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Articles 1 - 7 of 7
Full-Text Articles in Art and Design
Otherworldly Gestures, Sadia Quddus
Otherworldly Gestures, Sadia Quddus
Masters Theses
OtherWorldly Gestures seeks to give form to the intangible. I work primarily with light as material substance to shape a speculative emotive space in which I make metaphysical phenomena experiential. I collaborate with ecological and technological elements to express a spiritual understanding of Self and World. Most recently, the work translates material objects and architectural elements from my cultural heritage, and gives visual and haptic form to the sacred relationship between body, soul, and natural world.
Through these explorations, I begin to propose a speculative OtherWorld. I delve into the precolonial, ancestral teachings of a mystical spiritual path, referencing Sufi …
Graphic Scotland: Visuality And Empire, 1810 – 1913, Laura Michelle Golobish
Graphic Scotland: Visuality And Empire, 1810 – 1913, Laura Michelle Golobish
Art & Art History ETDs
Graphic Scotland: Visuality and Empire, 1810–1913 interrogates the aesthetic, technological, and literary conventions used to represent Scotland’s character in nineteenth-century publications. Beginning in the late eighteenth century, publishers, authors, and readers began to correlate the material format of prints, books, illustration, and bookbinding with individual and national character. Periodicals and literature drew the correlations between the aesthetic conventions of picturesque Scottish landscape, physiognomy of Scottish authors, and bookbinding to frame ideas about Scottish character as a didactic model for middle class British and American readers. Thus, Graphic Scotland offers an intertextual reading of three illustrated publications about Scotland–J.R. Osgood’s 1882 …
Converting Horizontal Media For Vertical Platforms, Eric A. Hernandez
Converting Horizontal Media For Vertical Platforms, Eric A. Hernandez
Graphic Communication
Today, most media is viewed on mobile phones and seen on a vertical screen. There are very few methods for converting horizontal media into vertical media for vertical platforms. This manual shows new ways to redesign horizontal content so that it looks better on vertical displays; I imagine watching things like the Super Bowl or the The Grammys on TikTok or Instagram with a new broadcast design that is more attractive.
Open Articulations, Matthew Bejtlich
Open Articulations, Matthew Bejtlich
Masters Theses
Open Articulations invites an exchange between human and environmental worlds through cycles of improvisation, reflection, and rebirth. It is a study of how exchanges emerge, what forms they can take, how they are mediated, and how we can sustain them with each other and with our surroundings. Through our coordinated immersion in landscapes and our spontaneous creation in them through frameworks encouraging play, we channel the spirit of a jazz drummer riffing with his midnight quartet, exchanging rhythms, images, sounds, movements, and textual fragments. A gentle breath, a flickering sensation, a gesture: expressions of a specific time rooted in a …
Severing Union: The Queer Performance Of Steven Paul Judd’S “Stop The Dapl”, Matthew Irwin
Severing Union: The Queer Performance Of Steven Paul Judd’S “Stop The Dapl”, Matthew Irwin
Hemisphere: Visual Cultures of the Americas
No abstract provided.
Journal, Untitled, Angelo Chammah
Journal, Untitled, Angelo Chammah
Senior Projects Spring 2020
This journal has no owner.
It is simply out there.
It belongs to me, it belongs to you.
It is about personal moments but universal experiences.
What do you see when you drive with the window open?
What can you find in your own house?
What light is on at midnight?
Angelo Chammah
Catalysis., Mary Barton Nees
Catalysis., Mary Barton Nees
Electronic Theses and Dissertations
The artist discusses the process of discovery that led to her Master of Fine Arts exhibition at Slocumb Galleries, East Tennessee State University, from March 19 to 23, 2007. Investigations in printmaking, mixed media, and symbol are highlighted. The work for the thesis show consists of nineteen, 30" hand pulled works on paper. All works are oriented vertically and floated in the frame. Of this collection, thirteen are monotypes, four are collographs, and one is a collage. Insertions include intaglio, brayer marking, encaustic wax, paper, oil paint, pen, and sumi ink. Topics included are the artist's thinking into the nature …