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Articles 1 - 10 of 10
Full-Text Articles in Art and Design
Mirroring Reality: Music In Video Games, Allison Burr
Mirroring Reality: Music In Video Games, Allison Burr
Student Scholar Symposium Abstracts and Posters
This paper explores the effectiveness of music in video games in terms of mood setting and immersion. The effectiveness of the emotion evoked is studied through both personal and scholarly research. Four video games are explored from different game genres. In "Bioshock" and "Fallout 3", the music immerses the player into the environment of the video game, whether it is an underwater dystopia or the post apocalyptic Washington DC area. "Dead Space", a survival horror game set on an abandoned mining vessel in space, pushes the boundaries in terms of musical dissonance and terror by using innovative sound design. The …
Aesthetics In Culture, Dan Rager
Aesthetics In Culture, Dan Rager
Dan Rager
This article examines the role of aesthetics in art, music, non-art objects, and activities in daily life. It shows that recognition is vital to our understanding of art and art-objects and sometimes creates conflicts which ask, what does one do with art? The question becomes more confusing when we think about non-art objects and activities which concern our everyday experiences from eating, clothing, cleaning and dealing with life's natural elements. The author points out that Western cultures have a distinct artworld that is usually limited for special occasions set aside for that purpose. He suggests that aesthetics in culture is …
Arts & Letters: The Magazine Of Potter College At Western Kentucky University, David Lee, Dean, Kelly Scott, Managing Editor, Western Kentucky University
Arts & Letters: The Magazine Of Potter College At Western Kentucky University, David Lee, Dean, Kelly Scott, Managing Editor, Western Kentucky University
PCAL Publications
No abstract provided.
Arts & Letters: The Magazine Of Potter College At Western Kentucky University, David Lee, Dean, Kelly Scott, Managing Editor, Potter College Of Arts & Letters, Western Kentucky University
Arts & Letters: The Magazine Of Potter College At Western Kentucky University, David Lee, Dean, Kelly Scott, Managing Editor, Potter College Of Arts & Letters, Western Kentucky University
PCAL Publications
No abstract provided.
A Composed Space, Adam S. Hogan
A Composed Space, Adam S. Hogan
Graduate School of Art Theses
My practice is invested in expanding our conscious scope—revealing phenomena and observations, and presenting the information to the viewer through auxiliary channels. Using the language of minimalism, cinema, and abstraction I create technologically sophisticated systems to produce spaces of contemplation (a meditative space challenging the ephemeral relationships between our sensorial perceptions, space, and time).
Material, space, and technology become instruments for composition manifesting as silent experimental cinema (created and controlled sonically). My work seeks to illuminate our conscious scope through the succession of frames.
Arts & Letters: The Magazine Of Potter College At Western Kentucky University, David Lee, Dean, Kelly Scott, Managing Editor, Potter College Of Arts & Letters
Arts & Letters: The Magazine Of Potter College At Western Kentucky University, David Lee, Dean, Kelly Scott, Managing Editor, Potter College Of Arts & Letters
PCAL Publications
No abstract provided.
Volume 06, Kristen Gains, Amanda Willis, Holly Backer, Monika Gutierrez, Cara O'Neal, Sara Nelson, Sasha Silberman, Jessica Beardsley, Jamie Gardner, Edward Peeples, Matthew Sakach, Tess Lione, Emily Wilkins, Kelsey Holt, Jessica Page, Jamie Clift, Charles Vancampen, Gilbert Hall, Jenny Nehrt, Kasey Dye, Amanda Tharp, Jamie Leeuwrik, Ashley Mcgee, Emily Poulin, Michael Kropf, Nick Pastore, Austin Polasky, Morgan Glasco, Laura L. Kahler, Melinda L. Edwards, Brandon C. Smith, Mariah Asbell, Cabell Edmunds, Amelia D. Perry, Alyssa Hayes, Irina Boothe, Perry Bason, James Early
Volume 06, Kristen Gains, Amanda Willis, Holly Backer, Monika Gutierrez, Cara O'Neal, Sara Nelson, Sasha Silberman, Jessica Beardsley, Jamie Gardner, Edward Peeples, Matthew Sakach, Tess Lione, Emily Wilkins, Kelsey Holt, Jessica Page, Jamie Clift, Charles Vancampen, Gilbert Hall, Jenny Nehrt, Kasey Dye, Amanda Tharp, Jamie Leeuwrik, Ashley Mcgee, Emily Poulin, Michael Kropf, Nick Pastore, Austin Polasky, Morgan Glasco, Laura L. Kahler, Melinda L. Edwards, Brandon C. Smith, Mariah Asbell, Cabell Edmunds, Amelia D. Perry, Alyssa Hayes, Irina Boothe, Perry Bason, James Early
Incite: The Journal of Undergraduate Scholarship
Introduction from Dean Dr. Charles Ross
Caught Between Folklore and the Cold War: The Americanization of Russian Children's Literature by Kristen Gains
Graphic Design by Amanda Willis
Graphic Design by Holly Backer
Prejudices in Swiss German Accents by Monika Gutierrez
Photography by Cara O'Neal
Photography by Sara Nelson
Edmund Tyrone's Long Journey through Night by Sasha Silberman
Photography by Jessica Beardsley
Photography by Jamie Gardner and Edward Peeples
The Republican Razor: The Guillotine as a Symbol of Equality by Jamie Clift
Graphic Design by Matthew Sakach
Genocide: The Lasting Effects of Gender Stratification in Rwanda By Tess Lione and Emily …
Arts Madness: A Weeklong Celebration Of The Arts, Cedarville University
Arts Madness: A Weeklong Celebration Of The Arts, Cedarville University
Arts Madness
Arts Madness, a week-long celebration of the arts, featuring a pops concert, choral and instrumental ensemble concerts, solo recitals, a theatre production, and a student art exhibit, from March 28-April 3, 2014
Sound Exploration: Text To Music, Raisa Park, Annalisa Swank
Sound Exploration: Text To Music, Raisa Park, Annalisa Swank
The STEAM Journal
This sound exploration repurposes the familiar – written text – and literally translates it into music giving text a new form.
Something Wicked This Way Comes: Scoring Hamline University's Production Of "Macbeth", Andrew Brady
Something Wicked This Way Comes: Scoring Hamline University's Production Of "Macbeth", Andrew Brady
Departmental Honors Projects
This project represents a practical investigation into using original underscore in the modern theatrical experience. Over 40 minutes of cinematic, orchestral underscore were composed by the author specifically for Hamline University Theatre Department’s 2014 production of Macbeth. Using electronic scoring methods and digital playback strategies, the music was “performed” with variable timing that was able to directly match the performance of the actor’s for each show. The accompanying written musicological analysis explores the score’s uses of themes, spotting strategies, and integration of the show’s artistic concept. The analysis, in conjunction with the recorded score, demonstrates a cohesive effort to …