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Art and Design Commons

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Articles 1 - 4 of 4

Full-Text Articles in Art and Design

2004 Artist In Residence Biennial (Exhibition Catalogue), Sam Yates, Michael Brakke Jan 2004

2004 Artist In Residence Biennial (Exhibition Catalogue), Sam Yates, Michael Brakke

Ewing Gallery of Art & Architecture

The presence of acclaimed artists—who have lived and worked in major cultural centers across the country—enhances the educational opportunities for both undergraduate and graduate students enrolled in the University of Tennessee School of Art. With daily contact over the course of a full semester, resident artists develop a unique relationship with the student body which complements the creative stimulation offered by guest lecturers and the School of Art’s faculty. Representing diverse ethnic, cultural, educational, and professional backgrounds, these resident artists introduce another layer of candor and a fresh artistic standard for the students who, though early in their formal art …


Life In The City: The Art Of Joseph Delaney (Exhibition Catalogue), Frederick Moffatt, Sam Yates Jan 2004

Life In The City: The Art Of Joseph Delaney (Exhibition Catalogue), Frederick Moffatt, Sam Yates

Ewing Gallery of Art & Architecture

This catalogue accompanies the 2004 exhibition at the University of Tennessee Downtown Gallery in Knoxville, TN and is meant to provide greater insight and historical perspective of the artist's life and work. Some of the images reproduced herein were not included in the exhibition.


A Linear Perspective To Art, Sarah Littler Jan 2004

A Linear Perspective To Art, Sarah Littler

Humanistic Mathematics Network Journal

No abstract provided.


Japanese Painting And National Identity: Okakura Tenshin And His Circle, Victoria Weston Dec 2003

Japanese Painting And National Identity: Okakura Tenshin And His Circle, Victoria Weston

Victoria Weston

Japanese Painting and National Identity is the first monograph in English to address the art and philosophy of a group of Meiji painters regarded by many as seminal figures in the development of modern Japanese painting. Lead by the outspoken and widely published art critic Okakura Tenshin, this group, including artists Yokoyama Taikan, Shimomura Kanzan, Hishida Shunsô, and others, wrestled with the vexing problem of how to modernize traditional media, methods, and styles while keeping the results authentically Japanese. Yet they saw themselves not just as artists but as servants of the nation. Their task, they believed, was to give …