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Interdisciplinary Arts and Media

Portland State University

Dissertations and Theses

Theses/Dissertations

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Full-Text Articles in Art and Design

Combining The Historical And The Personal In Painting, Christopher A. Shotola-Hardt May 1997

Combining The Historical And The Personal In Painting, Christopher A. Shotola-Hardt

Dissertations and Theses

This thesis project consists of five large scale, abstract paintings executed on Masonite panels. A major component of these paintings is the heavily built-up surface texture. In order to achieve this heavy, sculptural surface, plaster and acrylic media have been applied in an aggressive, spontaneous manner using variously-sized masonry knives. The paintings are largely action-oriented. They are non-neutral, and they bespeak a great deal of intensity on the part of the artist.

The five paintings contain emotional content based upon personal experiences and family history. In some cases, I began a painting with the subject matter clearly in mind. In …


Supergraphics In The Portland Environment, John Earl Allgood Jun 1976

Supergraphics In The Portland Environment, John Earl Allgood

Dissertations and Theses

It is my purpose in this thesis to explore supergraphics ln the Portland area. I intend this thesis to be used as a source book for teachers wishing to implement supergraphics programs in their schools. I plan to divide my thesis into _ two areas: First, a survey of supergraphics in the Portland environment, and second, ' a survey of Portland area schools that have implemented supergraphlc projects or programs.

A substantial portion of the information compiled for this thesis comes from conversations with Portland area graphic designers, architects and teachers. I have included photographs of what I consider to …


Acrylic Polymer Transparencies, Inez Allen Kendrick Apr 1972

Acrylic Polymer Transparencies, Inez Allen Kendrick

Dissertations and Theses

Brief mentions by three writers on synthetic painting media first intrigued my interest in a' new technique of making transparent acrylic paintings on glass or plexiglas supports, some of which were said to I I simulate stained-glass windows. In writing this paper on acrylic polymer transparencies my problem was three-told: first. to determine whether any major recognized works of art have been produced by this, method; second, to experiment with the technique and materials in order to explore their possibilities for my own work; and third, to determine whether both materials and methods would be suitable for use in a …