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Seam/Seem; Exploring Material, Craft And Embodiment Through Textile Sculpture, Heather Baumbach

MFA in Visual Arts Theses

I will argue that transforming textile materials from their origin as planate fiber, and manipulating shape and form through the employment of traditional craft techniques creates soft sculptures imbued with references to the human body. By highlighting the connections between the poetics of textiles and those of skin and the body, I examine themes of feminism, domesticity and labor encouraging speculation about intimacy, fragility, and embodiment.

Waiting To Exhale, Abigail H. Ogle

Theses and Dissertations

We breathe as a measure of time, it keeps us alive, and fabricates the pattern of our lives. We are punctuated by “snarls,” “glitches,” or moments of irregularity – of trying to catch one's breath, having it taken away, or gasping for it. It is the punctuation of sighs, huffs, sniffs, scoffs, screams, and deep intakes that appear as glitches in the breathing system.

In our daily rhythm of breathing, the presence of the glitch, defined as potentiality, can create space for something unexpected or new to arise. Using the wind from fans and approximately 1,260 square feet of silk, …

Conceal Reveal, Jacquelyn A. Bolton

Electronic Theses and Dissertations

My work is rooted in the human condition expressed through the materiality of textile and fiber arts and its connection to spirituality. The human condition, as I understand it, is the state of being a person complete with a mind, body, and spirit. This includes all the experiences a person encounters in life—birth, growth, aging, conflict, love, loss, grief, injury, relationships, trauma, rejection, joy, acceptance, and so on. The human condition answers the question: What does it mean to be a person? We are in flux. This ever-changing aspect of “being” is captured in the inherent qualities that are found …