Art and Design Commons^™

Sulfur And Sage, John Swincinski

LSU Master's Theses

Sulfur and Sage is a body of abstract paintings created out of memories of time spent immersed in the wilderness of the Rocky Mountains and the Yellowstone Caldera during the summer of 2020. The paintings reflect specific places, experiences, and insights, which occurred as I sought solitude by returning to the one place where I feel most at peace with the universe – the woods.

Each painting is augmented by a written vignette, describing the occurrence it is based on. Should the viewer choose to include these short stories as they encounter the artwork, they provide the jumping off point …

The Undiscovered Country, Luke A. Atkinson

LSU Master's Theses

The Undiscovered Country is a compendium of paintings, prose, and poetry that defines the place of creation. This work is a response to life as I find it, in as honest and truthful a way as my ability allows. Sergei Prokofiev said, “The more the sea rages, the more precious a hard rock among the waves becomes.” My paintings are solid rocks that I cling to. Hopefully, someone else can too.

The Stylistic Development Of Jean Despujols (1886-1965), Kelly M. Ward

LSU Master's Theses

This thesis is the first comprehensive scholarly analysis of the life and most extant works by Jean Despujols. The French and later naturalized American painter, writer, poet, philosopher, deep-thinker, and mystic was best known for his Neoclassical and academic style. This thesis briefly discusses the artist’s beginnings as a young painter at the School of Fine Arts in Bordeaux and in Paris, his sketches in the trenches of the First World War, his time at the Villa Medicis after winning the distinguished Rome Prize, and his paintings and thoughts as a philosopher and political writer throughout his life. An outstanding …

Hello Again يا اهلا A Study Of Grief, Diana Abouchacra

LSU Master's Theses

Grief is an unwanted visitor who we all come to know throughout our lifetime. Although every person reacts differently to bereavement of a loved one, almost always the lost other becomes etched into our being for the remainder of our lives (McClocklin & Lengelle, 2017). In today’s society, we are encouraged to say “Good-bye”, but what if instead, we allow ourselves to keep those who have passed on close to our hearts and say hello again? Hello Again يا اهلا is a body of work that explores my experience with grief. The artworks made for this exhibition investigate my process …