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Full-Text Articles in Art and Design
Dissonant Forms: Landscape, Nature-Love, And Art, Taylor F. Benoit
Dissonant Forms: Landscape, Nature-Love, And Art, Taylor F. Benoit
Masters Theses
As artists continue the long and storied lineage of Landscape, are there aesthetic responsibilities that come with representing the forces that afford you the capacity to do so? As we delineate spaces into places, endless interconnectivity into knowable “systems”, and living matter into thing based taxonomies, who do these delineations serve and with what intentions do we proceed? My studio art practice explores what it means to give form to our Former—the Former being that from which we came, the here and now, our explicit ecological reality, the stuff of what we call nature. …
Vincent Van Gogh's Wheatfields And Piet Oudolf's Meadows: Color, Contrast And Change In The Landscape, Erin A. Cox
Vincent Van Gogh's Wheatfields And Piet Oudolf's Meadows: Color, Contrast And Change In The Landscape, Erin A. Cox
Landscape Architecture Undergraduate Honors Theses
This capstone investigates the unique relationship between Vincent Van Gogh and planting designer Piet Oudolf's vibrant use of color and contrast in their work as it relates to their perception of the landscape. The project is mainly a comparison of the two artists, exploring Van Gogh's use of complementary colors and brushstroke techniques to create vivid contrast in his renderings of agrarian landscapes, and Oudolf's parallel approach to creating painterly meadows and prairie gardens. The project focuses on Van Gogh’s study of wheat field landscapes, which are essentially the same in structure and composition but can be used to compare …
Modified Landscapes, Esther Nooner
Modified Landscapes, Esther Nooner
Graduate Theses and Dissertations
Modified Landscapes is a body of work that reflects serious thought regarding Nature and its future. My personal experience and beliefs are at the core of why I believe this subject to be of great importance and why it will sustain many artists’ investigations for the time to come. The influences that informed this process are explored through experiences I had traveling, reading and exploring the photograph as a material object. The manipulation of the photograph is meant to question the beautiful, untouched scene and break the Romantic gaze that is historically tied to representations of Nature and insist upon …