Art and Design Commons^™

Form From Color: Color Generated Form, Kyra Vreeland

Architecture Undergraduate Honors Theses

Form From Color: Color Generated Form evaluates the ability of color to be a three-dimensional and architectural space creator. While complex in history and connotations, color within this capstone is assigned a theoretical characteristic by which forms are generated from color solely. The produced results suggest that color can be a form generator and can have more spatial applications in design. This capstone has the mode of inquiry of a Creative Artistic Inquiry.

There are three series of tests within this capstone. All of which are based on Johannes Itten’s belief that primary colors correspond with primary shapes. The first …

Genius Loci: Capturing The Distinctive Roman Spirit Through Pochoir, Carlee Mcguire

Interior Design Undergraduate Honors Theses

This capstone explores the concept of genius loci through photographic and artistic exploration and does so through a lens of study set on Rome, Italy. The first major goal of the process has been to discover the elements, moments, physical textures, and other design elements that comprise the genius loci of a city or space. The second goal has been to partake in a process that can be used by myself and other designers in efforts to make more conscious design decisions — gaining a better understanding of ‘sense of place’ can assist designers in straying from globalized, placeless design.

Audio To Architecture: House Music As A Form Generator, Polina Timchenko

Architecture Undergraduate Honors Theses

Contemporary music undergoes similar process of creation to that of the design process through computation and variation. House music as a representation of contemporary culture has a layered structure that allows specific characteristics to identify it as house music. Song components can vary and mix in different orders that form new dynamic compositions. I am going to explore the idea that every house music component can be translated into geometry with the use of parametric design techniques.

The Work Of Living Art, Empathy, And The Creation Of An Aesthetics Of Perception In The Early Twentieth Century, Sarah Peil Winstead

Architecture Undergraduate Honors Theses

Adolphe Appia (1862-1928), theorist and pioneering voice of the New Stagecraft Movement in twentieth century theatre, was a transformative influence on the history of scenic design. This paper looks at the links between Appia’s theories in theatre scenic design and contemporaneous German aesthetic theory. At the time German theorists like Adolf Hildebrand and August Schmarsow developed an aesthetic theory, Einfülung or empathy theory, based on the connection between the human body and perception. I will argue this theory influenced not only Appia and his contemporaries it also shaped the landscape of mid-century theatre design. Appia’s own theories revolved around three …

Making Process: The Search For A Personal Language Through A Shared Vocabulary Of Painting And Design, Callie Fleetwood

Architecture Undergraduate Honors Theses

As designers, everything we make is personal. The act of making is a learning experience, as well as a personal act. We learn through this act of making. Making spans many mediums, including painting and architecture. Every designer has a language that is unique and personal to them. There is however, a shared and fundamental basis, or vocabulary, for these languages that span mediums and designers. To better understand the making process, a careful study of the architectural work and personal paintings of two architects has been done. Le Corbusier and Alvar Aalto are two architects who practiced in the …