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Full-Text Articles in Art and Design
Beyond The Veil, Noah S. Constantino
Beyond The Veil, Noah S. Constantino
PANDION: The Osprey Journal of Research and Ideas
The philosophy behind my work is accented by this process in the sense of its micro-complexity. The idea of reshaping a flat surface to mimic complex topography coincides with the question I’ve been asking myself throughout making this work: What is outside of our structured and contrived reality and what does that look like? The complexity of depth within the process and the constant re-evaluation of the surface of the print is a parallel attempt to answer this fundamental question. To answer this, the fear of the unknown will always be present, but we must not let its complexity distract …
Scrubbing Off The Grime, Angelena M. Chaishowarat
Scrubbing Off The Grime, Angelena M. Chaishowarat
PANDION: The Osprey Journal of Research and Ideas
Artist Statement
This piece is centered around isolation and caring for one’s inner child. The inner child is someone each of us has, and it is our job as the adult, to look after, keep safe, and protect this child. Growing up as an Asian American in the southern region of the United States, I felt an immense amount of isolation and lack of belonging. From a young age I felt alone, weird, strange, and out of place. I knew I looked different than most of my classmates, I knew my packed lunch was different, and I knew my last …
The Anxiety Of Presenting Identity, Savannah Fleming
The Anxiety Of Presenting Identity, Savannah Fleming
PANDION: The Osprey Journal of Research and Ideas
This work explores aspects of Queer identity, historical reflection, and acceptance through painting, printmaking, and collage. Savannah Fleming's artwork intends to reclaim art history and alter it to include those excluded from its canon. Through the use of prints, paint, and collage, they create works that address the bias of art history, while tackling contemporary problems of identity and acceptance. References and alterations to art history are her way of addressing the erasure of Queer and BIPOC (Black, Indigenous, and people of color) from the art historical canon, while battling with modern-day confines on individuality.