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Art and Design Commons

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Full-Text Articles in Art and Design

Trans-Inclusive Design, Erin White Jan 2019

Trans-Inclusive Design, Erin White

VCU Libraries Faculty and Staff Publications

The choices web designers make impact the online and offline experiences of real people who are transgender, non-binary, or gender-variant—choices that can affirm or exclude, uplift or annoy, help or harm. This article shines light on the decisions web professionals make every day and offers specific ideas for how to make content, images, forms, databases, IA, privacy, and algorithms trans-inclusive.


Bending Educational Reality, Mariam Rafehi Jan 2019

Bending Educational Reality, Mariam Rafehi

Theses and Dissertations

Virtual reality (VR), an emergent technology, affords experiential content delivery in education by evoking emotive responses in users, which can be prohibitive via traditional media. This thesis explores VR for the development of grit – passion and perseverance, which are essential characteristics in education and long-term success. The research proposes design strategies to stimulate senses for emotional engagement and a physiological response. In the project, two interactive environments position the user in emotional states to build passion and perseverance. To develop passion, the virtual world is designed to engage in creativity using 3D-spatial audio and visual effects. In contrast, to …


Relational Aesthetics: Creativity In The Inter-Human Sphere, Carl Patow Jan 2019

Relational Aesthetics: Creativity In The Inter-Human Sphere, Carl Patow

Theses and Dissertations

RELATIONAL AESTHETICS: CREATIVITY IN THE INTER-HUMAN SPHERE

By Carl Patow, MD, MPH, MBA

A thesis submitted in partial fulfillment of the requirements for the degree of

Master of Fine Art at Virginia Commonwealth University, 2019.

Major Director: Pamela Taylor Turner, Associate Professor, Kinetic Imaging, VCU Arts

Relational Art was first described as an art movement in Nicolas Bourriaud’s catalogue for the exhibition Traffic in 1995, and in an eponymous book in 1998. He observed that contemporary artists were shifting the focus of their work away from creating objects of spectacle to interaction with viewers through dialogue. Examination of a sample …