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Full-Text Articles in Art and Design

Dichotomy Of Self, Shelly Hokanson Oct 2012

Dichotomy Of Self, Shelly Hokanson

All Student Theses

This body of work explores, through a character named Doll, the impressions, emotions, and realizations I have experienced while undergoing a transformation of self, both inside and out. This collection of images also explores the dichotomy of solitude vs. companionship. (Abstract by OPUS staff from author text)


Preconciousness, Michael James Ripp Oct 2012

Preconciousness, Michael James Ripp

All Student Theses

Preconsciousness ... Explores the topographical model of the mind through the deconstruction of accepted realities. Blurring the boundaries of consciousness and unconsciousness. Embracing and accepting the abstract view of the mind as “realms” independent of each other. Surreal, yet familiar spaces and environments become a gateway to the preconscious and a deeper awareness. These unique spaces become a catalyst for a physiological journey to the unconscious. Complex views and interpretations of oneself and ones experiences come to the surface. Engaging memories and emotions such as anxiety ... joy… tranquility………manifesting as physical space as spaces become representations of unconscious. Minds are …


All That I Am Or Hope To Be, I Owe To My Angel, My Mother, Pamela Planera Oct 2012

All That I Am Or Hope To Be, I Owe To My Angel, My Mother, Pamela Planera

All Student Theses

All that I am or hope to be, I owe to my angel, my mother. A quote that binds the relationship my mother and I will always have, through life, death and the paths I choose for my future to fulfill a promise. A promise I intend to keep and fulfill until we meet again… on the other side…

All dilapidated architectural buildings of my series are considered symbolic spaces. They become tangible - representing a venue of dreams where we become deeply affected, by our behavior, our environment, our society and ourselves. Each venue spawned an identity - it’s …


Relational Viewing: Affect, Trauma And The Viewer In Contemporary Autobiographical Art, Matthew Ryan Smith Aug 2012

Relational Viewing: Affect, Trauma And The Viewer In Contemporary Autobiographical Art, Matthew Ryan Smith

Electronic Thesis and Dissertation Repository

This dissertation examines the communicative relationship between contemporary autobiographical art and the viewer. By analyzing the work of six artists, Richard Billingham, Jaret Belliveau, Larry Clark, Nan Goldin, Lisa Steele and Bas Jan Ader, I maintain that lived experience and personal history condition the way viewers respond to autobiographical art. I turn to literary theory as a critical methodology to argue that autobiographical art operates as a catalyst for identification, memory and self-discovery. I use affect and trauma theory to demonstrate how artwork produces meaning and discourse through the viewer’s feelings, emotions and bodily sensations. Consequently, I survey the importance …


Exposed, Shelly Barq Aug 2012

Exposed, Shelly Barq

University of New Orleans Theses and Dissertations

No abstract provided.


Ant Tribe, Yan Zhao Aug 2012

Ant Tribe, Yan Zhao

Graduate Theses and Dissertations

"Ant Tribe" describes the post-80s generation university graduates who live together in poor conditions without Social security in communities around China's major metropolises. They dream of a better life in big cities but struggle with low-paying jobs. These struggling "elites" have become the fourth weak Social group, after peasants, migrant workers and unemployed people. The reason why these college graduates are compared to ants is that they are like ants: clever, hardworking, politically weak and living in groups.

The real world is always different from the ideal world of the "Ant Tribe" in China. They often lose their purposes in …


Architecture As Drawing: Representational Space Architecturally Transformed, Andrew Arkell May 2012

Architecture As Drawing: Representational Space Architecturally Transformed, Andrew Arkell

Architecture Undergraduate Honors Theses

This thesis project was motivated by the premise that a drawing could take on architectural meaning beyond its initial performance as a re-presentation of an architectural idea. Initially, there existed the goal to create a drawing that was architecture. In the creation of a process wherein the drawing is the research, however, there comes an understanding that a drawing may never be literal architecture; although, the means by which the drawing is created might be architectural, or at the very least, speak to ideals which are fundamental to the creation, to the process, of architecture itself.


- Inter - An Examination Of Potential, John Cardone May 2012

- Inter - An Examination Of Potential, John Cardone

Honors Capstone Projects - All

Nothing exists that we cannot perceive, nothing is ours that we have not made, and nothing has meaning that we have not given. In order to foster a more active participation in the collaborative act of creation in which mankind engages every day, we must engage in art practices that are completely dependent on interaction and investment. The value of artwork is not derived from its original material but from the energy invested in it and the significance that it gathers from each hand through which it passes. None of us exists in vacuum; instead, all creation relies on collaboration …


An Inspired Romance: An Exploration Of The Lives And Work Of Artists Alfred Stieglitz And Georgia O’Keeffe, Dana Janell Lindsay May 2012

An Inspired Romance: An Exploration Of The Lives And Work Of Artists Alfred Stieglitz And Georgia O’Keeffe, Dana Janell Lindsay

Honors Capstone Projects - All

Statement Question: How did the evolution of the artists’ relationship affect their individual work?

  • With an emphasis the couple’s public and private persona, and its development over time.

The work begins with a brief biography of both artists, Alfred Stieglitz and Georgia O’Keeffe; providing an overview of their childhoods, education, and work, during the development of Modernism in the first half of the twentieth century. The work emphasizes the process by which Stieglitz facilitated the transition from pictorialism to modernism, his development of the period’s ideal female artist, and the opening of his famed avant-garde galleries. The work will also …


Delicious-Ology: The Science Of Delicious Food, Sasha Yan Apr 2012

Delicious-Ology: The Science Of Delicious Food, Sasha Yan

Undergraduate Theses—Unrestricted

You can read this book two ways. If you want to “just cook,” flip to the recipe index, pick a recipe, and skip straight to that page. The surrounding text will explain some aspects of the science behind the recipe. While the recipes in this book are chosen to complement and provide examples of the science, they’re also recipes that are fantastic in and of themselves.


From Celluloid Realities To Binary Dreamscapes: Cinema And Perceptual Experience In The Age Of Digital Immersion, Edwin Lloyd Mcguy Lohmeyer Jan 2012

From Celluloid Realities To Binary Dreamscapes: Cinema And Perceptual Experience In The Age Of Digital Immersion, Edwin Lloyd Mcguy Lohmeyer

Theses and Dissertations--Art and Visual Studies

Technologies in digital cinema are quickly changing the way contemporary filmmakers create films and how audiences currently perceive them. As we move onward into the digital turn, it becomes ever more apparent that the medium of film has been emancipated from its dependence on the photograph. Directors are no longer required to capture the objectively real as it sits before the photographic lens, but can essentially construct it via groundbreaking advancements in computer-generated imagery, motion capture technology, and digital 3D camera systems and display technologies. Since the origins of film, spectators and filmmakers have assumed an existing relationship between reality …


Adenine Uracil Guanine: An Exploration Of Certainty In Science, Alicia M. Hendrix Jan 2012

Adenine Uracil Guanine: An Exploration Of Certainty In Science, Alicia M. Hendrix

Scripps Senior Theses

Collaboration and communication between conventionally diverse fields can allow for deeper understanding and clearer analysis of the concepts within each. Two fields traditionally seen as dichotomous are those of art and science. Historically they approach problems in opposite ways. However, I would argue that they in fact investigate very similar questions, hoping to discover the ways that the world works. It makes sense, then, that historically these fields have sometimes been able to interact. Artists have engaged with science by creating work through scientific processes including crossbreeding flowers, genetically modifying organisms, and sequencing nucleotides. Others have referenced scientific ideas, like …