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Full-Text Articles in Art and Design
Digital Photography As Experience Artifact, Ryan V. Brennan
Digital Photography As Experience Artifact, Ryan V. Brennan
Theses and Dissertations
Through the screen interface, the boundary between personal and collective experience is being redefined both spatially and temporally. Here, memories are given independent mediated existence, taking form in digital photographic artifacts that can be communally shared and manipulated into a synthetic continuum.
Departing From Photography. Place, Space, Non-Place, And The Quotidian: Painting From Pictures Of The Everyday, Mathew A. Tucker
Departing From Photography. Place, Space, Non-Place, And The Quotidian: Painting From Pictures Of The Everyday, Mathew A. Tucker
Theses and Dissertations
This paper investigates the relationship between photography and painting. It explores the way in which Mathew Tucker's paintings have been informed by his photographs of everyday places and the ways that they depart from those images and express new and different meanings.
The New Reflexivity: Puzzle Films, Found Footage, And Cinematic Narration In The Digital Age, Jordan Lavender-Smith
The New Reflexivity: Puzzle Films, Found Footage, And Cinematic Narration In The Digital Age, Jordan Lavender-Smith
Dissertations, Theses, and Capstone Projects
“The New Reflexivity” tracks two narrative styles of contemporary Hollywood production that have yet to be studied in tandem: the puzzle film and the found footage horror film. In early August 1999, near the end of what D.N. Rodowick refers to as “the summer of digital paranoia,” two films entered the wide-release U.S. theatrical marketplace and enjoyed surprisingly massive financial success, just as news of the “death of film” circulated widely. Though each might typically be classified as belonging to the horror genre, both the unreliable “puzzle film” The Sixth Sense and the fake-documentary “found footage film” The Blair Witch …