, Sean A. Kisch
Casting The Bigger Shadow: The Methods And Business Of Petrucci Vs. Attaingnant, Sean A. Kisch
Musical Offerings
The music printing of Ottaviano Petrucci has been largely regarded by historians to be the most elegant and advanced form of music publishing in the Renaissance, while printers such as Pierre Attaingnant are only given an obligatory nod. Through historical research and a study of primary sources such as line-cut facsimiles, I sought to answer the question, how did the triple impression and single impression methods of printing develop, and is one superior to the other? While Petrucci’s triple impression method produced cleaner and more connected staves, a significant number of problems resulted, including pitch accuracy and cost efficiency. Attaingnant’s …