Art and Design Commons^™

Illustrating Neuroaesthetics, Madeleine Golitz

Summer Research

This body of art attempts to bridge two subjects, visual art and neuroscience. It does so by illustrating five topics in neuroaesthetics, the study of how we see and perceive art. I believe beautiful things can happen at the intersections of interdisciplinary subjects and wanted to explore this one further.

The first piece begins with a straightforward introduction to the structure of the human eye. The drawings following increase in complexity, working further up the visual process. For instance, the second depicts intermediate pathways in the brain using Op art techniques. The third illustrates how memory influences how we see …

Sharing My Practice, Elayna Caron

Summer Research

In my research project I look at the intersecting lines of art and yoga and how the two are both founded around a practice. I explain what it means to share a practice and how I created workshops around art and yoga for the UPS community. I also share the images of my work that deal with ideas of art and yoga.

Psychologically Effective Art, Kris Shuford

Summer Research

My summer research is an immersive art installation which attempts to make viewers more aware of how they are affected emotionally by visual stimuli. It consists of three rooms, each of which is designed to have its own "emotional climate" or mood. By juxtaposing an anxiety inducing room with a peaceful environment, with an energizing space, the viewer is made more aware of how their emotions are impacted by artistic elements such as color, line, shape, pattern, and texture.

The Relationship Between Two Dimensional And Three Dimensional Art, Erin Wheary

Summer Research

I examined the relationship between the two dimensional and three dimensional art. I observed a relationship in content in the prints and sculptures of artists such as Joel Shapiro and Richard Serra. I wondered if I could create a similar relationship in my own practice. Additionally, I wondered how the art would change when I translated the formal elements or process from the two dimensional plane into a sculptural work, and visa versa.

Through an experimental process and extensive trial and error, I discovered how to create a relationship between the two dimensional and three dimensional. Moving from one medium …