Art and Design Commons^™

Presenting And Curating Contemporary Installation Art; The Work Of Cornelia Parker And Céline Condorelli, Bridget Curtis

Belmont University Research Symposium (BURS)

The popular sentiment in curation among contemporary British art institutions has emphasized the attempt to reconcile with the divide between public art and art presented in institutions. The globalization of Britain in contemporary times has led to the wide dissemination of shows curated by British institutions. The location artwork is exhibited can change the reception and interaction with the work. Artists who use their work as a means of activism can benefit from the perception of a global audience. The question arises as to how impactful activism art can be when exhibited within the contemporary institution versus when it is …

Femagogical Strategies In The Art School: Navigating The Institution, Barbara Knezevic, Amy Walsh

Articles

This writing aims to define and examine ‘femagogy’ and the transformative potential for an inclusive intersectional feminist teaching practice in Fine Art education in the context of the contemporary Irish art school. This writing will trace the influence of linguistic power structures and the influence of broader institutional patriarchy in an educational setting and outline the inspirations and genealogies of femagogy. This writing provides situated embodied examples of femagogy in practice. It proposes the femagogical model of teaching as one that situates itself outside prevailing patriarchal models and proposes strategies to reimagine knowledge production and navigate the prevailing structural patriarchy …

This Is Just To Say, Iren Tete

School of Art, Art History, and Design: Theses and Student Creative Work

My memories are marked by the desire to evade logic. At a young age I became a proficient player of the “What If” game.

What if I could hold light in my hands?

What if shadows had form that could be touched?

What if I could see through structures?

These mental exercises affected my relationship with reason and validity. Aware of the threat of the ordinary, I embraced the inherent magic in the notion of possibility. I understand possibility as the limitless potential of object, thought, or scenario. This potential extends beyond the apparent and prompts more questions than it …

Entangled, Katherine Cox

School of Art, Art History, and Design: Theses and Student Creative Work

I create objects to incite wonder through their exuberance, inviting one to explore the beauty found in the strange and offering the viewer a way to interact with the discomfort of the unknown. Mysculptures are an assembly of engaging surfaces and forms revealing varying texturesandvibrant colors referencing natural and fabricated worlds. Each sculpture is entangled within its own environment or narrative and each is adorned for its own role, finding a balance between discord and harmony, captivation and repulsion.

Each is an individual exploration of the distinct qualities inherent within each object. They are precious in scale and stimulate …

The Alchemical Vessel, River Soma

MFA Statements

My work comes from a place of deep feeling on a bodily level. Amidst the decorative play, there is a sense of the primitive and primordial, and also a certain humanity and clumsiness through struggle. Through the hermetic tradition I relate the alchemical vessel and its symbolic process of interior development to my artistic practice. Focusing in mixed media sculpture, I discovered a concentrated accumulation of symbolism specific to my practice, but also the full recognition of my practice as a ritualized psychological undertaking.

Kaveri Raina Interview, Eva Swiecki

Asian American Art Oral History Project

Kaveri Raina is an artist working in Chicago, IL. She was born and raised in New Delhi, India and moved to the States at the age of eleven. In 2011 she received her BFA in Painting and Photography from the Maryland Institute College of Art, and in 2016 her MFA in Painting and Drawing from The School of the Art Institute of Chicago. Raina was a 2016 recipient of the James Nelson Raymond Fellowship, Fred and Joanna Lazarus Scholarship, amongst others. In fall 2016 she completed a five-week residency at Ox-Bow, in Saugatuck, MI. Raina has exhibited in Chicago, New …

Raeleen Kao Interview, Beena Patel

Asian American Art Oral History Project

BIO: Raeleen Kao is a drawer, printmaker, and amateur competitive eater aka glutton residing in Chicago with a Charles Brand etching press, a red tabby, and forty plants.

Her prints and drawings have been exhibited in museums and galleries across the country most notably at the International Museum of Surgical Science, the Monmouth Museum of Art, Bert Green Fine Art, the Smith College Museum of Art, Tory Folliard Gallery, Firecat Projects, and Normal Editions Workshop. Her work has been represented at SELECT Fair New York, the Editions and Artist Books Fair in New York, the Cleveland Fine Print Fair, the …

Making It Work: Supporting Contemporary Artists In Ulaanbaatar, Mongolia, Michael Curran

Independent Study Project (ISP) Collection

Following the country’s political transition to democracy in the 1990s, a generation of Mongolian artists constructed an art movement rooted in the issues of the new society: transitional national identity, corrupt political and economic systems, and a growingly complex relationship with nature. The liberalization of the economy, however, hasn’t nurtured sustainable creative resources or helped artists reach domestic or international markets, pressuring them to find alternative ways to create livelihoods out of their craft. This study considers how emerging multidisciplinary artists sustain themselves through both formal and informal means, and the motivations behind their creative lifestyles.

Central to the study …

Niki De Saint Phalle: The Female Figure And Her Ambiguous Place In Art History, Lucy Kay Riley

Student Publications

Niki de Saint Phalle had a fearless approach in her representation of women and her invitation of audience interaction. Born in 1930, she lived through the years of very male dominated areas of art: Abstract Expressionism, Pop Art, and Neo-Dada. Niki de Saint Phalle provided a unique treatment of the female figure through drawing, painting, writing, found object sculpture, large public sculpture, and installation. One of the pieces I will primarily focus on embodies her fascination with audience interaction and the portrayal of the female figure: her controversial and temporary installation of 1966, ‘SHE – a cathedral.' In comparison to …

And Or Not – The System, The Body And Time, Brian Fay

Articles

This catalogue text discusses artists and artworks featured in the exhibition BOOLEAN EXPRESSIONS: Contemporary Art and Mathematical Data, presented at The Lewis Glucksman Gallery, University College Cork, Ireland, 23 July – 8 November 2015. For an overview of the exhibition see the link https://vimeo.com/137620854