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Full-Text Articles in Art and Design

Space As A Practiced Place, Elizabeth Leeper May 2017

Space As A Practiced Place, Elizabeth Leeper

Masters Theses

This thesis examines and retraces ways in which graphic design is fundamentally concerned with relational space, and tests spatialized theories, methods, and potential for praxis.

My practice investigates the relational qualities and dimensions of graphic design at three distinct scales.

1. Spatial logic (format) within a design object [Design space, book space, format, structure, sequence, counterforms, etc. (authority structure vs agency of user) within the design].

2. Spatial relations (sequence) between participants across a network. [Space to hear & see each other; to relate and connect].

3. Space within the world (circulation) [Space as composition, product, relational; not container, not …


Open / Close: Assimilating Immersive Spaces In Visual Communication, Anika Sarin Jan 2017

Open / Close: Assimilating Immersive Spaces In Visual Communication, Anika Sarin

Theses and Dissertations

I am interested in two spaces obverse to each other: open and closed. An open space develops organically based on how people inhabit it. Interacting with an open space is a dynamic, sporadic, multisensory, immersive, and subjective experience. In such spaces, we are confronted with an alternative aesthetic, one that is in conflict with the seamlessness of a closed space. A closed space is anchored on definite variables like structure, use and boundaries. While interaction between people and space is important, the space is tightly controlled and interaction is designed. Through this thesis project, I present a method that metaphorically …


Positions Of Place: Converging Viewpoints In Visual Communication, Gregory J. Schmidt Jan 2017

Positions Of Place: Converging Viewpoints In Visual Communication, Gregory J. Schmidt

Theses and Dissertations

This thesis includes a body of work that explores our visual relationship to the physical spaces and places we inhabit in our everyday lives. Today we live in a complex world where we are bombarded with fragments of information and inundated with distractions. As designers, we are equipped with tools and methods that allow us to experience and interpret our environment through multi-faceted perspectives and from different viewpoints. My approach to graphic design adopts techniques and practices from a mix of different disciplines. The work focuses on a design process that alternates between the parallel depiction of first-person and third-person …