Art and Design Commons^™

Towards A Decolonial Feminist Aesthetics: Gender, Race, And Empire In Theresa Hak Kyung Cha’S Dictee, Juwon Jun

Dissertations, Theses, and Capstone Projects

Defining revolutionary struggle as a struggle between fictions, Trinh T. Minh-ha asserts that art in revolution is a spiritual presence which widens the conception of freedom. Political struggle is constituted by clashes in differently written and conceived realities—hinged on the creation and realization of multiple liberatory fictions. Liberation then requires us to attend to creating new myths and conceptions of freedom which can free us from the current structures of domination that produce current subjects and realities. If culture is indeed an “essential element in the history of a people,” mapping decoloniality in cultural and aesthetic fields may be essential …

Interview, Elizabeth Naiden

Theses and Dissertations

An exploration of work by Liz Naiden in the form of a conversation discussing light and dark, attention and proprioception, and design and architectural theories of space in installation works. Addresses the role of voice, speech, and reading and speaking aloud, performing for oneself, and performing for others.

Sartorial Semiotics: Constructs Of Gender And Female Sexuality In Post Wwii American And European Cinema, Patricia Cabral

Dissertations, Theses, and Capstone Projects

Cinematic costume design functions as a system of visually-perceived, material and indexical signifiers, an effective and compelling language further informed by styling and embodiment. Sartorial semiotics support and inflect role characterization, while equally underpinning or subverting tropes generated by ideological paradigms. The following methodological approaches were adopted in scrutinizing this topic: Roland Barthes’ application of semiotic theories to the domain of fashion in The Language of Fashion, and Laura Marks’ discussion of the dialectics of optical and haptic visualities in apprehending film images in The Skin of Film: Intercultural Cinema, Embodiment, and the Senses.

By examining the costume …

Signal To Noise: Harmonic Temperaments And Patterns Of Interference, Dylan A. Marcheschi

Theses and Dissertations

An audio/visual exploration of historical tuning systems. Most contemporary Western audiences will seldom if ever encounter harmony outside of post-Renaissance tuning conventions. This presentation highlights some of those pre-orthodox harmonic relationships which existed throughout most of history. The corresponding paper documents correlates in recent advances of acoustic ecology.

Appropriation Of The Highest Order: A Study Of Harry Smith’S Master Work, Film No. 18 Mahagonny In Relation To The Brecht-Weill Opera The Rise And Fall Of The City Of Mahagonny And Duchamp’S The Large Glass, Rose V. Marcus

Theses and Dissertations

Harry Smith’s Film No. 18, Mahagonny, 1970 – 1980, is a transmutation of the original Brecht-Weill opera, The Rise and Fall of the City of Mahagonny, a 1930, into a feature-length experimental film. This paper shows how the original opera and Duchamp's The Large Glass prove inherent to Smith’s double-pronged homage to both original works of art. The failure in the opera narrative and the chance shattering of The Large Glass inform Smith’s complex methodology to approach and spatialize cinema. Harry Smith’s use of the tools of the screening apparatus are traced in order to study Mahagonny in detail. The …

Errantry, Simon A. Benjamin

Theses and Dissertations

Errantry, Simon Benjamin's current body of work, named after Édouard Glissant’s theory, is comprised of a series of multi-channel video installations and related works. Errantry is centered on the polyphonic rhythms of coastal space, the Caribbean sea, and the life sustained by it in a non-linear narrative that raises questions about time, labor, environmental degradation and the ongoingness of colonialism.

Structures Of Time: Expressions Of Subjectivity And Social Politics In Works By Silvia Gruner, 1986–2014, Silvia Sampaio De Alencar

Theses and Dissertations

The works of Silvia Gruner (born 1959) illustrate the use of time registers as strategies to express contemporary subjectivity’s experiences with globalized environments between 1986-2014. Through this approach, the artist connects her production to the social politics of Mexico to critique the effects of globalization on Mexican society and culture.

Auto®Ficción Latinx De Nueva York (1999–2020), Jacqueline Herranz Brooks

Dissertations, Theses, and Capstone Projects

This research on the intersection of Literary Criticism, Latino Studies, Persona Studies, and Performance Studies has led me to question the accepted definitions of autoficción (Doubrovsky, Gasparini, Alberca, Casas, Schlikers) and expand that definition into a more multifaceted and operational term. Hence, I created auto®ficción, a new term describing the hybrid creations of a group of underrepresented contemporary Latinx authors living/producing/circulating their work in New York City, during the first two decades of the 21^st Century. For these authors, their life experiences and quotidian uses of this city’s spaces are the subjects of their work. Auto®ficción draws attention …