Open Access. Powered by Scholars. Published by Universities.®

Art and Design Commons

Open Access. Powered by Scholars. Published by Universities.®

Metal and Jewelry Arts

PDF

Eastern Illinois University

Masters Theses

Theses/Dissertations

1980

Articles 1 - 3 of 3

Full-Text Articles in Art and Design

An Approach To Wire Using Textile Techniques, Toni Vallette-Satterfield Dec 1980

An Approach To Wire Using Textile Techniques, Toni Vallette-Satterfield

Masters Theses

Wire can be used in the same way as fiber in many textile processes. Wire is used to gain the same richness of texture that is exhibited in fibers and to capture the light reflective quality of the textile techniques.

The following processes are not for beginning students. Much experimentation went into the research for each technique. The first method is coiling. This technique is a single-element stitch process (without the needle), worked continuously over a core. The second technique is crochet, involving a single-element structure in which loops are interlocked in a continuous manner. The third technique is loom …


Surface Treatment Of Metals, Dorothy Dunkirk-Bennett Jan 1980

Surface Treatment Of Metals, Dorothy Dunkirk-Bennett

Masters Theses

The purpose or this thesis is to relate to others my experimentation of various types of metals, and the methods employed to decorate the surfaces of these particular metals. The differences, and similarities in means of working with and decorating each type of metal used is also discussed.

The first part of the paper is devoted to a brief history of metal techniques. This gives a better understanding as to when the particular techniques were first employed and how many of them were almost lost with the arrival of nineteeth century industralization.

Techniques which I used, and the various means …


An Approach To Metalsmithing And Its Correlation To Specific Drawings, Susan Isabel Randall Jan 1980

An Approach To Metalsmithing And Its Correlation To Specific Drawings, Susan Isabel Randall

Masters Theses

The paper is concerned with my approach to metalsmithing which is directly correlated to my drawings; developing the two-dimensional plane and evolving into three-dimensional metal pieces. The lines of my drawings have become stimulus for my metal work; resolving into strong, linear, textural elements. I discuss three pieces which I have created and some drawings relating the transitions from paper to metal and metal to paper.

My references for these creatures are usually drawn from specific areas which have captured my interest. I have been considerably influenced by Early Irish, Celtic art and the Medieval French Grotesque art. The Celtic …