Art and Design Commons^™

A Comparative Analysis Of Henry Fuseli's Nibelungen Series And Drawings Of Courtesans, Kathryn Long

James Madison Undergraduate Research Journal (JMURJ)

In a series of drawings completed in 1805, artist Henry Fuseli illustrated Kriemhild, the female protagonist of the medieval German epic The Niebelungenlied. Around the same time period, Fuseli was also creating highly sexualized illustrations of courtesans. While other scholars have proposed that Fuseli’s sketches of courtesans show that he held a positive view of women, this essay compares his images of Kriemhild and courtesans to suggest that Fuseli saw Kriemhild a symbol of righteous fury, loyalty and justice, and as a moral opposite to contemporary sex workers. Fuseli’s idealization of Kriemhild combined with his posthumously published lectures reveal …

Megan Brandow-Faller. The Female Secession: Art And The Decorative At The Viennese Women’S Academy. Penn State Up, 2020., Christa Spreizer

Studies in 20th & 21st Century Literature

Review of Megan Brandow-Faller. The Female Secession: Art and the Decorative at the Viennese Women’s Academy. Penn State UP, 2020. 304 pp.

Introverse Arrangements: Rediscovering The Typewritings Of Ruth Wolf-Rehfeldt, Savannah M. Champion

Masters Theses

This thesis aims to understand Wolf-Rehfeldt’s place in the unofficial art world of the GDR by examining her work in light of her status as a clerical worker with social rather than professional ties to the art world. She stands out within the East German Mail Art context, not just for her inventive use of a typewriter to create abstract figurations, but for the way she used it to interject considerations of gender and power into a network of artists overwhelmingly dominated by men with her open-ended Typewritings.”

Through historical research and close readings of her work, this study uncovers …

Gustav Mahler The Protomodernist, Austin M. Doub

Musical Offerings

Steeped in a cultivated European tradition and burdened by several personal tragedies, Gustav Mahler undeniably shaped the course of classical music leading into the twentieth century. Holding fast to late Romantic stylistic conventions including complex rhythmic concepts, emotional and expansive melodies, and a strict adherence to form allowed the forward-thinking composer to seamlessly introduce modern elements into his symphonies. Through Mahler’s commanding symphonic output, the composer successfully maintained strong Austro-German stylistic principles while propelling the genre forward. In these symphonic writings, modern techniques of tonal decentralization, chromaticism, quotation, and paraphrasing are met with cohesive and compelling narratives to create balanced …

The Women Of The Bauhaus Weaving Workshop: Anni Albers' And Gunta Stölzl's Impact, Sophia Silane

Pitzer Senior Theses

This thesis discusses two female weavers, Gunta Stölzl and Anni Albers, and their critical works from 1920-1935 that shaped Bauhaus weaving and the artistic significance of the medium. Over the course of three chapters, the thesis discusses Stölzl's shift from pictorial to material interests, Albers' themes of mass production and industry, and the women's post Bauhaus years which involved Stölzl blending work and art and Albers expanding the capabilities and fine art presence of textile.

Rudolf Laban's Dream: Re-Envisioning And Re-Scoring Ballet, Choreutics, And Simple Functional Movements With Vector Signs For Deflecting Diagonal Inclinations, Jeffrey Scott Longstaff

Journal of Movement Arts Literacy Archive (2013-2019)

Several methods of movement notation, forerunners of modern-day Labanotation/Kinetography were published by Rudolf Laban in his 1926 book Choreographie. One of these has been referred to as vector signs because they represent movement as orientations (slopes) of lines through space. This article begins by comparing Labanotation direction symbols with Laban's earlier vector signs by looking at differences when simple sequences are scored in both formats. Concepts of space within the vector signs are examined, particularly Laban's idea of deflecting inclinations where movements are categorized as mixtures of two fundamental contrasting spatial and dynamic tendencies: dimensional stability and diagonal mobility. This …

Literarische Filmsimulation: Heinrich Eduard Jacobs Medienphilosophische Filmästhetik In "Blut Und Zelluloid", Paula Vosse

Arts & Sciences Electronic Theses and Dissertations

Heinrich Eduard Jacob´s novel Blut und Zelluloid was published in 1929 and therefore mostly reviewed as a critical artwork regarding European film-propaganda before the outbreak of the Second World War. This thesis provides the interested scholar with a different approach: It discusses Jacob´s media-philosophical method to simulate the upcoming medium film in literature. With his implicitly and explicitly organized systems of diverse media, he circumvents constraints of the Paragone-discourse and offers a well-balanced literary construction.

Jacob´s method is compared with Pinthus´ Kinobuch and Pirandello´s Shoot!, while Simmel and Benjamin provide the thesis with a fundament to support Jacob´s theoretical approach. …

Barbarossapokalypse, Amanda M. Glass

Honors Projects

Barbarossapokalypse is a short animated film that explores the mindset behind “sleeping king” legends. Frederick Barbarossa was a Holy Roman Emperor who was particularly popular with his public. After his death, people longed for a return to the “good old days” of his reign. He became a cultural icon for the German people; a symbol of hope, of a better future.

While in general, the future often looks grim, hope is not something humanity can afford to lose. What matters is where that hope is drawn from. Symbols like Barbarossa are dangerous, as they can lead to people always looking …

Sebald Beham And The Augsburg Printer Niclas Vom Sand: New Documents On Printing And Frankfurt Before 1550, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

This essay makes known two unpublished documents from the last years of the life of Sebald Beham (1500 Nuremberg–1550 Frankfurt) and uses them as a means to explore Beham’s relationship to printing, the town of Frankfurt, and the Augsburg printer Niclas vom Sand, who remains an unwritten part of the history of the period. The essay is organized as an autobiographical retrospective by an older man forced in prior decades to move from Nuremberg and seek employment and a new life elsewhere. The end of the essay evaluates the documents and aspects of them.

The Shadow Puppets Of Elsinore: Edward Gordon Craig And The Cranach Press Hamlet, James P. Taylor

Mime Journal

Taylor considers the role that book arts may play in Craig’s theories of the new theatre, or the Art of the Future. He expands our understanding of Craig’s design work to include print culture, examining his engravings for the monumental editions of Hamlet published by Count Harry Kessler’s Cranach Press in 1929–30. Taylor explores the relationship of Craig’s designs for the 1912 Moscow Art Theatre production of Hamlet to his engravings for the German and English-language Cranach Press editions of the play. He suggests that it was only with this print publication that Craig finally achieved the absolute artistic control …

Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Fireworks For The Emperor. A New Hand-Colored Impression Of Sebald Beham’S “Military Display In Honor Of The Visit Of Emperor Charles V To Munich”, Alison Stewart, Nicole Roberts

School of Art, Art History, and Design: Faculty Publications and Creative Activity

A little studied Einblattdruck, or single-sheet woodcut, from the sixteenth century shows early incendiary devices used to honor the entry of the Holy Roman Emperor in 1530. The large woodcut displays the military honors given to the emperor: cannons firing on a castle constructed for the occasion and fireworks. Harnessing the potential of powders for both pyrotechnics and color added by hand to prints was among the many cultural developments of the sixteenth century. This article makes known a recently rediscovered impression of the print, unique with hand coloring, which serves as the focus of discussion for several aspects …

Creating Knowledge, Volume 9, 2016

Creating Knowledge

Dear Students, Colleagues, Alumni and Friends,

Throughout my career as faculty and administrator in higher education I have been honored with the opportunity to introduce and celebrate the publication of scholarly work by colleagues and graduate students in many disciplines and institutions around the world. After more than three decades of doing so, this is the first time that I have the pleasure of introducing a formal publication of work created by a talented group of undergraduate scholars. This honor is further magnified by the fact that beyond its formal format, this is a reviewed publication of extraordinary rigor and …

The Collins: W. Collin, Court Bookbinders & Ernst Collin, The Author Of The Pressbengel, Peter D. Verheyen

Libraries' and Librarians' Publications

The Berlin-based firm of W. Collin led by Wilhelm and Georg Collin and the antiquarian, author, and editor Ernst Collin were among the leaders in German bookbinding trade and writings about the trade from the mid-1800’s into the mid-1930’s. During that same time, bookbinding experienced many transformations, as well, moving from a trade practiced in smaller master-run shops to large industrial firms, including changes in materials, book structure, aesthetics, and overall business climate with concerns about quality and business opportunities. As court bookbinders to Prussian Kings and German Emperors, the firm of W. Collin was privileged with access to commissions …

Die Collins: W. Collin, Hofbuchbinder & Ernst Collin, Der Autor Des Pressbengels, Peter D. Verheyen

Libraries' and Librarians' Publications

Die Berliner Buchbinderei W. Collin mit ihren Leitfiguren Wilhelm und Georg Collin, die letzten Hofbuchbinder zu den preußischen Königen und deutschen Kaisern, sowie der Antiquar, Schriftsteller und Redakteur Ernst Collin, zählten zu den bedeutendsten Persönlichkeiten der deutschen Buchbinderei von Mitte des 19ten Jahrhunderts bis in die 1930er des 20ten Jahrhunderts. In dieser Zeit erlebte die Buchbinderei infolge der industriellen Revolution eine Umstrukturierung von kleinen Handwerksbetrieben zu Großbuchbindereien. Dies führte mit sich Vereinfachungen und Rationalisierungen an Technik, Material, sowie ästhetische und wirtschaftliche Änderungen. Als Hofbuchbinderei hatte die Firma W. Collin unter Wilhelm und Georg Collin besonderen Zugang zu und Aufträge von …

Expressionist Art And Drama Before, During, And After The Weimar Republic, Shane Michael Kennedy

Dissertations and Theses

Expressionism was the major literary and art form in Germany beginning in the early 20th century. It flourished before and during World War I and continued to be the dominant art for of the Early Weimar Republic. By 1924, Neue Sachlichkeit replaced Expressionism as the dominant art form in Germany. Many Expressionists claimed they were never truly apart of Expressionism. However, in the periodization and canonization many of these young artists are labeled as Expressionist.

This thesis examines the periodization and canonization of Expression in art, drama, and film and proves that Expressionism began much earlier than scholars believe and …

The Bone Folder By Ernst Collin (2nd Ed.), Peter D. Verheyen, Ernst Collin

Libraries' and Librarians' Publications

DER PRESSBENGEL / THE BONE FOLDER: A DIALOGUE BETWEEN AN AESTHETICALLY- INCLINED BIBLIOPHILE AND A WELL-VERSED-IN-ALL-ASPECTS-OF-THE- CRAFT BOOKBINDER By Ernst Collin, translated and introduced by Peter D. Verheyen Der Pressbengel, by Ernst Collin, was originally published in German in 1922. Conceived as a dialogue between a bibliophile and a master bookbinder on all aspects of the bookbinding craft as well as specific techniques, the text also addresses the conflicts between quality and cost and matters of good taste. The family and bindery of W. Collin were Court Bookbinders in Berlin from the mid 1800 until the "liquidation" of the …

Man’S Best Friend? Dogs And Pigs In Early Modern Germany, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

When Jacob Seisenegger and Titian painted individual portraits of Emperor Charles V around 1532, a dog replaced such traditional accouterments of imperial power as crown, scepter, and orb.3 Charles placed one hand on the dog’s collar, a gesture indicating his companion’s noble qualities including faithfulness.4 At the same time, another more down-to-earth meaning for the dog had become prominent in the decades before the imperial portraits: the interest in and ability to eat anything in sight. This pig-like ability resulted in dogs, alongside pigs, becoming emblems of indiscriminate and gluttonous eating and drinking during the early sixteenth century when humanists, …

Stolperstein Für Ernst Collin, Peter D. Verheyen

Peter D Verheyen

Article (in German) provides biographical details about the life of Ernst Collin, son and grandson of Prussian and German court bookbinders, who was one of the leading writers in the field of bookbinding and the history of the book in the period between the World Wars.

On April 1, 2014 two Stolpersteine (Stumbling Blocks) were laid to memorialize Ernst Collin and his wife Else (nee Cronheim) in front of the entrance to their home at Cicerostr 61 in Berlin. Stolpersteine are “monuments created by Gunter Demnig that commemorate victims of the Holocaust. They are small, cobblestone-sized memorials for an individual …

Stolperstein Für Ernst Collin, Peter D. Verheyen

Libraries' and Librarians' Publications

Article (in German) provides biographical details about the life of Ernst Collin, son and grandson of Prussian and German court bookbinders, who was one of the leading writers in the field of bookbinding and the history of the book in the period between the World Wars.

On April 1, 2014 two Stolpersteine (Stumbling Blocks) were laid to memorialize Ernst Collin and his wife Else (nee Cronheim) in front of the entrance to their home at Cicerostr 61 in Berlin. Stolpersteine are “monuments created by Gunter Demnig that commemorate victims of the Holocaust. They are small, cobblestone-sized memorials for an individual …

The Bone Folder By Ernst Collin, Peter D. Verheyen

Peter D Verheyen

DER PRESSBENGEL/THE BONE FOLDER: A DIALOGUE BETWEEN AN AESTHETICALLY- INCLINED BIBLIOPHILE AND A WELL-VERSED-IN-ALL-ASPECTS-OF-THE- CRAFT BOOKBINDER

By Ernst Collin, translated and introduced by Peter D. Verheyen

Der Pressbengel, by Ernst Collin, was originally published in German in 1922. This is its first translation into English. Conceived as a dialogue between a bibliophile and a master bookbinder on all aspects of the bookbinding craft as well as specific techniques, the text also addresses the conflicts between quality and cost and matters of good taste. An introduction by the translator discusses the historical context of the decline of formal training, a trend …

The Bone Folder By Ernst Collin, Peter D. Verheyen

Libraries' and Librarians' Publications

DER PRESSBENGEL/THE BONE FOLDER: A DIALOGUE BETWEEN AN AESTHETICALLY- INCLINED BIBLIOPHILE AND A WELL-VERSED-IN-ALL-ASPECTS-OF-THE- CRAFT BOOKBINDER By Ernst Collin, translated and introduced by Peter D. Verheyen Der Pressbengel, by Ernst Collin, was originally published in German in 1922. This is its first translation into English. Conceived as a dialogue between a bibliophile and a master bookbinder on all aspects of the bookbinding craft as well as specific techniques, the text also addresses the conflicts between quality and cost and matters of good taste. An introduction by the translator discusses the historical context of the decline of formal training, a trend …

Eschatalogicallandscape, Kirby Farrell Prof

kirby farrell

Nazi obsession with art can be understood as a strategy for managing death-anxiety. The venerable trope of "immortal art" took on fetishistic qualities in the fantasies of the Nazi leadership. For many of them, art compensated for the trauma of World War I by framing idealized vitality invested with visionary self-expansiveness, as in the hyperbolic nudes of Thorak and Brekker, combined with a nostalgic recuperation of lost Victorian-era authority. In Ernest Becker’s terms, as creaturely motives, the manic looting of art works described in Lynn Nicholas’ The Rape of Europa acts out greed for life, appropriating hypostatized vitality as the …

Aha! Vivat Homo Sapiens, Agnieszka Taborska, James Bewley, Szymon Bojko, Conrad Armstrong, Vincent Balistrieri, Heidi Bochain, Sarah Brown, Vale Bruck, Lily Burickson, Marin De Charette, Sarah Dungan, Edie Faig, Matthew Fairbank, Amy Feldman, Jon Fernandez, Hal Forsstrom, Andrea Hackman, Leon Imas, Sherman Kew, Lara Kurtaman, Bri Mcdonnell, Lauren Nassef, Jesse M. Ragan, Allen Spetnagel, Adam Stanforth, Jenny Vovolvski, Ariana White, Chris Yates

Programs

Program for the twelfth and final annual RISD Cabaret held in the Cellar at the top of the Waterman Building.

Astonish Me! Recalling The Cabaret Spirit, Agnieszka Taborska, Dawn Danby, Ian Freeman, Eric Urban, Hyun Hee Cho, Marin De Charette, Matthew Cottam, Carolyn Gehrig, Matthew Heitel, Aimee Estilow, Sarah Rundlett, Robert Van Varick, Issak Tobin, Antoine Revoy, Lee Savage, Erica Wolf, Kevin Lang, Allison Brabee, Hyun-Suk Kim, Helen Lee, Marco Cimatti, Nicholas Fuhrer

Programs

Program for the 1999 RISD Wintersessoin Cabaret intiated by the "Image and Word" class in collaboration with students of RISD Cabaret 1998 and held at AS220. The presentation was conceived and performed in homage and celebration of past RISD Cabaret shows 1987-1998. Graphic Design: Ron Winter, Ji-Ho Sohn and Eric Urban.

The Cabaret Of Dead Souls: Harvesting Russian History, Agnieszka Taborska, Jake Mahaffy, Szymon Bojko, Gella Alhassid, So-Hee Cheong, Matthew Cottam, Dawn Danby, Lorreine Fedor, Andrew Gardner, Carl Henschel, Michael Hoard, Kevin Lang, Eric Leichner, Michael Libby, April Lin, Pia Restina, Markus Reyes, James Sanders, Nicholas Scappaticci, Brett Shagen, Michael Shih, Aika Tong, Araby Williams

Programs

Program for the eleventh annual RISD Cabaret held in the Cellar at the top of the Waterman Building. Graphic design: Mia Moran, Matt Murphy, James Wynn and Katia Popova.

Pennsylvania Folklife Vol. 46, No. 3, Don Yoder, Alfred L. Shoemaker, Paul R. Wieand, Earl F. Robacker, Ada Robacker, Herbert H. Beck, Edna Eby Heller, Vincent R. Tortora, Frances Lichten

Pennsylvania Folklife Magazine

• Two Worlds in the Dutch Country
• Belsnickel Lore
• Carpet-Rag Parties
• Quilting Traditions in the Dutch Country
• Lititz
• Lititz Specialties
• Amish Funerals
• Pennsylvania Redware
• Scratch-Carved Easter Eggs
• Fractur From the Hostetter Collection