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History of Art, Architecture, and Archaeology

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Theses/Dissertations

1977

Articles 1 - 5 of 5

Full-Text Articles in Art and Design

The Effects Of Encouragement, Praise, And Discouragement On Internally And Externally Oriented Children, Judith A. Anderson Dec 1977

The Effects Of Encouragement, Praise, And Discouragement On Internally And Externally Oriented Children, Judith A. Anderson

All-Inclusive List of Electronic Theses and Dissertations

The primary aim of this study was to investigate three types of parent communication--encouragement, praise, and discouragement--with regard to feelings elicited and perceived helpfulness, as reported by fifth- and sixth-grade subjects grouped according to high, medium, or low locus of control. Subjects for the study were 37 male and 47 female volunteers. Bialer•s Children•s Locus of Control Scale was used to classify males and females into a high (internal), medium (middle range), or low (external) group. Encouragement, praise, and discouragement were operationally defined as those responses receiving total agreement from a panel of experts as representing the Adlerian concepts under …


An Extension Of Mcguire's Inoculation Theory T8 Controversial Topics, Michele S. Roberts Aug 1977

An Extension Of Mcguire's Inoculation Theory T8 Controversial Topics, Michele S. Roberts

All-Inclusive List of Electronic Theses and Dissertations

The purpose of this study was to investigate the extension of McGuire's inoculation theory to controversial topics. It was assumed that the employment of controversial topics would reverse the conditions described as obtaining with the employment of cultural truisms. McGuire's first study on the inoculation theory was used as a paradigm, and three hypotheses were investigated: Hypothesis One: A supportive treatment will be superior to a refutational treatment in conferring resistance to persuasion. Hypothesis Two: An active participation in developing defenses will increase the amount of immunity conferred. Hypothesis Three: There is an interactive effect between the type of defense …


Objectivity And New Realist Painting, Jacky Palman Jan 1977

Objectivity And New Realist Painting, Jacky Palman

Masters Theses

This thesis describes the methods of New Realist painting ( also known as Sharp-Focus Realism, Photo-Realism, Super Realism and Hyper-Realism ) and its philosophy of objectivity behind the photographic approach and the choice of subject-matter. It also points out that this aim for total objectivity is ultimately unattainable.

A definition of New Realism in painting follows in Chapter One, which also deals with the factors separating it from other photographically realistic styles - the primary distinction being the constant striving of New Realism for complete objectivity.

Chapter Two deals with the influences responsible for the emergence of New Realism. Pop …


A Philosophy Of Art, Robert Erickson Jan 1977

A Philosophy Of Art, Robert Erickson

Masters Theses

There is no universally accepted concept of the nature of art. Many are contented in believing that it is just some mystical quality. However, I believe that art is a basic human trait which has evolved over millions of years. This paper shall explain my own belief as to the evolution of art and how it is used by myself and other artists.

That which we believe to be true is a product of our individual experiences. In technology, religion, and in art there are no universal truths. All human beings percieve the world in different ways.

Two billion years …


The Three-Dimensional Image Of Chance, Calvin Alexander Mcfarlane Jan 1977

The Three-Dimensional Image Of Chance, Calvin Alexander Mcfarlane

Masters Theses

In order to create a work of art that has, for an unknown observer, as great a variety of meanings and interpretations as possible; the work must be of the sort that will allow any random observer to project their own experience into the work as its meaning and/or interpretation. The work of art created must present to the viewer a rich experience of mutually exclusive associations. For the work to be unlimited in associations, it must be free from any intentionally representative imagery on the part of the artist. In other words, the work should be abstract to the …