Art and Design Commons^™

Living In Untranslatability--Performance Art In China And Usa, Ziyun Ma

Masters Theses

This thesis embodies discontinuities in performance art and its non-equivalent Chinese term “行 为艺术” between language and cultural context into a migrating journey. A comparative analysis on the disciplinary history of performance art studies in the US and China laid a foundation in exploring the dynamics of marginality in two contexts. Extracting from the narrative mechanism and body view of Chinese performance art, I demonstrate how the philosophy of living (生) inspired many artistic creation, which also echoes my research journey. And from our mutual living experience, I pose the concept of constructive untranslatability that applies positionality and situated knowledge …

A View Of Black Speculative Past And Future: An Interview With Tim Fielder, Julian Chambliss

Third Stone

No abstract provided.

Attitudes Of Experiential Designers Across Design Disciplines, Danielle Degarmo

Architecture Masters of Science Program: Theses

The expanded use of the term scenography is widening its understanding of the word to encompass many experiential design disciplines beyond its origin in theatre. At its essence, scenography is the culmination of a designer’s collaborative efforts to take a prompt, whether it be a client program, a script, or other, and produce a holistic assemblage of experiential design elements to spatially engage an end user. Many experts in across design fields have acknowledged that there is disciplinary cross over among those practicing in experiential design fields in terms of design output or intention. By means of designer surveys and …

How I Came To Jam With The Angels Of The Dirty South: A Journey Into Art And Art Education, Miki Skak

Graduate Theses and Dissertations

This paper dives into my personal journey from a far-left activist youth into becoming an artist. It explains how a poet saw artistic potential within me, introduced me to the world of art and eventually art education. I reflect on the art education I have received from several different art schools and how they try to adapt to the demands of the contemporary art world that has been in a constant condition of reshaping itself since Marcel Duchamp’s readymade. As an artist who is less focused on the techniques of traditional artistic mediums, I investigate how the state of art …

Where Will I Be From, Melissa Loney

Graduate Theses and Dissertations

Where Will I Be From is an exhibition and film centered around the intersections of generational grief and technology. I documented domestic locations connected to my family across the Great Plains. This on-site photo documentation was then used to create photogrammetric renderings of these locations and their structures, recorded in the open-source CAD software Blender. Together, these familial places, separated by hundreds of miles, were digitally compiled to make one collective world. The aesthetic of this project connects the visual languages of Southern Gothic and Low-Poly Video games. The Gothic nature exposes an isolated decaying presence within a rural landscape. …

Performative Mixing For Immersive Audio, Brian A. Elizondo

LSU Doctoral Dissertations

Immersive multichannel audio can be produced with specialized setups of loudspeakers, often surrounding the audience. These setups can feature as few as four loudspeakers or more than 300. Performative mixing in these environments requires a bespoke solution offering intuitive gestural control. Beyond the usual faders for gain control, advancements in multichannel sound demand interfaces capable of quickly positioning sounds between channels. The Quad Cartesian Positioner is such a solution in the form of a Eurorack module for surround mixing for use in live or studio performances.

Diffusion/mixing methods for live multichannel immersive music often rely on the repurposing of hardware …

Collaborative Storytelling In The Parable Task: The Dramaturg As Game Designer In Pervasive Performance, Percival Hornak

Masters Theses

Proceeding from a framing of theater as collaborative storytelling, I argue for defining role-playing games as a kind of performance and for their value in structuring experiential and participatory theater. Building on the impulse at the heart of experiential and immersive theater to place the audience within the world of the performance and center their experience, I explore what it means for theater artists to cede control over how audiences make meaning of their work in favor of letting narrative emerge from the participation of the audience during the performance event. I propose a framework called pervasive performance that merges …

William Albright's Whistler (1834-1903): Three Nocturnes: "Why The Hell . . . Should Anyone Listen To This?!", R. Douglas Reed

Music & Musical Performance

William Albright's Whistler (1834-1903): Three Nocturnes: "Why the hell...should anyone listen to this?!"

By Douglas Reed--2022

The article explores William Albright's Whistler (1834-1903): Three Nocturnes (1989) through historical context, musical analysis, performance practice, and the composer's essay on the relationship between his composition and Whistler's paintings. Commentary by composer Sydney Hodkinson gives information about the 1960s new music scene in Ann Arbor (the ONCE Group, The Grate Society) composition study with Ross Lee Finney.

Negative Estrangement: Fantasy And Race In The Drow And Drizzt Do’Urden, Steven Holmes

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This essay introduces the concept of negative estrangement to help understand current cultural interventions into the norms of depicting fantasy races. First, this essay builds on Shklovsky’s concept of estrangement to describe the literary practice of negative estrangement, wherein artists craft “more evil” foes based on hybridized amalgamations of stereotypes to create antipathy toward a subject, be it monster or fantasy race. This practice is sometimes used in service of confronting the issue of race and racism, despite seeming to reify or rearticulate racist stereotypes.

This essay builds on Tolkien’s argument in favor of creating “more evil” foes to exemplify …

Hands Are Hard: Unlearning How We Talk About Machine Learning In The Arts, Oscar K. Keyes, Adam Hyland

Tradition Innovations in Arts, Design, and Media Higher Education

Evoking the spirits of Fluxus scores and art education drawing books from the early 1900s, this instructional art object guides the reader through a series of poetic prompts, designed to investigate the phenomenon of “bad hands” created by generative artificial intelligence. By now everyone has seen the AI-generated images of hands from the uncanny valley. A body of discourse has emerged to discuss “bad hands” in generated images, including their usefulness as a media literacy tool for identifying synthetic images and as evidence of the continued necessity for humans’ artistic abilities. However, these applications may be short-lived as it is …

Giving Up Control: Hybrid Ai-Augmented Workflows For Image-Making, Joshua Vermillion

Tradition Innovations in Arts, Design, and Media Higher Education

This paper argues that if we are to come to creative terms with AI image-making then we must critically interrogate these new tools in the production of creative works. In doing so, designers can start to chart new creative workflows that integrate AI for image-making while augmenting and then evolving our current ways of designing. Workflows are shown that relate to how AI models can augment human creativity in hybrid (human and AI) creative endeavors while taking advantage of the affordances of these technologies.

Evocative And Provocative Image-Making In The Age Of Generative Ai, Julian Kilker

Tradition Innovations in Arts, Design, and Media Higher Education

Editorial for inaugural AI-focused special issue of Tradition-Innovations in Arts, Design, and Media Higher Education, published under the auspices of the Alliance for the Arts in Research Universities (a2ru). Discusses three articles by five authors in this issue: (1) Choreographing Shadows: Interdisciplinary collaboration to orchestrate ethical image-making by Mark Burchick and Diana Pasulka; (2) Giving Up Control: Hybrid AI-augmented workflows for image-making by Joshua Vermillion; and (3) Hands are Hard: Unlearning how we talk about machine learning in the arts by Adam Hyland and Oscar Keyes.

Editing this special issue explored several key questions: What does “innovation” mean when …

Hacking The Library Exhibition Panels, Sally Brown, Jackie Andrews, Matthew Conboy, Ruth Yang, Trudy Trudy Borenstein- Sugiura, Shan Cawley, Chantel Foretich, Xue'er Gao, Ryan Lewis, Robin Miller, Imari Nacht, Chris Revelle, Erin Tapley

Faculty & Staff Scholarship

The hacker ethos in the positive sense is about the ability to deconstruct and reconstruct information systems. Hacking starts with reconceptualizing libraries. Libraries are now beyond the book. As libraries evolve into a new sort of space --still a space for research, learning and study-- but also for community engagement and collaboration, library exhibits present a unique opportunity for both collaborating exhibitors and library users. Artists engage with libraries creatively through artist residencies, installations, using discarded library materials in their work, collaborative workshops, digital collections remixing, performances and more. Hacking the Library will present artwork that highlights the intersecting values …

El Vínculo Entre El Arte, La Política Y El Espacio Público: Una Investigación De Colectivo El Muro Cusco Y Su Resistencia Contra Poder Estatal Y La Censura Del Espacio, Stella Gould

Independent Study Project (ISP) Collection

El Colectivo El Muro Cusco es un colectivo libertario y autogestionado dedicado al apoyo a las luchas sociales y al intercambio de información alternativa. Activo durante los últimos 20 años, El Muro,1 como se le conoce coloquialmente, ha sido un proveedor de la verdad en Cusco, utilizando el arte y la protesta para expresar descontento con las injusticias perpetuadas por el gobierno peruano. Utilizando el muro del Paraninfo Universitario de la UNSAAC ubicado en la Plaza de Armas de Cusco como su centro focal, el Colectivo utiliza el espacio como galería de arte y lugar de exposición, pero también como …

Beyond The Veil, Noah S. Constantino

PANDION: The Osprey Journal of Research and Ideas

The philosophy behind my work is accented by this process in the sense of its micro-complexity. The idea of reshaping a flat surface to mimic complex topography coincides with the question I’ve been asking myself throughout making this work: What is outside of our structured and contrived reality and what does that look like? The complexity of depth within the process and the constant re-evaluation of the surface of the print is a parallel attempt to answer this fundamental question. To answer this, the fear of the unknown will always be present, but we must not let its complexity distract …

"The New Technologist" By Reggie James (Internet Journal, Issue 001: 4-6, 2024), Reggie James

Cal Poly Humboldt Digital Laboratory

An essay depicting the conceptual image of "The New Technologist", an arbiter of taste in our ever-present, technological future. The ethics of creative practice as a technologist are as important as the impact of the products. Our cultural aptitude for technology as creators is called into question while our creative potential parallels the rise in technological accessibility.

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Examining Our Relationship With Death: A Participatory Art Project, Lia A. Davido

Electronic Theses and Dissertations

Death is a fact of life, yet researchers such as Caitlin Doughty, Todd Harra, Ernest Becker, and others, have found that people deem death a taboo topic of conversation. Doughty herself started a social movement, death positivity, to encourage this taboo to be broken, and to normalize talking about death. However these researchers published their findings in the early to mid 2010’s, before a major pandemic made death a more common occurrence for people. Inspired by previous researchers' experiences, this project asks the question: How do people feel about death now, and can socially engaged art create a space where …

You Are What You Wear: A Vital Materialism Of Textiles, Walter J. Greenleaf Iv

Electronic Theses and Dissertations

Intermedial artworks are deemed effective when they draw from the roots of the most basic, universal elements of materiality, concept, sensation, and/or experience, melding disparate elements into an inextricable novelty. As hybrid artifacts, they take up an unusual degree of substance in one dimension or another, and can at times be difficult to categorize, describe, or document. Nonetheless, the potential for intermedial expressions to resonate with their viewership is strengthened by the depths to which the artist ventures, and through such a process the most far-reaching and complexly interconnected issues of our time can be made approachable on the personal …

Music As A Tool For Ecstatic Space Design, Pranav Amin

Masters Theses

Music and architecture share a sacred bond across cultures. Their histories intertwine and together, they shape ritualistic, religious, and popular practices. As one of the few remaining avenues of universal transcendental experiences that have been so integral to humans, music’s ability to create ecstatic spaces is ever more necessary for the modern human. This thesis uses spatial, artificial intelligence, visual, and aural tools—while engaging in a dialogue between rationalist architecture and shamanic conceptions of spaces—to create an ecstatic space that seeks to reimagine the union of music and architecture. It reveals new ways in which this union can be experienced …

Vr Let My Creativity Out: Youth Creating With Immersive Learning Technologies, Paula Macdowell Dr.

International Journal of Emerging and Disruptive Innovation in Education : VISIONARIUM

With a greater demand for ingenuity and innovation in today’s creative economy, educators need to be creative practitioners inasmuch as students must be, learn, and grow creatively. This qualitative study explores the affordances and constraints of youth creating with immersive learning technologies at a Youth VR Research Camp. A class of 28 students in grade 8, ages 13 and 14, were invited to participate as the co-researchers. The data collection methods included artifact analysis, student-led pair interviews, sharing circles, surveys, and observation. The process of research-creation involved MultibrushVR and FrameVR design challenges focussed on pro-social and environmental change. Findings …

“Come Think With Me”: Finding Communion In The Liberatory Textual Practices Of Kameelah Janan Rasheed, Jehan L. Roberson

Criticism

Defining text as anything that can be read, self-identified learner and artist Kameelah Janan Rasheed explores reading as radical communion within her multifaceted textual practice. A 2021 Guggenheim Fellow, Rasheed’s work spans vast bodies of knowledge and temporalities to interrogate both the aesthetic and the limits of the text. At times producing collages with letters cut out from books in her own expansive library, and at other times posting scans from various books that are marked up with her rigorous note-taking, Rasheed approaches the text as an invitation to commune with the author in order to collectively arrive at new …

On The Black Book As Durational: Noah Purifoy’S Desert Library, Paul Benzon

Criticism

What happens to a library in the desert? How does it transform as a material object under these pressures, and what might these transformations tell us about its capacity for bearing and registering history? This article considers these questions in relation to the artist Noah Purifoy’s found-object installation Library of Congress, one of approximately thirty works that make up the ten-acre space of the Noah Purifoy Desert Art Museum of Assemblage Art in Joshua Tree, California. The museum consists of a wide range of found-object sculptures, all deeply enmeshed within the space of the desert. The museum, and indeed Purifoy’s …

Instances Of The Spirit (Glossary), Kamari A. Smalls

Masters Theses

This thesis offers a performative methodology to engaging with the worlds and ideas that these words have generated in the form of a glossary. The list of words include: Ancestor, Anointing, Attune, Breath, Conjure, Conversion, Dance, Erotic, Ephemera, Ethervism, God, Girlhood, Hallelujah, Imagination, Improvisation, Jazz, Knowledge, Love, Liturgical, Magic, Memory, Performance, Prayer, Remnant, Repetition, Ritual, Root, Sacred/Secular, Silence/Stillness, Sound, Spell, Spirit, Testimony, Water, and Witness. Personal reflections, contemplations and expansions from other writing, and passages that come out of Black feminist thought, Black girlhood studies, and Black performance theory exist here simultaneously. This glossary demonstrates the theory, theology and lineages …

New Commandments, Jacob Sussman

Masters Theses

I reach into the earth, pull out mud-encrusted objects, and recombine them to define new meanings. With every object transposed, the past breaks down; new potentials form. “New Commandments” recombines historical symbolism through an intuitive building, destroying, and merging to reimagine or re-establish meaning.

The work critiques rites of passage, masculinity, and stereotypes by deconstructing how histories, ideologies, and preconceptions form.

As a queer person raised in-between Judaism and Christianity, social preconceptions and religious expectations festered my formation. Our choice is taken away at this moment of conception. To take back autonomy, I reimagine historical, and religious symbolism and transmute …

Vanitas, Sae Jung Oh

Masters Theses

Vanitas is a tribute to the missing pieces within the reconstruction of human memory, places, and data. It is a cartography of words, including home, apartment complex, reconstruction, mourning, archive, memory, memorialization, a god within, collective memory, photogrammetry, cyberspace, omnipresence, meandering, heterotopia, alleyway, construction site, and mirror. I invite readers to meander in the map of relations and be lost in the topography. What can you discover when you meander? What happens when you renounce being a subject and become an object seamlessly blended into the topography?

Cyberflesh: The Me I'Ve Made For You, Jordan Metz

Masters Theses

This thesis deals with the impact of digital life on individuals by examining how real things become virtual bodies of information. Throughout this text, I weave key theoretical and literary references between my own thoughts and experiences which led to the work that appears in this book. I find it useful to attend to the spaces in between entities, theories, and technolo- gies. In these undefined spaces lies the spiritual dimension of media, the everyday magic that makes digital life possible. These ‘in-betweens’ are the site of transcendence granted by technology. In my practice, I’ve learned that things have a …

New Mapping, Dowon Yoo

Masters Theses

Tools determine the shape of most of the worlds that are manufactured or measured. Taking the Earth as an example, territory is shaped and transformed by the tools of the earth's plate movement, the sea, and humans. A map, a recognized territory, is represented through numerical instruments, mathematical formulas, and visual devices such as lenses.

The instrumental perspective is one of the powerful lenses that will work effectively into the past, present, and future. So I started to apply an instrumental perspective to digital space. Digital space which is Non-physical has become one of the most important worlds for contemporary …

Distance: A Collection Of Studies Of Human-Computer Interaction To Explore Human Emotions And Relationships, Jinha Kang

Masters Theses

In today's society, technology has become an indispensable part of our lives, permeating our daily routines to the point where it feels as essential as the air we breathe. The COVID-19 pandemic further highlighted the profound impact of technology, revealing its dual nature. While video conferencing bridged distances and connected people, the excessive use of social media drove wedges between them. As a multimedia artist, this thesis focuses on harnessing the positive potential of technology. Specifically, the objective is to employ technology as a medium to create art that fosters meaningful connections among individuals and conveys intricate emotions and complex …

To Melt, Huanzhe Hu

Masters Theses

This thesis focuses on the need for a reevaluation of the relationship between humans and nature in the face of the current ecological crisis. The author argues that the dominant anthropocentric orientation, which sees nature as a resource to be exploited for human benefit, has led to over extraction and resource abuse, disrupting the balance of ecosystems. Instead, the author suggests adopting an ethical framework based on mutual understanding and appreciation, breaking the "hunter's gaze" and fostering empathy for non-human life forms. This thesis also explores the potential for new forms of communication and engagement with nature, such as through …

Manifesto Of Poor Images: Re-Imagine Guggenheim In The Post-Digital Age, Mengning He

Masters Theses

What is the role and value of low-resolution digital images, or "poor images," in a culture dominated by high-resolution and hyper-realistic digital media? This thesis investigates poor images from several perspectives: their technical characteristics, viewer’s experience, creative process, and artistic content.

With low-resolution as the defining characteristic of poor images, these pictures challenge the unceasing longing for ever-higher image resolution. While they seem unstable and untrustworthy, they challenge the obsession with higher resolution, offer an ambiguous visual experience, and provoke nostalgia. Poor images are open to appropriation, allowing users to become editors and co-authors. In the process of image-making, poor …