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Full-Text Articles in Art and Design

Chromaticity, Whitney Anne Hagen Jan 2023

Chromaticity, Whitney Anne Hagen

Senior Projects Spring 2023

Chromaticity is an objective specification of the quality of a color regardless of its luminance consisting of two independent parameters. These are often specified as hue and colorfulness, where the latter is alternatively called saturation, chroma, intensity, or excitation purity. These parameters follow how the human eye perceives color, giving us visual cues when navigating the world. In abstract art, where form is not bound by the constraints of representation, color becomes the primary tool for communication. Creating harmony, tension, emotion, and balance, the color relationships in this collection of work communicates to the viewer in a visual language that …


She Is Clothed With Strength And Dignity; She Can Laugh At The Days To Come!, Immanuel J. Williams Jan 2022

She Is Clothed With Strength And Dignity; She Can Laugh At The Days To Come!, Immanuel J. Williams

Senior Projects Spring 2022

Motherhood in the words of Aunt Brenda.

See, we look at our parents first as these godlike figures like they're going to figure it out, not realizing that they were children. They were people. They had dreams and aspirations and all that. And when you strip that away, the title of mother– parent– this woman…. Who is that person?

Well, they're a person. They bleed just like you. They had dreams and thoughts and all that, just like you.

You know, I challenge everybody, you know, take your mother or father off of that godlike pedestal because you'll find that …


As Many Names As Objects, Luke Herrigel Jan 2021

As Many Names As Objects, Luke Herrigel

Senior Projects Spring 2021

“And we: spectators, always, everywhere,

turned toward the world of objects, never outward.

It fills us. We arrange it. It breaks down.

We rearrange it, then break down ourselves”

  • Rainer Maria Rilke, Duino Elegies

“Honesty is Unbelievable”

  • A Bumper Sticker I Saw

For my senior show I used collected materials, found objects, personal ephemera (both genuine and fabricated), paintings and sculpture to make installations that I would change every night of the show’s duration. Each morning the installation would be photographed, left for only a few hours, and then would be uninstalled to make way for creating a new iteration. …


Good Grief, Madeleine Pearl Buzbee Jan 2020

Good Grief, Madeleine Pearl Buzbee

Senior Projects Spring 2020

“Good Grief” is a memorial project that began with the loss of my childhood best friend, Camille Sdao (1998-2019). She was a light.

Grief is a thing that is carried, compartmentalized, expanded, forgotten, and remembered. Grief is nothing and everything at the same time. Grief explodes, lingers, leaves and returns again. Grief is blue. I know this because Louise Bourgeois, Maggie Nelson, Taryn Simon, the Pacific Ocean, my tears, the sky, my mother, and my grandmother have taught me this. Loss means wading in deep waters for a long time and you must build a boat to stay afloat.

Consumed …


In The Shadows And Folds, Julia Mueller Jan 2020

In The Shadows And Folds, Julia Mueller

Senior Projects Spring 2020

In the shadows and folds is the result of a mental scavenger hunt that I began this past year, to uncover myself and find what is hidden in my crevices. It was spurred by my fear of memory loss which had grown to such a size that it sat visible in the back of my mind unaddressed for some time. The reason for this fear is not large but it feels monumental. I have been existing in various states of sadness and disconnect, which have acted like a thick blanket over my mind. This blanket is simultaneously protective and damaging, …


Xx Openings, Jackson Siegal Jan 2018

Xx Openings, Jackson Siegal

Senior Projects Spring 2018

XX Openings represents my dual sculpture and photography practice. The title comes from a 70’s domestic frame, with 20 openings of varying sizes for family pictures. Half of the slots were filled with stock pictures of smiling family scenes, while the others just had measurements for the openings themselves. The object struck me as alienating, and oppressive. I didn’t see any scene within those openings I felt connected to.

The frame came to symbolize varying perspectives, ways of seeing, and ways of being. As my sculpture practice has weighed more heavily on my work as a photographer, I feel tensions …