Art and Design Commons^™

Destination Unknown, Dongheng Yang

Masters Theses

Since the end of my undergrad years, I’ve been noticing my increasing tendency to not want to talk much about my work. What is it that lingers inside of me behind such silence? What story could one possibly talk about his studio practice, when he has little to say? Well, this thesis documents the thoughts behind this silence, which, I have to admit, have fueled my works in the past two years. I investigate postmodern phenomena and literary analysis on pop culture in East Asia, including hikikomori and decisionism, to better understand myself and the world around me. Constantly faced …

Out In Thin Air, Daiqing Zhang

Masters Theses

My work often takes form in experience-charged installations underscored by phenomenology. The whys and hows behind the work mostly remain unspoken, since I would rather my work speak for itself. This writing project offered me the opportunity to comb through and tell the stories and thoughts that informed the work.

I have built a collection of documentation about the experience of having a sensitivity to moments of wonder in everyday life. These archives recorded sensuous imprints in life composed of mundane phenomena. In the collection there are images/footage of a glimpse of light leaking through cloud crevices; a brush of …

Spatial Reveries, Alexander Wenstrup

Masters Theses

We live in a hazy existence marked by rapid pace, development, digital consumption, and a deteriorating environment. Spatial Reveries hopes to counter the current trajectory and offer an alternative perspective by presenting one with moments of awe, discovery, and wonder to improve the disconnect between society and their surroundings. The work refers to a history of anamorphic art, cubism, deception, and optical phenomena in Western society. It operates on the urges and instincts of the artist, utilizing massing, light, transparency, horizons, and vastness, to challenge perceptions of space, time, and memory. Through the play of perspective and projection the work …

Garden Etiquette, Kai Wasikowski

Masters Theses

Garden Etiquette is an ongoing project concerned with landscape photography, environmental conservation, and the way they have both served the settler colonialist agenda. I focus specifically on the conservation ideologies shaped in New South Wales (NSW) Australia and New England, United States of America (USA) in the late nineteenth century and the settler visualities that underwrote them. Both countries’ histories were marked by photography and conservation’s common function of mythologising land as empty space—to be invaded, extracted and occupied, and wilderness—to be territorialized and protected, albeit, in distinct ways.

With British, German and Polish settler ancestry, born and raised on …

Disobeying, Mari Claudia Garcia

Masters Theses

Disobeying constitutes a deeper conceptual and formal inquiry into themes that have been permanently present in my art practice since I started thinking about them in 2008. My concerns are anchored in a socio-political study of communication and language as impacted by power relations, politics, micro-politics, and censorship. In this thesis, I particularly focus on the way in which I see censorship in relation to protest through my recent work, on account of the relevance these issues have for me after living most of my life in Cuba under a totalitarian regime.

Through this writing exercise, I also intend to …

Making Then Meaning, Ben Denzer

Masters Theses

This is an artist talk contained within a book. It is 816 pages and 49 minutes long. Closed captions run across the spreads. A video of this talk can be watched on bendenzer.com/making-then-meaning

At RISD, I’ve been prompted to expand the scope and tools of my practice and to reflect on questions of meaning in my work.

I spend my days making things, but I’ve never really had good answers to questions of why I make the things I make, or what their meaning is. I don’t think there are simple answers to these questions.

I think meaning comes from …

I Buried The Fireworks Under The Tree, Sihan Zhu

Masters Theses

Unreachable memories always surround me. I've been trying to extract logical parts from my chaotic memories, hoping to find a connection with the world within the soundless, intangible black fireworks stored in my retina under the grand fireworks display. When I first encountered intaglio printmaking, I impulsively drew subconscious memories on the plate, arranging them along some chaotic storylines. Gradually, I realized that I needed to create my own logical structure. So I started using specific visual symbols and repeating them, using the repetition of the printmaking process to search for logical clues. Printmaking with its special rhythm allowed me …